百集大型纪录片《中国通史》由央视电影频道节目中心制作出品、中国社 会科学院监制、中国社会科学院历史研究所组织 撰稿并邀请国内多家重点大学、专业机构的研究 人员共同参与创作。 为了让广大观众先行了解其面貌，并听取各 方面意见，不断提高拍摄质量，电影频道从已经 拍摄完成的作品中，选出有关魏晋南北朝到隋唐 时期的7集先行播出，1月21日至27日晚8：50， 观众将分别看到《诸葛亮治蜀》、《魏晋风 度》、《北魏孝文帝改革》、《梁武帝治国》、 《魏晋佛教》、《再造统一》和《炀帝功过》。
Digital Media: New Learners of the 21st Century takes viewers to the frontlines of what is rapidly becoming an education revolution. The film, targeted at parents, teachers, and anyone concerned about education in America, explores how exceptional educators are increasingly using digital media and interactive practices to ignite their students' curiosity and ingenuity, help them become civically engaged, allow them to collaborate with peers worldwide, and empower them to direct their own learning.
1999年秋天，日本探险家关野吉晴正骑着脚踏车横越蒙古，偶遇了年仅6岁、桀敖不驯的蒙古女孩普洁。他想用相机拍摄她的模样，但她拒绝了：“如果你只是来这儿拍照的，那走开吧！” 然而，这却开启了他们之间的友谊。普洁很小就学会牧羊、骑马，蒙古社会与经济形态的转型为生活带来更大的考验。普洁在妈妈的坚持下到学校上学，这让她的梦想多了一双翅膀，飞跃蒙古草原……
《中国西部刑侦重案纪实》是《中国西部刑侦大案纪实》的姐妹篇。 1、绑架 2、灭门惨案；惊魂60分 3、 麻醉抢劫三陪小姐；复仇的女人 4、危险的“爱情“；婚外情的代价；千里追击假夫妻 5、流窜的末日；悲剧的背后；十六小时侦破纪实 6、大追捕；阴谋爆炸 害人害己；苍山除魔 7、亲家为何反目；忤逆不孝恶媳妇 8、买卖婚姻酿苦果；破碎的城市梦；强盗的末日 9、如此父亲；少年犯罪忧思录；被恶念牵引的女人 10、惊魂六小时；苦果 11、被摧残的花蕾；深山孽缘；一笔孽情债 12、车匪路霸的末日；冒充警察原形毕露；三元钱三条命 13、狂徒末路；夜幕下的血案 14、追妻杀人；两个涉黑团伙的覆灭；是谁刺杀了总经理 15、零九命案；六小时生死排爆 16、法盲除恶酿悲剧；人口普查查出杀夫案；她为何毒杀丈夫 17、 攀枝花系列抢劫杀人案；警民共擒凶；歹徒的末日 18、红杏出墙酿悲剧；爱你爱到杀死你；杀害妻子 天理难容 19、网上钓美；情网与陷阱 20、德阳6.21涉枪案侦破纪实；不幸婚姻引发纵火；夺名“媒人”
西方军队撤离后，阿富汗最年轻的女市长冒着生命危险带领下一代阿富汗人争取受教育的权利。
探讨千年之交日本恐怖电影的起源，这些电影以复仇鬼魂通过现代科技显现为主题，背景则是都市的疏离与社会的衰败。
节目贴身追击「港男」追求真爱的過过程，将一幕幕男女爱情攻略呈现观众眼前。「美容达人」陈莉敏（Queenie）、爱情顾问曹祐谦、「爱情玄学家」陈定邦、形象顾问Karl，以及心理配对顾问Terry组成「钻石男」评审兼导师团，肩起「红娘」职责，为「港男」、「港女」铺桥修路，缔结良缘。十多位勇气可嘉的求爱「盛男」，通过社交网站及婚姻配对公司甄选，脱颖而出，接受评审团最苛刻的面试。过程中，刁钻问题一浪接一浪，一众求爱「盛男」能否「顶得住」？什么震撼回答，竟令见惯大场面的Queenie亦不禁尖叫起来？正当「盛男们」以为面试完毕，可以松一口气之际，原来还有一项压轴秘密测试！评审团故意安排一位打扮普通的女同事，在「盛男们」离开途中假装跌倒，测试各人的品格、风度，到底十多位「盛男」镜头前后是否真的两个人？最后只有八位仪表、品格俱佳的「盛男」，可升成为「钻石男」，参加为期半年、以淘汰形式进行的真人Show《求爱大作戰》，八个席位花落谁家？
For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
几个老兵都在第二次世界大战时失明，唯有在梦中还能看得见。
A documentary on the areas affected by Hurricane Katrina.
