百集大型纪录片《中国通史》由央视电影频道节目中心制作出品、中国社 会科学院监制、中国社会科学院历史研究所组织 撰稿并邀请国内多家重点大学、专业机构的研究 人员共同参与创作。 为了让广大观众先行了解其面貌，并听取各 方面意见，不断提高拍摄质量，电影频道从已经 拍摄完成的作品中，选出有关魏晋南北朝到隋唐 时期的7集先行播出，1月21日至27日晚8：50， 观众将分别看到《诸葛亮治蜀》、《魏晋风 度》、《北魏孝文帝改革》、《梁武帝治国》、 《魏晋佛教》、《再造统一》和《炀帝功过》。
埃德·沙利文打破壁垒，邀请黑人艺人做客晚间综艺节目，这部纪录片讲述了这位电视先驱为争取平等做出的杰出贡献。
Hidden Kingdoms is an innovative new series from the BBC's Natural History Unit. For the first time it takes the viewer into a unique and unexplored miniature world, immersing you into the action-packed lives of the planet's smaller animals. Based in six of the planet’s most iconic landscapes: the open plains of Africa’s savannah, Arizona’s desert, the forests of Borneo, the woodlands of North America and the urban jungles of Rio and Tokyo. We’ll experience and see these habitats from a new visual perspective, pushing between blades of grass will feel like journeying deep into the densest jungle, while running from a hunting lizard will feel like a visit to Jurassic Park. This is a different approach to a traditional wildlife series. Based entirely on biologically accurate behaviour, it employs a unique range of filming techniques and constructed storytelling to recreate these animals' own distinctive perspectives and to illustrate the dynamism of their lives. Journey behind the scenes with Hidden Kingdoms to explore some of the techniques used to create this unique viewpoint, and why they were so important when revealing behaviour never before filmed.
"I want to give a view of the world that can only emerge by not pursuing any particular theme, by refraining from passing judgment, proceeding without aim. Drifting with no direction except one's own curiosity and intuition." (Michael Glawogger) More than two years after the sudden death of Michael Glawogger in April 2014, film editor Monika Willi realizes a film out of the film footage produced during 4 months and 19 days of shooting in the Balkans, Italy, Northwest and West Africa. A journey into the world to observe, listen and experience, the eye attentive, courageous and raw. Serendipity is the concept - in shooting as well as in editing the film.
《川味第四季》，彬歌导演及其团队将继续深入乡野市井，循着炊烟与酒香，再一次用镜头诠释人与食物的因缘牵绊。以美食为线索，娓娓道出这人间烟火里的百般滋味，通过乡愁乡味、市井小吃、江湖菜、私房菜以及曾经的官府菜，拨开这“百菜百味”里“味”的奥秘，并从中感受人们生活景象的变化，食物本身与人类味觉的不断调和，以及人们如何食其味而知其所以然。
奇兽、奇人、奇事。 取材于上古奇书《山海经》里的神话传说故事，纪录片《山海经奇》自带中国人骨髓里奇幻浪漫的气质：女娲造人、烛龙睁眼为昼、羲和浴日、羿射九日、嫦娥奔月、夔皮作鼓等远古恢弘的传奇故事，都隐藏着先人刻骨铭心的告诫；那些家喻户晓的英雄人物，都蕴含着中华祖先前仆后继的血脉凝聚。 《山海经奇》 是由中央广播电视总台（China Media Group）影视剧纪录片中心出品的纪录片。2023年2月17日，该片亮相纪录·时代答卷——2023年“大片看总台”发布活动。
里夫游历美丽热情、毒品泛滥、50年战火不止的哥伦比亚。游览热带海滨别墅，与民兵首领会谈，见证当地种植业者的抗议。
影片是电影《我不是药神》拍摄纪录片，讲述了电影拍摄的整个过程。从开拍到结束，从不同层面展示影片拍摄中的经历。
一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」
An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis. Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.
每天早上，我的母亲总是先于我醒来，她会先准备好我的午餐，然后出门。 每天傍晚，我的母亲会在外面吃过晚餐之后才回家，静静地梳洗完毕后就又回到属于她的房间，打开收音机关上房门，在晚上九点睡去。 我们生活在相同的空间里，但几十年来，我们就像是同个屋檐下的陌生人，唯一的交集是她为我准备的吃食，我们之间没有嘘寒问暖、没有母女间的心里话、没有“我爱你”。 当我注视着她，我知道在那震耳欲聋的沉默之下，藏着让她难以面对、无法言说的秘密。我知道在紧闭的双唇背后，是令她窒息且摆脱不去的耻辱。 这天，我终于鼓起勇气与她开启对话，但我真的准备去好面对她将给出的答案了吗？ 我们又是否都能够好好面对那些已经被埋藏许久的过去？
This is a story about people in love with cinema, and a country going through its most difficult times. A group of friends, who met sometime ago in a movie theatre, get together to see one of them off to Belgrade. So their journey begins: from personal memories to the remembrance of their country, out of a small dark room to the mystery of Kiev's night. Their last stop - the farewell party where reality and cinema once again become a single whole.
