百集大型纪录片《中国通史》由央视电影频道节目中心制作出品、中国社 会科学院监制、中国社会科学院历史研究所组织 撰稿并邀请国内多家重点大学、专业机构的研究 人员共同参与创作。 为了让广大观众先行了解其面貌，并听取各 方面意见，不断提高拍摄质量，电影频道从已经 拍摄完成的作品中，选出有关魏晋南北朝到隋唐 时期的7集先行播出，1月21日至27日晚8：50， 观众将分别看到《诸葛亮治蜀》、《魏晋风 度》、《北魏孝文帝改革》、《梁武帝治国》、 《魏晋佛教》、《再造统一》和《炀帝功过》。
埃及王子塔米诺（西蒙·基赛德 Simon Keenlyside 饰）在临危受难之际得到了夜女王的拯救，夜女王将自己的女儿帕米纳（Dorothea Röschmann 饰）的肖像拿给塔米诺看，美丽的帕米纳一下子就俘虏了王子的心。夜女王告诉王子，帕米纳被一位名叫萨拉斯特罗的 男子给掳走了，如果王子能够将自己的女儿平安的带回来，就把帕米纳许配给他为妻，塔米诺欣然应允。 实际上，萨拉斯特罗并非夜女王所说的那样十恶不赦，夜女王的丈夫在死前将女儿托付给他，交由他来管教，这一举动招致了夜女王的不满，于是设下了如此的计谋。在拯救帕米纳的途中，聪慧的塔米诺渐渐识破了夜女王的阴谋。
1998 年，一名 23 岁的女子在加勒比海游轮上失踪，她的家人坚持不懈地寻找答案。这部真实犯罪题材剧集对本案进行了探讨。
“这可是总体战。没有人能帮我们，欧洲大陆已经沦陷，我们孤身对抗猛兽。” “有史以来最美的机器”和她英雄的飞行员们赢得不列颠之战的故事。传奇的秀泼马林引擎轰鸣声中一场不可思议的历史之旅。
本片改编自波诺风靡全球的回忆录《屈服：四十首歌，一个故事》，并融合其同名新书巡演及剧场表演《波诺：救赎之路》的精华，将这位U2主唱广受赞誉的个人舞台秀《救赎之路：关于文字、音乐与戏谑时刻的夜晚》进行全新影像化重构。通过剖白非凡人生中支撑他前行的家庭羁绊、挚友情谊与信仰之光，这位摇滚巨星首度袒露身为儿子、父亲、丈夫、社会活动家等多重身份的心灵史诗。除了灯塔剧院演出的独家首度曝光珍贵幕后，影片更收录波诺倾情演绎多首贯穿其艺术生命与精神传承的U2金曲现场，让观众在音符与故事的共振中，见证一代传奇的自我救赎之旅。
In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it. Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused of making up their allegations, later they are prosecuted for giving false testimony and sometimes they end up serving prison sentences. ‘Victim/Suspect’ shows how the roles are reversed so the perpetrators are declared innocent while the victims sometimes end up behind bars and other times end their lives. Rae de Leon gets first-hand accounts from the women and interviews legal experts as she delves into police methods, interrogation techniques and preliminary investigations, and the outcome reveals a corrupt system. Nancy Schwartzman charts a law enforcement agency that confuses victims and suspects and is relevant far beyond America’s borders. It is a powerful testimony to systemic failure, police handling of cases and a determined journalist’s attempt to change it.
Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies? In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson. The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.
本片帶我們回溯重大公民運動：民權運動、女權運動、菸害防制、環境保護，再連結到今日，停止開採地下石油與天然氣的運動正在壯大，期望能解決氣候變遷、迎接永續能源，紀錄片探討燃燒更多的石化能源真的能讓地球更乾淨嗎？
杰森·莫玛走遍全国，会见那些开拓自己道路的杰出人士——从工匠到摩托车制造商，从音乐家到运动员。
拳赛之日展示了处在生涯巅峰的爱尔兰裔中量级拳手Walter Cartier与中量级鲍比詹姆斯对决的那一天（1950年4月17日）。这部电影以关于拳击历史的短暂旁白开场，然后拍摄Cartier（与他的兄弟Vincent）的一天，这时他正在为晚上10点的比赛做准备。他先在格林威治区西12街的公寓里吃了早餐，然后前去参加了早弥撒，并在他最喜爱的餐馆享用午餐。在下午4点，他开始准备比赛。晚上8点，他在新泽西州纽瓦克的劳雷尔花园的更衣室等待战斗开始。最后，我们看到拳赛的过程，Cartier在短时间内胜出。 12分钟版与16分钟版的区别是，后者有一段关于拳击历史的开场旁白（4分钟），由资深新闻播音员Douglas Edwards用一种严肃的，带着些许黑色幽默的语调念出。 Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, particularly the day of his bout with black middleweight Bobby James. This 16-minute short opens with a short (about 4 minutes) study of boxing's history, narrated by veteran newscaster Douglas Edwards in a no-nonsense, noir tone of voice. After this, we follow Walter (and his twin brother Vincent) through his day as he prepares for his 10:00 P.M. bout. After eating breakfast, going to early mass and eating lunch, he starts arranging his things for the fight at 4:00 P.M. By 8:00, he is waiting in his dressing room, where he undergoes a mental transformation, turning into the fighting machine the crowd clamors for. At 10:00, he faces James, and soon, he comes out victorious in a short match which was filmed live on April 17th, 1950.
This is the story of the rise and fall of the Third Reich told like the drama it really was: through the personal relationships of the movers and shakers of the Nazi Party.
这部由电影制片人兼多媒体艺术家约翰·格里蒙普雷（代表作《双重特工》）创作的新纪录片堪称一部精心结构的电影随笔。影片以刚果及其首位民主选举的总理帕特里斯·卢蒙巴的谋杀为背景，融合了地缘政治、爵士音乐、冷战阴谋和殖民实践，是一部爆炸性的混合体。片中既有详尽的研究和数据，又在形式上绝对巧妙和自由。影片追踪了卢蒙巴的权力崛起以及殖民者对将国家控制权交给其公民的抵抗。同时，影片还记录了美国试图通过派遣爵士音乐家如妮娜·西蒙、杜克·艾灵顿、路易斯·阿姆斯特朗等人来影响该国的努力。这些音乐家来到刚果演奏，浑然不知他们不过是中情局阴谋的幌子。最终，这部影片充满了音乐和电影能量，同时对仍然拒绝被抹去的殖民幽灵发出了一声强烈的政治控诉“我控诉”。
