　　1900年代，清未的北京。遭八国联军蹂躏过的京城，满目疮痍。立志推翻清帝统治的秋瑾（李秀明饰）在友人资助下，东渡日本留学，寻求救国真理。她与徐锡麟（李志舆饰）等击掌为盟，并结识了《警世钟》作者陈天华（陈希光饰），身在异乡，巧遇知音，大家共同憧憬着祖国的未来。秋瑾等人的革命活动遭到日本当局的限制，广大学生集会抗议，陈天华更是以投海殉身明志，呼唤苍生醒悟。不久，秋瑾奉孙中山（石维坚饰）委派回到上海，创办中国女报。她回到故乡绍兴，与王金发（张克忠饰）一起联系各地会党，准备浙皖两省起义，后因东窗事发，秋瑾被捕......

1771

1983

秋瑾

主演：李秀明,李志舆,王馥荔,于是之,黄梅莹,丛珊,言兴朋,石维坚

　　从梦境到焦虑症，这部由奥斯卡奖得主艾玛·斯通讲述的具有启发性的剧集带您探索大脑内部的活动。

　　在这部“芳香馥郁”的纪录片中，Dior迪奥首席调香师François Demachy将带领观众深入探索香水制作的个中奥秘。自2006年起，电影制作人耗时两年之久，追随调香师走遍法国和世界各地，只为甄选优质原材料。影片介绍了投身保护香水制作的悦人馨香、精湛工艺和祖传技术的相关人士，歌颂美丽和自然的守护者。香水创作远非孤军奋战，而是才华横溢的有志之士共同努力的成果，而这其实也是调香师本人所诠释的香水奥秘的关键所在：“我最喜欢的工作内容是人类探险活动，是知识和见解的交流，同时也是我们对自然的热爱。”

主演：迈克尔·摩尔,Tucker Albrizzi,Tony Benn

简介：

　　一向作风犀利的美国纪录片导演迈克•摩尔（Michael Moore 饰）此次将矛头对准美国引以为豪的医疗保险体制，他采访了因无医保饱受伤病折磨的美国民众，揭露了美国医疗保健行业的黑幕，对美国负责药品审批的食品和药物管理局、负责监督医疗保健行业的国会议员进行了毫不留情的批评。通过大量个案以及和其他资本主义国家甚至社会主义国家的对比，向观者展示了所谓完善的美国医疗保健行业当前存在的种种弊端。
　　本片荣获美国电影电视剪接师协会最佳纪录片剪辑奖、2008北美广播影评人协会奖最佳纪录片奖、2007芝加哥电影评论协会奖最佳纪录片奖、2007拉斯韦加斯电影评论组织奖最佳纪录片奖、2008纽约电影评论圈奖最佳纪录片奖等，并与导演之前两部作品《克伦拜恩的保龄》、《华氏911》并称为“高调三部曲”。

5488

2007

医疗内幕

主演：迈克尔·摩尔,Tucker Albrizzi,Tony Benn

简介："Armed Only With A Camera: The Life and Death of Brent Renaud" is an intimate film about documentary filmmaker Brent Renaud, the first American journalist killed in Ukraine. Brent captured many wars on the front lines, but he cared most about the people caught in the middle. On March 13, 2022, Brent was gunned down by Russian soldiers. His younger brother Craig Renaud recovered Brent’s body and his final recordings from Ukraine, and brought them home to Arkansas. Brent’s journey home also serves as a window into what drove him as a journalist, and how he viewed the world through his lens. This film is dedicated to Brent and all the journalists who use their cameras to fight for peace.

　　Massive machines require engineering extremes.
　　The massive man-made satellite, commonly known as the International Space Station, hurtling around the Earth at 27,600 km an hour, has been a temporary home for humans for the last 20 years. The biggest land vehicle on earth, a bucket excavator titled Bagger 293, that can move 240,000 cubic meters of dirt each day. Innovation has always meant building bigger, faster, taller, longer and stronger than anything that came before. We’ve seen them in dramatic visual fashion. But how do these actually work? What sets each machine apart. What big ideas drove its evolution and what limitations did this machine overcome? What forces was it built to withstand and where is the breaking point? Using CGI and expert insights, we ‘strip down’ the design of some of the world’s unique colossal machines and reveal mechanical secrets that not only made them work, but also changed the world in a big way!
　　Each episode explores four incredible machines, linked thematically. From sea and space faring designs, to mega airborne, mining and industrial machines, we’ll break down what they can do as well as key inner mechanics and materials that make it all possible. Dynamic archival footage featuring; slow motion, aerials, and time-lapses get us past the ‘caution’ tape and up close and personal with these compound monsters. CGI provides breakouts and blueprints and a look at hidden mechanisms. Adding expertise of structural, mechanical, chemical and forensic engineers to help reveal what’s at stake when these colossal constructions are put work, and how all the pieces come together to make a big impact.
　　EPISODES:
　　S1 E1 Sea Monsters
　　S1 E2 Astronomical Engineering
　　S1 E3 There Be Dragons
　　S1 E4 Sub-Zero Supermachines
　　S1 E5 Earth Biters
　　S1 E6 Mammoth Manufacturing
　　

From the mighty Amazon’s icy source to its plume reaching as far as the Caribbean, National Geographic Explorer teams conduct groundbreaking research to take the pulse of one of the planet’s integral and endlessly magical resources. From the health of river turtles and pink dolphins to the migration of Andean bears, extreme urgency is met by equally hopeful solutions.
　　Premieres October 10 at 9/8c on National Geographic
　　Streams next day on Disney+ and Hulu

这是一曲人类文明发展的挽歌，从黎巴嫩的巴尔贝克神庙，到乌克兰被战争摧毁的废墟，再到2023年土耳其7.8级地震的遗迹。俄罗斯电影大师维克多·科萨科夫斯基将镜头对准人类社会的建筑基石，他与意大利建筑师米歇尔·德·卢基共同探讨文明兴衰，当代文明究竟该怎样建设？影片新颖的视角带来前所未有的视觉与情感冲击，入围第74届柏林国际电影节主竞赛单元。导演曾担任第22届上海国际电影节纪录片单元评委会主席。

　　每天清晨，佘偉豪和黃俊修都會走到大角咀的鮮魚行學校上課。
　　兩人的基層家庭生活寫照，以及這種「互相照顧」的經歷，在這裡比比皆是。內地出生的董汝峰、譚志澤，甚至班上最受男生歡迎的黃嘉琪都有著同樣故事：家人為孩子們前途著想，毅然來到香港，屈膝於狹窄的房間裡生活；但對孩子們而言，一下子面對成長環境的改變，重新追溯另一個地方的認同和價值，是一種值得的「投資」嗎？一次上電視的經歷，卻改變了佘偉豪的故事。
　　到底「家庭」對這群小孩子來說，是怎麼一回事？究竟社會的「成就」指標，與家長望子成龍的渴望，在他們而言，又是什麼？假如探聽孩子們對家長，對成年人，甚至對社會存有什麼「期望」，答案在成年人眼中是否不值一提？
　　即使生活在不安定的環境中，孩子依然會努力嘗試展現其生命力，這是成年人不欲或無暇去理解的，亦是「子非魚，焉知魚之樂」的本義。
　　J and Jacky have been best friends and inseparable since they met in the first grade. Born in Hong Kong, J was raised single-handedly by his mother, who was a mainland Chinese. Together they shared a subdivided unit of no more than three meter wide. Every time when J's mother had to go back to the mainland for "permit renewal", she left him with Jacky's family. However, J's life changed after he went on television one day...
　　获奖情况：
　　2014年獲得第四屆法國"中國銀幕"紀錄片電影節謝閣蘭獎
　　2013年獲得第八屆FIRST青年電影節最佳紀錄片