Auction Hunters, Allen Haff and Ton Jones, travel America bidding on unclaimed storage units they think will contain the most hidden treasure - worth big cash - the better the history the higher the price.
After Porn Ends, is a documentary that not only examines the lives and careers of some of the biggest names in the history of the adult entertainment industry; but what happens to them after they leave the business and try and live the "normal" lives that millions of other Americans enjoy. They hailed from the rural South, steel towns, and the San Fernando Valley. As teenagers, and young adults, none of them thought that porn was in their future. They were artists, baseball players, child prodigies, and even Ivy Leaguers. Now, after their lives in porn; they're TV stars, bounty hunters, writers, and social activists. What happened in between? And now that they've moved on, can they really live a normal life after porn? Written by Bryce Wagoner
《自由大放送：真实监狱实验》第二季将于明年1月7日上线。
亚马逊续订《克拉克森的农场》第五季。
在捷克共和国，有一群女性在不知情或被强迫的情况下做了绝育手术，只因为他们罗姆人的身份。罗姆人，通常被外族称作吉普赛人，遍布世界各地，因其特殊的生活方式而受到歧视和迫害。由于在欧洲兴起的优生运动，共产主义期间的捷克共和国颁布法令，通过绝育来限制罗姆人的数量。而这种行为和歧视一直被延续至今，仍有许多罗姆女性表示被强迫做了绝育手术，但同时也有人宣称她们是为了拿到钱才同意绝育。为了反抗这种侵犯人权的行为，一些受害女性团结起来，在全世界范围内为罗姆女性的权益而奋斗。在捷克共和国，有一群女性在不知情或被强迫的情况下做了绝育手术，只因为他们罗姆人的身份。罗姆人，通常被外族称作吉普赛人，遍布世界各地，因其特殊的生活方式而受到歧视和迫害。由于在欧洲兴起的优生运动，共产主义期间的捷克共和国颁布法令，通过绝育来限制罗姆人的数量。而这种行为和歧视一直被延续至今，仍有许多罗姆女性表示被强迫做了绝育手术，但同时也有人宣称她们是为了拿到钱才同意绝育。为了反抗这种侵犯人权的行为，一些受害女性团结起来，在全世界范围内为罗姆女性的权益而奋斗。
In the heart of America's opioid epidemic, four men attempt to reinvent their lives and reenter society sober after years of drug abuse. Recovery Boys, from Academy Award nominated director Elaine McMillion Sheldon (Heroin(e)), is an intimate look at the strength, brotherhood, and courage that it takes to overcome addiction and lays bare the internal conflict of recovery and the external hurdles of an unforgiving society.
深入直击这场破纪录巡回演唱会的幕后点滴。
跟随菲洛梅娜·库克，她幽默地讲述了我们最伟大的发明的故事，并向专家们提出了关于人类进步的尖锐问题。
一档大型治愈系医务纪实节目将24小时全景式记录上海儿童医学中心医护们的工作全程，见证儿科医生一路的“打怪升级”和自我成长。节目扎根于生活，聚焦时下社会的热点话题、医患关系、社会问题、家庭教育，人性拉扯等，记录医院里的人间百态。
Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies? In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson. The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.
