In 2017, it was revealed that the Department of Defense recently spent millions investigating reports of UFOs. This is the latest disclosure about a series of secret government UFO projects.
电影声音之幽灵，不只梭巡游走于戏院之中。它或许从未凝结，禁锢。 从拍摄现场到后期录音室，从配音、配乐、音效到最终混音，本片顺著台湾同步音效师胡定一的职业生涯故事，追索台湾电影历史发展中的声音製作。同时，延伸至华语电影声音世界，前往香港、北京、上海，一窥声音制作历史、技术发展 ，与当今产业动态。从胡师傅个人故事出发，拉大至更宽广的视角，《拟音》试图在这个时代，为（华语）电影声音发展留下重要记录。 但，或许等等？要认识、理解电影声音幽灵，本片只是一个微小的开始。 如影史上第一句自电影中发出的人声所言：“你根本什麽都还没听到呢。”
羅雷娜·拉米瑞茲是墨西哥的塔拉烏馬拉族人，過著恬靜的鄉下生活，唯一不平凡的是她會穿上涼鞋，參加超級馬拉松比賽
“这可是总体战。没有人能帮我们，欧洲大陆已经沦陷，我们孤身对抗猛兽。” “有史以来最美的机器”和她英雄的飞行员们赢得不列颠之战的故事。传奇的秀泼马林引擎轰鸣声中一场不可思议的历史之旅。
解剖學發明以降，人體奧秘開始為世人所知所見。然而，大家習慣的始終是那副最表面的臭皮囊，或留戀或厭倦，或擁抱或憎惡。假如能深入體腔，即時觀察微肌細理，體液流動，可會了悟箇中奧妙，那欲肉不為肉所欲的真義？得到醫院前線及技術人員協助，韋蓮娜柏麗芙與路西安卡斯當泰來再現了內窺和微創手術的影像，輔以病人和醫護的生活點滴，讓作為關懷、痛苦、希望和被宰制場所的身體，成了光影景觀的主角。血肉不再模糊的結果，可會對人文多一份凝視？
At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.
宏伟巨制《埃及艳后》票房失利，为扭转财政危机，20世纪福克斯公司于1962年邀请包括迪尔•马丁、希德夏•里丝在内的众多明星拍摄喜剧电影《双凤奇缘》（Somethings got to give），息影一年的玛丽莲•梦露，亦应邀担当主演。然影片开拍仅仅8周，梦露就因健康和缺席等问题惨遭换角，两个月后，这位传奇女星便因服药过量香消玉殒。 本纪录片从这部未完成的作品入手，通过对主创人员大量的采访和拍摄中的大量影像资料，为观众再现了一代名伶玛丽莲•梦露人生最后的时光。
It follows he international custody battle over six-year old Elian Gonzalez triggered a political earthquake in Miami-Dade County in 2000, swaying the outcome of the presidential election.
聚焦该乐队首次去到美国，引发了著名的“披头士狂热”白热化——1964年，乐队四人降落在纽约，巩固了他们“世界第一乐队”的地位。 该片承诺将以亲密的视角展现这段历史和幕后，还包括首次曝光的视频影像(其中纪录片影人Albert Maysles和David Maysles所拍摄的影像进行了4K修复)、两名现存的披头士成员保罗·麦卡特尼和林戈·斯塔尔的采访等，两人和乐队成员的家人们也与斯科塞斯一起担任制作人。
It showcases the story behind the first Black Barbie. It started with the filmmaker's 83-year old aunt, Beulah Mae Mitchell and a seemingly simple question: "why not make a Barbie that looks like me?"
曾经为了梦想离开，如今舞蹈又带着他回来。排湾族编舞家布拉瑞扬在职业生涯高峰，站在世界舞台上，却想与族人共享荣耀。于是他回到故乡台东创立舞团，带着一群年轻的原住民舞者，一同入山劳动、临岸吟唱，用身体将生活跳成舞作。看着这群随性又自由、多非科班出身的孩子，仿佛看见当年奋力从 部落朝外跳的自己——同样渴望登台纵舞，同样难获父辈认同。
A man travels around the vast wilderness hunting various animals. He hunts everything from birds to bears. Once the animal is bagged he demonstrates how to process the game and cook it.
在「赢才是一切」的社会，我们要如何面对失败?这部影集的主角是一群将失败的痛苦，转化为人类胜利的运动员。
