七集纪录片《亚洲》（Asia）由大卫·爱登堡爵士担纲解说倾情呈现，带领观众深入这片全球面积最大的大陆，发掘令人惊叹的野生动物和自然奇观。亚洲拥有世界最高的山峰、最深的海洋、最高的丛林和规模最大的洞穴。作为BBC 首部聚焦亚洲大陆的野生动物纪录片，这部系列片历时近 4 年时间拍摄，探访了亚洲这一奇迹大陆的各个角落，将其摄人心魄的壮丽美景和丰富多彩的野生动物精彩呈现，并揭示一系列前所未见的动物行为。
“我们优雅的享用我们的正餐，血腥的屠宰场被精心的隐藏起来。”——爱默生。 英语单词Earthling，意指地球上一切居民。它不只是针对人类而言，更包括生存在这个星球上的所有生命。然而愚蠢的人类自认为是最完全的生命体，这他们所处的世界拥有绝对的支配权。在这股极端的物种主义思想影响下，每天有成千上万的生命惨遭杀害。当人们享受通过折磨、残害其他生命所带来的快乐之时，地球变成了令人不忍卒睹的血腥地狱…… 本片荣获2005年圣地亚哥电影节最佳纪录片、2005年波士顿国际电影节独立制片电影最佳内容奖、2005年艺术行动者电影节最佳纪录片奖。
62岁的理查德·特纳被誉为世界上最伟大的纸牌魔术家之一，但他同时也是一位看不见东西的盲人。从9岁时起，理查德·特纳因为重病逐渐失明，之后又因为抵触盲文学习而被高中开除，然而这都不妨碍他成为这个世界上最会玩牌的人之一。从19岁开始，理查德每天会练习14个小时的扑克，分析和思考每一个动作，直至变成下意识的习惯。本片从理查德的日常生活探究这位看不见的人，是如何在黑暗中挖掘纸牌魔术的宝藏，并创造奇迹的历程。 一个看不见的人如何玩转一个最需要眼睛看的魔术？除了主人公的传奇经历，片中的各种魔术也足以令人兴奋。该片参加了2017年的美国SXSW电影节以及达拉斯国际电影节。
一只河豚宝宝在大堡礁中寻找自己的家，一路游历遍布奇异生物的微小海底世界。
《疾速追杀》系列幕后制作纪录片。
U.S. Marine Richard “Mac” McKinney had planned to return home to Muncie, Indiana as a hero – in an American flag-draped coffin. But that didn’t happen. Instead, after 25 years of service, he returns alive and filled with an all-consuming rage. Still fueled by his desire to die for his country, he plans to bomb the local mosque. But when he comes face to face with the community of Afghan refugees and others of Muslim faith that he seeks to kill, his plan takes an unexpected turn.
How did a group of rebels create the world’s most famous street? In 1969 New York, this “gang” of mission-driven artists, writers and educators catalyzed a moment of civil awakening, transforming it intoSesame Street, one of the most influential and impactful television programs in history.
《航拍中国》是由中央广播电视总台纪录频道出品，央视纪录国际传媒有限公司承制的大型季播纪录片。全片共34集，每集50分钟，覆盖全国23个省、5个自治区、4个直辖市和2个特别行政区。该片以全航拍为特色，以空中视角俯瞰中国，全方位、立体化展示中国历史人文景观、自然地理风貌及经济社会发展变化，展示美丽中国、文明中国和生态中国。《航拍中国》第二季共7集，每集50分钟。第二季在创作上总体延续了第一季的基调和风格，在省份选择上，延续第一季“东西南北中”地点布局，七集分别为浙江、甘肃、内蒙古、广东、四川、福建、江苏。
Alcohol: No substance in the world seems so familiar to us and is so incredibly diverse in its effect. Alcohol is available everywhere and this particular molecule has the power to affect all 200 billion neurons of our human brain in completely different ways. But hardly anyone calls alcohol a drug despite its psychoactive and cell-destroying effect. Why do we tolerate the death of three million people every year? Have we turned a blind eye to the dangers and risks for thousands of years? What role does the powerful alcohol industry play with an annual turnover of 1.2 trillion euros in this on-going concealment? The author, who himself enjoys having a drink, looks into the question why we drink at all, what alcohol does to us and to what extent the alcohol industry influences society and politics. He travels around the world from Germany via England to Nigeria to detect aggressive trading practices of the global alcohol industry seeking growth in new markets at all costs. He also visits Iceland, which successfully made the turnaround: Where 20 years ago hordes of drunks roamed the streets, young people today master their need for relaxation and life stimulants without alcohol. The film has no intention to point a moral finger but nevertheless will significantly change the drinking habits of the viewer.
A man travels around the vast wilderness hunting various animals. He hunts everything from birds to bears. Once the animal is bagged he demonstrates how to process the game and cook it.
An inspirational story honoring the life and legacy of Hollywood legend, Sidney Poitier. Sidney premieres September 23 in theaters and on Apple TV+. From producer Oprah Winfrey and directed by Reginald Hudlin, this revealing documentary honors the legendary Sidney Poitier and his legacy as an iconic actor, filmmaker and activist at the center of Hollywood and the Civil Rights Movement. Featuring candid interviews with Denzel Washington, Halle Berry, Robert Redford, Lenny Kravitz, Barbra Streisand, Spike Lee and many more, the film is also produced by Derik Murray, in close collaboration with the Poitier family.
《梵高》（Van Gogh，阿兰·雷乃，1948年|17分钟|35毫米|黑白|有声）以荷兰著名画家梵高（1853—1890）的绘画作品作为影像素材讲述了梵高的生平并评述了他的绘画艺术。法国南部普罗旺斯地区一望无际的麦田，古朴清幽的农舍，梵高及其朋友和邻居们的形象依次出现在银幕上。这些形象不是摄自现实的生活场景，而是取自画家的绘画作品，零碎的形象在摄影机的关照之下复活起来。本片导演阿兰·雷乃（Alain Resnais）1922年生于法国瓦纳市，1943年入巴黎高等电影学院学习剪辑。在1959年因执导故事片《广岛之恋》而一鸣惊人之前，他的电影创作活动主要是在纪录片方面，并成为二战后法国纪录电影学派“三十人集团”的核心人物。1940年代末到1950年代初，雷乃拍过一系列美术纪录片，本片即是其中的一部。本片的表现手法，正如雷乃在本片的片头字幕上所说，就是“仅仅通过绘画作品展示这位伟大现代画家的生命传奇与精神历险”，探索“绘画作品中的形象和事物能否在电影叙事中取代现实生活中的形象和事物，以及观众能否接受这些形象并顺利进入画家的内心世界”。
