幸存者：卡拉摩安第二十六季

　　高譚車廠活力十足的夥伴們大舉翻修各式各樣的汽車和卡車，希望換購到令人叫好且能高價賣出的貨色@HD一条街

　　这届的比利主持的相当精彩,是近年最出色的颁奖典礼了！
　　还记得这届奥斯卡颁奖前.老主持比利钻进了<断臂山>的帐篷.乔治 克鲁尼跑到了现任主持Jon.Stewart的床上.在<断臂山>的影响下.众多牛仔成了向同性男子暗送秋波的同性恋.这个前奏曲比起颁奖更有趣.
　　
　　李安中学纪念册上画小金人
　　李安中学时就在自己的毕业纪念册中画上了一座奥斯卡奖杯，看来得奥斯卡小金人是他儿时的梦想。
　　据报道，李安的母校台南一中把历年来收集的李安作品海报及DVD《喜宴》、《推手》、《卧虎藏龙》等，都展示了出来，其中还有李安的手印及杰出校友纪念册。其中最特别的就是一本毕业纪念册，里面看到李安高中时青涩的脸孔，就在他的照片旁，还设计了一座奥斯卡奖杯，预告他未来的目标。
　　出道至今，李安无论拿过多少奖杯，他给人感觉始终是谦逊而彬彬有礼。幼时的李安身体不好、看起来十分瘦小，当年大学联考，李安三考而不中，最后念了戏剧，从伊利诺大学戏剧系、到纽约大学，李安的导演路看似平顺，实际上在他毕业后有6年的时间，李安没有工作。当初拍《推手》只有300万预算，他自己咬牙完成，《喜宴》虽然提高到500万人民币的预算，但还是不够，所以他的太太、儿子、好友全成了义务临时演员。就是这样吃得苦中哭，李安最终才成为人上人。
　　
　　第78届奥斯卡金像奖完全获奖名单
　　最佳影片
　　(BEST PICTURE) 《撞车》
　　最佳导演
　　(DIRECTING) 李安《断臂山》
　　最佳男主角
　　(ACTOR IN A LEADING ROLE) 菲利普-西摩尔-霍夫曼
　　最佳女主角
　　(ACTRESS IN A LEADING ROLE) 瑞茜·威瑟斯彭《一往无前》
　　最佳男配角
　　(ACTOR IN A SUPPORTING ROLE) 乔治·克鲁尼 George Clooney
　　《辛瑞纳》SYRIANA
　　最佳女配角
　　(ACTRESS IN A SUPPORTING ROLE) 蕾切尔·薇兹 Rachel Weisz
　　《不朽的园丁》THE CONSTANT GARDENER
　　最佳动画长片
　　(ANIMATED FEATURE) 《超级无敌掌门狗》WALLACE & GROMIT IN THE CURSE OF THE WERE-RABBIT
　　最佳外语片
　　(FOREIGN LANGUAGE FILM) 《黑帮暴徒》 Tsotsi/南非
　　最佳化妆
　　(MAKEUP) 《纳尼亚传奇》 THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE
　　最佳配乐Music
　　(SCORE) 《断臂山》BROKEBACK MOUNTAIN
　　最佳歌曲Music
　　(SONG) “In the Deep” 《撞车》 CRASH
　　最佳动画短片
　　SHORT FILM(ANIMATED) 《月亮和儿子》
　　最佳真人短片
　　SHORT FILM(LIVE ACTION) 《六位枪手》SIX SHOOTER
　　最佳音效剪辑
　　(SOUND EDITING) 《金刚》 KING KONG
　　最佳音响效果
　　(SOUND MIXING) 《金刚》 KING KONG
　　最佳视觉效果
　　(VISUAL EFFECTS) 《金刚》 KING KONG
　　最佳改编剧本
　　WRITING(ADAPTED SCREENPLAY) 《断臂山》
　　最佳原创剧本
　　WRITING(ORIGINAL SCREENPLAY) 《撞车》
　　最佳艺术指导
　　(ART DIRECTION) 《艺伎回忆录》MEMOIRS OF A GEISHA
　　最佳摄影
　　(CINEMATOGRAPHY) 《艺伎回忆录》MEMOIRS OF A GEISHA
　　最佳服装设计
　　(COSTUME DESIGN) 《艺伎回忆录》MEMOIRS OF A GEISHA
　　最佳剪辑
　　(FILM EDITING) 《撞车》
　　最佳纪录片
　　(BEST DOCUMENTARY FEATURE) 《帝企鹅日记》MARCH OF THE PENGUINS
　　最佳纪录短片
　　(BEST DOCUMENTARY SHORT SUBJECT) 《胜利要诀》

　　骚当Adam Levine以自己乐队Maroon 5热单《Sugar》的MV为灵感，制作了一款在油管原创综艺，内容就是与其他艺人：Maroon 5, Blake Shelton, Snoop Dogg, Charlie Puth, Kelly Clarkson, A$AP Ferg, Fifth Harmony等一起，突然现身惊喜粉丝们，这些粉丝或许正在经历各种各样人生的难题，感觉会非常好看了，8月15日油管上线。

　　西格妮·韦弗将担任国家地理4集纪录剧集《鲸鱼的秘密》(Secrets of the Whales，暂译)旁白。詹姆斯·卡梅隆担任该剧执行制作人。该剧将记录鲸鱼的生活方式，及它们在不断变化的海洋中所面临的挑战。该剧将于2021年4月22日地球日播出。

　　结婚还是分手？在这档发人深省的真人秀剧集中，情侣们接收对彼此爱情的考验，还在同时与其他潜在的对象同床共枕。

　　摄于纽约无线电城音乐厅，看演员歌手班普拉特在门票销售一空的表演中登台高歌。

　　探险家兼求生高手埃德·斯塔福德（德爷）重返绝境，以自然界中的“水”元素为主题，展开一场全新的人体耐力终极考验。德爷将不带食物、饮用水和任何求生工具，去到不同的荒野环境，只身一人应对和记录极端生存实况。这一场大自然对人类身心极限与应变能力的终极考验，传递了人与自然的相处之道。

　　Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice” and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love.
　　Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters.
　　Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father.
　　Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died.
　　Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.

　　Bear drops into the swamps of Florida's Everglades, where at least 60 tourists need to be rescued each year. He trudges through the swamp and shows how to construct shelter, deal with razor-sharp sawgrass, get out of a muddy sinkhole, avoid alligators and rattlesnakes. He eats frogs and cooks a turtle Seminole-style.

　　This show is quite possibly the biggest waste of videotape, electricity, and RF bandwidth in the 70+ year history of television. It's nothing but 60 minutes of some of the worst bile that can come out of human beings, male or female. Basically, it's nothing but pure bitchy, catty, c*nty, vile harpiness among the contestants, judges, and the fashionistas (or should I say fashionazis). Typically a lot of insulting, backbiting, and bitchy, unnecessarily anal-retentive criticism.
　　The thing that gets me about the show is how much the judges and fashionazis (and the pretentious & shallow fashion industry in general) nit-pick against the equally bitchy contestants about little, petty, trivial, frivolous, anal-retentive things about their appearance, personality, etc. Things that the *REAL* people in this world (which the fashion industry lacks, thankfully) wouldn't give rat's ass number 1 about. (Myself included.)
　　Crap like: "Oh, your left eyebrow is a yoctometer off center. That isn't gonna fly, and nobody will take you seriously in this industry because of it!" Or, "You're breathing wrong. Good luck with winning this competition." I'm just kidding here, but they usually end up saying things almost exactly like this on this show.
　　If getting into the fashion industry is this hard, painful, bitchy, insulting, nit-picky, catty, backstabbing, and anal-retentive as this show tries to portray, than thank the good Lord that He made me all fat, balding, hairy, and dumpy-frumpy-dowdy-frowsy-geeky-lookin', because I would never want to be required to have the caustic bitchiness and anal, pretentious attitude of any model or fashionazi (or any fashion industry worker), namely the people on this show.
　　And Janice Dickinson, mercy, do not get me started on her...
　　This show needs to die. It's this show (and many other "reality" shows like it) that proves that competitiveness (and the fashion industry) is truly the devil's tool...