幸存者：同一个世界第二十四季

　　According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

　　在诺曼地登陆行动之所以能够幸存与英勇无关，一切都是机运。这个现代历史最出名的关键时刻，全都取决于非凡战术与预料之外的因素。它不仅与人力和精良武器有关，更需要施展魔法与天马行空的发明—例如会游泳的战车、人数足以遮蔽天空的伞兵、善用信鸽传递机密的间谍。这场攸关数千名美军性命的战役完全仰赖正确的天气预测或是降落伞带扣。本节目将首度沿用全新的科学研究，详实剖析这场战役的生存机率。两千名伞兵在面积九平方哩的天空面对34万5千发子弹攻击，存活率是四分之一，但有一半伞兵活了下来。他们是如何做到的？只吃一条巧克力的军人和当天早餐吃得饱足的同袍又是谁更有存活机会？特别节目将利用精辟剖析与惊心动魄的画面，生动的戏剧情节，为观众展现精采的英雄故事。

　　开幕式于2024年7月26日举行，计划在巴黎的标志性地标——埃菲尔铁塔前进行。此次开幕式的设计和理念与以往不同，主办方将开幕式的主要部分安排在塞纳河沿岸，旨在打破传统体育场馆的界限，打造一个开放的、面向公众的盛大仪式。
　　届时，运动员将乘坐船只沿塞纳河游行，这一创意既展示了巴黎的城市风貌，又能让更多观众近距离感受奥运会的开幕盛况。据悉，预计将有60多万人沿河观看这一独特的开幕式。
　　此外，开幕式将包括传统的文艺表演、烟花秀、以及奥运圣火的点燃仪式。法国总统和国际奥委会主席将出席并致辞，宣布奥运会正式开始。