二战全史

　　一男一女两位生存专家醒来惊讶地发现自己处在一个偏远而荒凉的地方。毫无装备、浑身赤裸的他们需要在此生存21天。

　　"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.

　　In the very waters where Melville's Pequod gave chase to Moby Dick, Leviathan captures the collaborative clash of man, nature, and machine. Shot on a dozen cameras — tossed and tethered, passed from fisherman to filmmaker — this is a cosmic portrait of commercial fishing as it's never been seen.

　　From a nuclear lake to a haunted forest, New Zealand filmmaker and journalist David Farrier ('Tickled') visits unusual -- and often macabre -- tourism spots around the world.

　　城市隔著一條河流便能看見重建後的溪洲部落，但是許多來河濱運動的路人卻不知道，這裡有個部落。
　　族人搬家了，而搬家的距離只有100公尺。但這100公尺的路途之間，不僅跨越了歲月，跨越了背負違章建築的污名，更跨越了過去與現在派系的分歧，但通過儀式，最終讓他們找到了家的位置。而此時此刻移動的感受，就像阿美族語裡「Maro’ay to ko kerah」所說的，在潮汐之間有個安靜時刻，會讓海底生物找到自己的歸宿，自己的家。
　　張祖淼，一個沒有阿美族名字的人；他是溪州部落第二代，從小在都會長大；父親很早就在身處邊緣的溪洲部落替族人開設雜貨店，店名叫「新原民商店」；張祖淼從小看著河對岸的城市建築，從荒野到繁華；反觀溪洲部落舊址卻因為位置涉及行水區的安全疑慮，必須異地重建。
　　在政府策劃的「333」模式裡面，由政府負擔1/3經費，另由族人負擔2/3自籌款與銀行貸款的重建計畫裡面，族人被限制家屋產權歸屬部落，雖然這樣能達到「部落自治」，但從一開始家戶身份認定，就驅使原有的家族分散，「搬與不搬」接踵而來的派系分歧，也加深族人的分裂與矛盾。
　　於是這一年歷經建商不負責任逃跑，族人提早住入尚未完工的家屋，於是每年一度的豐年祭開始了，他們在華美的城市面前，用原始傳統的儀式，弔念過去一同抗爭卻已逝來不及見證「新家」的祖靈們。溪洲部落仍然維繫祭典的傳統，感念土地的靈魂，用原始的傳統儀式，重新凝聚修復過去撕裂的情感。因為他們都是這個家（部落）的一份子。
　　只是都會區的邊緣還有許多原住民部落，政府策劃的「333」模式，是否真的適用每個形成的河濱部落？

在克劳德·朗兹曼的巨著《浩劫》（Shoah）发布四十年后，纪尧姆·里博（揭示了导演不懈追求讲述那些未被诉说的故事，仅使用朗兹曼自己的话语和这部杰作中未公开的影像资料。

　　Massive machines require engineering extremes.
　　The massive man-made satellite, commonly known as the International Space Station, hurtling around the Earth at 27,600 km an hour, has been a temporary home for humans for the last 20 years. The biggest land vehicle on earth, a bucket excavator titled Bagger 293, that can move 240,000 cubic meters of dirt each day. Innovation has always meant building bigger, faster, taller, longer and stronger than anything that came before. We’ve seen them in dramatic visual fashion. But how do these actually work? What sets each machine apart. What big ideas drove its evolution and what limitations did this machine overcome? What forces was it built to withstand and where is the breaking point? Using CGI and expert insights, we ‘strip down’ the design of some of the world’s unique colossal machines and reveal mechanical secrets that not only made them work, but also changed the world in a big way!
　　Each episode explores four incredible machines, linked thematically. From sea and space faring designs, to mega airborne, mining and industrial machines, we’ll break down what they can do as well as key inner mechanics and materials that make it all possible. Dynamic archival footage featuring; slow motion, aerials, and time-lapses get us past the ‘caution’ tape and up close and personal with these compound monsters. CGI provides breakouts and blueprints and a look at hidden mechanisms. Adding expertise of structural, mechanical, chemical and forensic engineers to help reveal what’s at stake when these colossal constructions are put work, and how all the pieces come together to make a big impact.
　　EPISODES:
　　S1 E1 Sea Monsters
　　S1 E2 Astronomical Engineering
　　S1 E3 There Be Dragons
　　S1 E4 Sub-Zero Supermachines
　　S1 E5 Earth Biters
　　S1 E6 Mammoth Manufacturing
　　

　　一个乐团，改变一整个世代的音乐品味！
　　来自新泽西州的美国摇滚传奇乐团——邦·乔维，全球卖出超过1亿2千万张唱片，在50个国家和地区举办超过2700场演唱会。
　　见证他们的崛起与低谷，聆听未曾公诸于世的狂人心声。

　　布赖恩考克斯教授游历地球上一些最令人惊奇的地点，向观众展示和剖析自然法则所造就的太阳系的伟大自然奇观。
　　第1集 太阳帝国
　　第 2集 从混沌到秩序
　　第3集 蔚蓝色的大气层
　　第4集 生与死
　　第5集 未知世界
　　Professor Brian Cox visits some of the most stunning locations on earth to describe how the laws of nature have carved natural wonders across the solar system.
　　In this first episode Brian explores the powerhouse of them all, the sun. In India he witnesses a total solar eclipse - when the link to the light and heat that sustains us is cut off for a few precious minutes.
　　But heat and light are not the only power of the sun over the solar system. In Norway, Brian watches the battle between the sun's wind and earth, as the night sky glows with the northern lights.
　　Beyond earth, the solar wind continues, creating dazzling aurora on other planets. Brian makes contact with Voyager, a probe that has been travelling since its launch 30 years ago. Now 14 billion kilometres away, Voyager has just detected the solar wind is beginning to peter out. But even here we haven't reached the end of the sun's rule.
　　Brian explains how its greatest power, gravity, reaches out for hundreds of billions of kilometres, where the lightest gravitational touch encircles our solar system in a mysterious cloud of comets.
　　1 Empire of the Sun
　　2 Order out of Chaos
　　3 The Thin Blue Line
　　4 Dead or Alive
　　5 Aliens

　　亚马逊拿下纪录片[成就梦想](Make Us Dream，暂译)发行权，该片聚焦前利物浦足球队队长、英格兰国脚史蒂文·杰拉德。导演萨姆·布莱尔([保持静默])，詹姆斯·盖伊-里斯([艾米])担任制片。杰拉德是利物浦足球俱乐部历史上任期最长、参赛场次最多的队长。影片将于本月15日英国上映，之后登陆亚马逊流媒体。

　　故事起始于默片传奇露易丝布鲁克斯，她在1929年经典电影（潘朵拉的盒子）中会发现她走出银幕，朝镜头跳舞，她向我们道谢，因为有我们的观看使她的记忆再次生动。其他默片女演员也从电影片段中现身，讲述她们的故事，并与那些过往的人物互动。而每次有人观看她们的电影时，这些女人就会重生在这虚实交错的银幕上的照片与电影片段，彼此分享那一段段的记忆。