走向你

　　Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us.

　　在80年代中期，一家瑞典矿业巨头公司在智利北部的阿里卡倾倒了20000吨危险废物。成千上万的阿里卡人受到影响，患上癌症和其他严重疾病。现在，幸存者正在一项开创性的跨国公司问责审判中寻求正义。

　　Stefan Sick的纪录片在疗养院观察了老年痴呆症患者的日常生活，并对这种特殊状态进行诗意的解读。

　　在电视剧《凡尔赛宫》热播之际，主持人、历史学家Lucy Worsley和Helen Castor来到取景地，法国凡尔赛宫，讲述这座世界最伟大建筑之一背后的真实故事。

　　本部纪录片直击“艾滋病”这个敏感而恐怖的话题，以跟踪拍摄被感染的马深义一家为整条线索，赤裸裸的向我们诉说着，这个家庭面对生死的生活原态和他们的心路。上世纪90年代，在河南省南部的一些乡村中，很多村民在卖血脱贫的鼓惑中，因为卖血感染了艾滋病。马深义一家就住在文楼村。一家五口，除了大女儿马宁宁以外，整个家庭都是艾滋病的受害者。纪录片从2001年的春末夏初开始，历经盛夏、深秋、严冬，一直到春节，讲述艾滋病带给整个家庭的这场灾难。
　　本片荣获2003年圣丹斯电影节世界纪录片提名、2003年阿姆斯特丹纪录片电影节最高竞赛单元提名、2004年美国广播电视文化成就奖和2004年英国国家最佳纪录片奖。

　　英文译名《Faith of the Century - A History of Communism》，由帕特里克·罗特曼(Patrick Rotman)和帕特里克·巴伯里斯(Patrick Barberis)执导。片长218分钟。
　　20世纪，供蟾竹艺在世界各大洲传播开来。无以计数的男男女女都受到这个极权政治体系的影响，这是历史上最不公平最XUE腥的政ZHI体系之一。
　　本片利用新发现的宣传片和档案照片，探索了一种意识形态的复杂性，这种意识形态是如何吸引狂热的追随者，并蔓延到全世界的。(简介来自《世界报》)
　　全4集分别为：
　　第1集《Utopia in Power (1917-1928)》见证了列宁的死亡，克格勃的诞生以及斯大林的QUAN力。
　　第2集《The Two Faces of Communism (1929-1939)》包括斯大林的大QING洗，乌克兰的大饥荒和西班牙内ZHAN。
　　第3集《The Peak Years (1940-1953)》包括德国的失败、东欧的接管、朝鲜ZHAN争和冷战。
　　第4集《End Without End (1953-1999)》包括斯大林的死亡和赫鲁晓夫的掌QUAN，东德和匈牙利的起YI，太空竞赛，卡斯特罗接管古巴，越南，柏林墙的倒塌以及XXX。

　　This documentary combines recent interviews and old footage to provide a comprehensive view of The Clash, one of the world's most influential rock bands. Footage from old club shows and stadium concerts is intercut with interviews with band members Mick Jones, Paul Simonon, Topper Headon, and Joe Strummer. The Clash began as rebellious punks eager to combine their influences: Simonon leaned towards reggae, and Jones leaned toward harder-edged British rock, while Strummer favored American R&B. Despite various fights and conflicts, The Clash emerged as "the only band that mattered," a punk rock band which ventured beyond punk to create a unique and unforgettable sound. WESTWAY TO THE WORLD documents their beginnings, their rise to stardom, and their collapse. Written by veloc <velo_00@yahoo.com>

　　What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.

　　这部纪录片展现特吕弗于1966年所著的《希区柯克论电影》如何影响了后辈导演们。该片受访者包括斯科塞斯，大卫芬奇，斯皮尔伯格，韦斯安德森，林克莱特，帕尔玛，阿萨亚斯，格雷等等。

　　探讨瑞典著名 DJ 和音乐制作人 Tim Bergling（又名 Avicii）的生平和传奇；Avicii - My Last Show 将展示 Avicii 的最后一场演出。

　　导演亚历山大·纳诺(Alexander Nanau)跟随罗马尼亚报纸Gazeta Sporturilor的一个精锐调查小组，试图揭露一起巨大的医疗欺诈行为，这些欺诈行为让大亨和政客致富，并导致无辜公民死亡。