伊恩·温德姆（保罗·尼科尔斯 Paul Nicholls 饰）与女友萨曼莎·安德鲁斯（詹妮弗·洛芙·休伊特 Jennifer Love Hewitt 饰）像任何一对平凡的情侣一样，每天忙着自己的生活，很少时间独处。一次争吵过后，前来道歉的peter犹豫着要不要上出租车，因为这份犹豫女友选择离开。不到一分种，出租车 在前面街口与一辆卡车相撞，女友香消玉陨。
　　悲痛万分的peter在次日清晨醒来发现又回到了之前的一天，女友安然无恙，一切按照既定步骤发展。如果再来一次，Peter不敢想着居然成为事实。他放下一切业务，与女友登山、散步、彼此倾诉，爱意缠绵。
　　到了那个决定性的夜晚，那辆夺命的出租车上，他毫不犹豫地上车，并且在致命的一击来到之时，俯身保护她。
　　如果再来一次，他会用生命来爱她。

　　二战后，英国律师William Collyer（西蒙·拉塞尔·比尔 Simon Russell Beale 饰）的妻子Hester Collyer（蕾切尔·薇兹 Rachel Weisz 饰）邂逅了退役的飞行员Freddie Page（汤姆·希德勒斯顿 Tom Hiddleston 饰）。生活空虚寂寞的Hester和年轻英俊的Freddie陷入了一段不伦之恋。此事不久即被Hester的丈夫William发现。后来，Hester认为Freddie不再爱她了，于是尝试自杀。她没有成功，Freddie在读完她的遗书后勃然大怒。最后，Freddie终于决定离开她，去一个遥远的地方继续他的飞行员生涯。Hester只能望着Freddie离开的背影黯然神伤......

　　身患绝症的母亲安·格兰特（瓦妮莎·雷德格瑞夫 Vanessa Redgrave饰）正挣扎在死亡的边缘，她的两个女儿尼娜·马尔斯（托妮·科莱特 Toni Collette饰）和康丝坦茨·福德（娜塔莎·理查德森 Natasha Richardson饰）都陪在她的身边，希望陪母亲走完生命中的最后一程。预感到自己时日无多的安，开始向两个女儿追忆从前的往事。五十年前，安（克莱尔·丹妮斯 Claire Danes饰）还是一个年轻美丽的女孩，她作为最好朋友莱拉·威顿鲍恩（麦米·古默 Mamie Gummer饰）的伴娘邂逅了哈里斯·阿尔丁（帕特里克·威尔森 Patrick Wilson饰），一段不期而遇的情感如潮水般汹涌而至。
　　影片改编自苏珊·米诺特创作的同名畅销小说，由普利策获奖小说家迈克尔·卡宁汉姆担任编剧。本片演员阵容极其强大，汇集了大批实力演技派明星。

　　有严格作息规律的男主角迪伦（米契尔·哈思曼 Michiel Huisman 饰）有一种天生的洞察规律的能力，某日下午2时22分，身为航空管制员迪伦·布兰森被神秘光亮所麻痹，而这差点让他指挥的飞机失事。从此他每天都会感受到这光亮，渐渐发现自己身处某种循环之中。一次非常偶然的机会，迪伦遇见了让他一见钟情的莎拉（泰莉莎·帕尔墨 Teresa Palmer 饰），二人聊天惊讶发现，莎拉就是迪伦差点酿成飞行事故的航班乘客，非常巧合的是他们同年同月同日出生。随着二人的了解深入，迪伦与莎拉的巧合也越来越多，频繁出现的幻觉与不断循环的事件将二人的命运与三十年前发生在纽约中央车站一起情杀案联系在一起，迪伦一直探究“2:22”背后的秘密，发现三十年前的凶杀案即将重演。

　　在巴索（杰瑞德·莱托 Jared Leto 饰）很小的时候，他的母亲就去世了，在专制严苛的父亲的冷血教育之下，巴索长大成人并且进入了牛津大学深造。一次偶然中，巴索解释了名叫约翰（克里斯汀·史莱特 Christian Slater 饰）的男子，并且在约翰的介绍下认识了茱莉亚（克莱尔·弗兰妮 Claire Forlani 饰），巴索不可自持的爱上了茱莉亚。
　　然而，两人的这段感情遭到了巴索父亲的强烈反对，因为巴索和茱莉亚所处的根本就不是一个阶级，可即便如此，巴索还是坚定的选择了茱莉亚。让巴索没有想到的是，原来茱莉亚和约翰在私底下有奸情，当茱莉亚的父亲告诉巴索茱莉亚腹中怀着他的孩子时，巴索会做出怎样的选择呢？

　　性感美艳的索女贝丝以持械行劫为职业，办事又快又狠，加上敢作敢为的拍 档潘劳，和处变不惊的首领保罗，形成无敌铁三角，三人的关系纠缠不清，终日沉沦毒品、暴力、情欲，这位索女偶尔在酒吧结识善良正义的小学教师亚伦，一 切似乎开始转变，但江湖仇杀令她醒觉，回归平淡只是一场梦……

　　Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.

　　凯蒂（贝拉·索恩 Bella Thorne 饰）自幼便患上了罕见的着色性干皮症，对于常人来说非常普通的紫外线，照在凯蒂的身上将会对她造成致命创伤。无奈之中，凯蒂只能在白天太阳还没落山的时候待在家中，靠着一把吉他弹奏谱曲为乐，但是一旦夜晚降临，凯蒂的时间就开始了，带着她心爱的吉他，凯蒂来到火车站，站在路边上自弹自唱。
　　一天，一位名叫查理（帕特里克·施瓦辛格 Patrick Schwarzenegger 饰）的男子被凯蒂的歌声所吸引驻足观看，开朗活泼的凯蒂令他坠入了情网。让凯蒂没有想到的是，查理竟然是自己曾经暗恋过的人，为了能够抓住这段感情，凯蒂决定隐瞒自己的病情。

　　为了说和花心的哥哥奥布朗斯基（马修·麦克费登 Matthew Macfadyen 饰）和嫂子多丽（凯莉·麦克唐纳 Kelly Macdonald 饰）濒临破败的婚姻，美丽贵妇安娜·卡列尼娜（凯拉·耐特丽 Keira Knightley 饰）乘坐火车来到莫斯科。她在当地邂逅骑兵军官渥伦斯基（亚伦·约翰逊 Aaron Johnson 饰），后者风度翩翩，英俊迷人，令多丽的妹妹凯蒂（艾丽西卡·维坎德 Alicia Vikander 饰）神魂颠倒，也让已为人妇的安娜心中若有所动。忌惮周遭的风言风语，安娜压抑内心的情感，乘夜返回彼得堡的家中。醉心名利的丈夫亚历山大·卡列宁（裘德·洛 Jude Law 饰），似乎全然无法体恤妻子心中的苦闷。未过多久，渥伦斯基尾随来至彼得堡，安娜再也无法闭锁那充满爱火和渴望的心门……
　　本片根据文豪列夫·托尔斯泰的同名经典名作改编，荣获2013年奥斯卡最佳服装设计奖。

　　巴黎一所顶尖芭蕾舞学院的两名女生在竞争加入巴黎欧佩拉国家芭蕾舞团的合同时，接受了亲情和身体测试。

　　本片根据真实故事改编，剧本一度登上好莱坞剧本黑名单，马克·迈尔斯([人力资本])执导。影片讲述一对恋人索罗门和简在筹备婚礼期间，索罗门查出罹患肝癌，两人为完成心愿，决定将婚礼提前，在善心捐助下，他们如愿完成婚礼，四个月后，索罗门离世。

　　Edward Dunstan is an artist obsessed by his muse. Every photograph and every movie conveyed the same meaning: What he wanted to see. His muse waited in vain for him to see her as she was, but he could not. And so, like the mermaid in his latest movie who grew legs and left him, so does his muse. For months his days and nights are filled with watching her on the screen. His anger turns to self-pity... turns to acceptance... Only now does he understand what he put her through. When his latest letter to her is returned, he binds himself in chains and climbs into the very tank of water his muse spent many unhappy hours.

　　Exuberant CHLOE is a whirlwind of energy who acts purely on impulse and has never quite grown up. Industrious JEFF is a hard-working guy who plans his future, step by step. When the two fall in love, they inevitably quarrel and break up. But when they decide to pretend to still be together so that their holiday season won't turn into a pity party, they soon realize that opposites, after all, do attract -- and that, despite their differences, they are still very much in love...

　　An artist is hired by a nightclub owner to paint a portrait of his beautiful wife. When the artist and wife fall in love, the nightclub owner's jealousy erupts in violence. To save themselves, the lovers are driven to attempt his murder.

　　A late night courier boy agrees to pick up the feisty daughter of an important client. The two youngsters form a close connection and spend two nights exploring LA's local food scene while their romance blossoms.

　　7年前，杰克（理查•基尔 饰）丢下了自己已怀孕的妻子劳瑞（朱迪•福斯特 饰）参加了美国内战。7年来毫无音讯，劳瑞承担起照顾孩子照顾家庭的责任。7年后的某天，杰克突然出现了。而且这时候的杰克，已不再是粗鲁刻薄，简直像变了一个人似的。本来就是地主的他带着村民一起勤奋耕作，希望尽力提高大家的生活水平。
　　可是劳瑞初感到这种幸福感不久，事情发生了变化。杰克被控告与一宗谋杀案有关，当局要拘捕杰克，沉默的杰克并没有反抗，他接受拘捕。事实上，这是假的杰克，他是真杰克的教师朋友，真正的杰克早已死去了。假杰克愿意承受罪名，是因为他要把杰克最美好的一面留在大家的心中……

　　迈克尔（扎克·布拉夫 Zach Braff饰）和他的老友们是所谓的难兄难弟。尽管他表面看来生活幸福，三十而立的年龄却给他带来某种不安。女朋友珍娜（杰茜达·芭瑞特 Jacinda Barrett饰）是个理想的伴侣，聪明温柔，光彩照人，但迈克尔对婚姻和责任还没有心理准备。因此，当珍娜告诉他有了身孕的消息时，迈克尔有点不知所措。
　　他的老友也都面临着各种感情和婚姻问题，他们试图逃避，而迈克尔也迎来了新鲜感情的诱惑。金（蕾切尔·比尔森 Rachel Bilson饰）在他的视线中出现，带着如此青春、艳丽、摄人魂魄的气息，让迈克尔情迷意乱。金在迈克尔黯淡的生活里仿似一石激起千层浪。珍娜和迈克尔本可开花结果的感情，就这样陷入了汹涌的漩涡。

　　如实供述了一个年轻男子与白血病斗争的勇气和他的信仰之旅。

　　舞台剧电影,<Meet Joe Black>的原作

　　本片是受奥地利剧作家亚瑟·施尼茨勒的《轮舞》的启发，导演费尔南多·梅里尔斯和编剧将原著中摩登又不停变化的螺旋叙事整合成一个故事，通过剧中人物串联起来：他们来自不同的国家和城市，共同讲述在21世纪生动，充满悬念又感人至深的爱情传说。故事起自维也纳，影片美妙的将巴黎，伦敦，布拉迪斯拉发，里约，丹佛和菲尼克斯，不同城市的人们编织出一幅简单却又令人如痴如醉的叙述。

　　二战期间，英国姑娘夏洛特（凯特•布兰切特 Cate Blanchett 饰）与法国飞行员彼特一见钟情，两人很快堕入了爱河。然而厄运降临，皮特驾驶的飞机被德军击落了，从此下落不明。为了寻找爱人，夏洛特改名换姓来到了前线——法国南方。在那里，她加入了法国地下抵抗组织，邂逅了地下组织的骨干朱利安（比利•克鲁德普 Billy Crudup 饰）。于是，夏洛特对外的身份就是朱利安的管家，暗地里和他一起从事地下抵抗活动，她在行动中英勇坚强，拯救了许许多多被纳粹迫害的犹太人。夏洛特和朱利安的日久相处中，两人渐渐产生了一份情愫……

　　老庄园主去世后，可怜的母女四人被长子逐出了庄园。靠着亲戚的帮助，她们在一处小小的农舍安顿下来。势力眼的长嫂未曾想到的是，她的弟弟爱德华（休·格兰特 饰）爱上了三姐妹中的大姐埃莉诺（艾玛·汤普森 饰）。理智的埃莉诺尽管也倾心于爱德华，却顾及两人地位的悬殊而努力克制着自己的感情。
　　与此同时，妹妹玛丽安娜（凯特·温丝莱特 饰）和英俊的军官威罗比（格雷·怀斯 饰）陷入热恋。情感外露的玛丽安娜热情奔放的释放着自己对威罗比的爱慕，甚至不顾及伤害追求者布兰登（艾伦·瑞克曼 饰）上校的感情。未曾想，威罗比为人不正，根本没有把玛丽安娜的感情真正放在心上。两个姐妹的感情相继陷入了危机。
　　性格迥异的两姐妹谁能得到真正的爱情，如愿以偿呢？母女四人又该如何走出生活的困境呢？

　　利亚姆·海姆斯沃斯扮演奥斯汀的好友兼战友，两人并肩作战、出生入死。奥斯汀在美国本土的女朋友让他情绪失控。于是，两人逃离军队，返回家乡拯救爱情。两人回到反战运动如火如荼的大学校园，奥斯汀将如何挽回他的爱情。

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.