An artist is hired by a nightclub owner to paint a portrait of his beautiful wife. When the artist and wife fall in love, the nightclub owner's jealousy erupts in violence. To save themselves, the lovers are driven to attempt his murder.
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
这是一部关于爱与救赎的故事。 大学生墨寒在去做公益的前一天，父母离婚大战爆发，女友也悄悄离去……墨寒随志愿小组终于到达志愿目的地——一偏僻山村，可村民们并不领情，墨寒与学生们终于在大河之上建起了一座便民桥，却被洪水冲毁，同学们失望地离去。想回家的墨寒却意外得知父亲公司破产，母亲离开了家。无家可归的墨寒只好留在了村子，他写信给女友，没想到，收信的却是一位流浪歌手，在两人书信的不断交流中，互相找到了人生的方向和自我。
十年前，凌雪峰到西藏探望父亲，与一个叫格桑梅朵的女孩产生了纯真的初恋。十年之后，凌雪峰作为援藏医生，再次回到西藏。在进藏的火车上，他遇到一个叫格桑梅朵的女孩，但是女孩却不认识他。梅朵成为凌雪峰的助手和翻译，又陪着他去寻找十年前的格桑梅朵。寻寻觅觅之间，他们冲破文化的隔阂、现实的压力、世俗的伪装，找回了当年的纯真记忆，成就了一段汉藏青年心心相印的格桑花之恋。
泽德期待着获得体育奖学金，而艾迪生正在为西布鲁克的国际助威比赛做准备。然后，突然，外星生物出现在西布鲁克周围，这不仅仅是友好的竞争。
剧集讲述了三位个性迥异、特色鲜明的都市丽人，在经历了一系列创业的艰辛，职场的压迫，和感情的波折后，对生活、事业和爱情都有了重新的认识。其中，刘净（李纯 饰）是完美主义对爱情挑剔的美食博主；方欣（张含韵 饰）是虽然外貌出众却为情苦恼的离异主播；夏梦（王菊 饰）是因为能力出色而让男友倍感压力的职场强人。
以现实香港为蓝本，描述急功近利的青年人亚伦（刘德华）的遭遇及他身边的香港人：外商情妇玛利亚——古嘉露，戆直工头亚辉——黎汉持，望做歌星女工亚红 ——寇鸿萍，封建固执看更虎伯——谷峰及非法入境女人蛇亚贞——朱海玲。一班香港小人物，为了物质生活、男女关系、移民外国等等，面对种种生活压力，求不得、放不下，难舍难离……
芬利·屈里曼，一个小镇上的农家女孩，渴望展翅高飞，成为一个有抱负的表演者。当好莱坞的一个摄制组来到她沉睡的小镇时，她决心在影片中扮演一个角色，并吸引了英俊的男主角杰克逊·斯通的注意。不幸的是，糟糕的试镜迫使她改变了方向。现在，伪装成牛仔“哈克”，芬利终于得到了她的大突破。但她能对所有人，包括她邪恶的继母和狡猾的继兄弟姐妹，
收藏世家汪世昌小女汪若若倾慕才子吴昭，决心抗婚。为了能够逃出汪家，汪若若违心地与一个小偷合作。二人互相帮助，躲过了很多次危机，彼此产生感情。 纨绔子弟 许言的出现，让江若若得知小偷原来就是吴昭。在家人的帮助下，二人离开了汪家。 汪若若无意中得知小偷是个骗子，她从小偷身边逃走后又遇到了土匪。小偷拼死救下汪若若，坦然自己是真的许言，进入汪家只为婚书。 汪若若想要撕毁 婚书 的时候，才发现原来汪老爷早就知晓一切，故意在耍孩子们玩。
讲述了5个来自不同家庭的青少年，通过组建“哪吒乐队”而引发出的各自不同的叛逆经历，也展示了来自社会、教育、家庭的矛盾现状，剧情真实深刻，让人产生共鸣，给人以深省。逆爱是一次青春的逆袭，同时也是一场因爱而生的人生反转。青春不应在时代中和叛逆中溺亡，正确的引导和足够的爱，可以让叛逆不再是青春唯一的标签。
对爱情有着依赖症的25岁女孩梅宫志乃（多部未华子 饰）此时正陷入恋爱困局，她的男友正树（柄本佑 饰）充满猜忌，为人刻薄，还时不时殴打女友。无以为继的恋爱，两人最终走向分手。在好友奈奈子（木村文乃 饰）和小天（松坂桃李 饰）的帮助下，志乃搬到一处新的公寓，展开全新生活。搬家当晚，志乃便被邻居菅原京志郎（绫野刚 饰）温暖的笑容所击中。可以想不到的是，对方居然就是她接下来将要打工的音像租赁店店长。前男友奚落轻蔑的样子时不时萦绕眼前，志乃不愿承认她就是对方所说的有男人就行的花痴女，但她还是不由自主被已经有女友的对方所吸引…… 本片根据少女漫画家乔治朝仓的同名漫画改编。
A subversive romantic comedy gone wrong that follows a young woman into and out of an emotionally abusive relationship.
