“Maria” 重新塑造了《巴黎最后的探戈》女主角玛丽亚·施奈德的演艺生涯和悲剧人生。《正发生》中的新星安娜玛丽亚·瓦托洛梅饰演施奈德，而马特·狄龙则饰演与她搭档的马龙·白兰度。本片在一定程度上追踪了贝纳尔多·贝托鲁奇1972年杰作的争议性制作和痛苦后果——这一里程碑式的作品使施奈德一夜成名的同时将她锁定在一个她永远无法逃脱的形象中。这部电影也与贝托鲁奇相呼应，导演帕吕的职业生涯是在《戏梦巴黎》的片场开始的。

三名特务奉命找回被偷的手提箱，他们却发现手提箱里有一张秘密地图，里面藏着二战时期的宝藏。在遭到法国国防部长的背叛与前海军陆战队员的追杀后，他们决定自行夺取宝藏。

Following the steps of an English botanist, in the landscapes of the Normandy coast, people and cameras look at flowers. This is an essay on attention and friendship, a cinematic herbarium.

26岁的阿尔芒德·皮贡失业在家、债台高筑，在布鲁塞尔艰难度日。雪上加霜的是，她嗜赌成性，从不畏惧冒险——因为对她而言，所有赌注都值得一试。唯有一个赌注或许例外，那可能是她至今仍不敢孤注一掷的疯狂赌局：爱情。

　　丽莎（又名卡莉）得知丈夫在里约被处决以掩盖腐败丑闻后，她已经一无所有了。作为一名前特种部队新兵，她带着拳头、鲜血和炸药前往巴西，以了解真相

　　1978年，红色高棉政权邀请三名法国使者—醉心研究马克斯主义的学者、一心求真的务实记者，和满腔热诚、爱抱打不平的摄影师，到柬埔寨进行国情研习，企图向西方说好赤柬故事。政党高层句句歌颂波尔布特崇高的革命理念，被安排游览的场所处处展示赤柬的丰功伟绩，却依旧难掩人民脸上的恐惧。三位使者在高压政权的监视下寻找真相，以镜头和录音机对抗紧随他们的军人和枪支，却不知危险正逐步逼近。第10届焦点导演潘礼德过去多部作品，包括入围奥斯卡之作《被消失的影像》均反映出他对红色高棉大屠杀的念兹在兹，今次以剧情片重演真实事件，回归康城影展，继续以其独有的方式念记柬埔寨这段血腥沉重的过去。

　　害羞文静的法国少女芳妮参加学校的交换学生计划，来到德国住在同龄笔友蕾娜家。蕾娜冷酷又充满防备，语言是她们之间的一道墙，芳妮为卸下蕾娜心防，将烦恼与秘密告诉对方，两人因此拉近了距离。时间一天天过去，爱情不用翻译，反倒在语言的落差中滋长。这次，轮到蕾娜前往法国交换，暂住芳妮家的她，逐渐发现芳妮的秘密似乎另有蹊跷，但更糟糕的是，自己的感情已经越陷越深⋯⋯

Le climat s'emballe, l'économie s'effondre... Stanislas, trader redouté des buildings de La Défense, se retrouve démuni : plus d’eau, plus d’électricité́, plus de connexion, et plus de compte en banque. Sa femme, Sophie, le convainc d’aller trouver refuge avec leur fils à la campagne chez Patrick, un agriculteur dont Stanislas vient juste d’acheter la ferme pour placement financier. Mais Patrick et Constance, sa femme, ont aussi tout perdu avec la crise, et ils n’entendent pas céder leurs terres à ces Parisiens fraichement débarqués sur leur propriété́. Malgré tout ce qui les oppose, ces deux familles vont devoir apprendre à vivre ensemble avec comme seules ressources, celles que la nature offre et ainsi inventer les codes d'un nouveau monde.

　　A teenager who stops off to see his dealer to test a new drug before heading off for a night of partying. On the way home, he picks up an injured woman and the night takes a surreal turn

　　该剧本由André Téchiné和Régis de Martrin-Donos撰写，以即将退休的技术和科学警察的特工Lucie为中心。一对年轻夫妇（一个小女孩的父母）来到他的小区，这让他孤独的日常生活感到不安。当她爱上她的新邻居时，她发现父亲Yann是一名反警察活动家，有着沉重的犯罪记录。Lucie的职业良知与她帮助这个家庭的愿望之间的道德冲突将动摇她的确定性......

　　当暴力和可怕的死亡事件开始困扰一个小山村时，一个关于恶毒生物的古老传说重新浮现。两名方法不同的警察被迫联手，揭开一个涉及当地儿童失踪的阴谋。朱利安·莫利和亚历山大·布斯蒂罗是法国电影界公认的鬼才，他们始终致力于奇幻、科幻、恐怖和惊悚艺术的创作。两人共同执导的第一部长片《身在其中》被称为法国有史以来最血腥的电影之一，入选戛纳电影节影评人周，在世界各地获奖无数。本片是两人合作的最新作品，延续了一贯风格，为观众带来最刺激的视听体验。

　　丽塔是一位资历很高但总被低估的律师。她工作的事务所更感兴趣的是让罪犯摆脱困境，而不是将他们绳之以法。
　　有一天，她得到了一条意想不到的出路。毒枭头目马尼塔斯雇佣她来帮他金盆洗手，并实现他多年来秘密准备的计划：像他一直梦想的那样，成为一个女人。

　　Synopsis
　　In the Allegory of the Cave, Plato ponders: what would happen if one of the prisoners managed to free themselves from their chains and escape from the cave? What if that prisoner were Jay, a little 7-year-old boy?
　　Director’s statement
　　What lies behind the daily movement of a city? Last winter, we met in Paris and began discussing the Allegory of the Cave, as told in Plato’s Republic. The myth imagines humanity living in chains, facing the back of a cave, and watching shadows move on the walls, thinking it is reality. We both work with images, which certainly can be illusions, but can also become instruments of struggle and liberation of thought. So, from this discussion, we decided to create a short film. We had a few fixed ideas—the cave, the dance, the city bustling around us—and one question: what would happen if we all managed to turn together towards the exit of the cave? Perhaps it is not enough to assert that images are illusions as long as the chains that bind us are real.

　　夜幕降临，小镇沉睡，所有人都闭上了眼睛。

　　France, 2039. One night, a group of activists pursued by the state vanish without a trace. Julia Bombarth is one of them. When she awakens, she finds herself trapped in an entirely unfamiliar world: PLANET B.

　　Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father, in hiding, surrounded by his clan. An underworld war erupts. The noose is tightening around them. Death strikes. Forced to go on the run, father and daughter will learn to face one another, to understand and love each other…

卡马尔格，法国——内吉玛正在努力训练，以赢得当地的斗牛比赛。然而，在一次庆祝活动后，她被牛袭击，开始注意到一些令人不安的变化。与此同时，一头失控的公牛在社区中横行，导致年轻男子接连丧命，令居民们感到恐慌。

　　Soélie, a young motocross prodigy, sees her dreams of success shattered by an accident. She now devotes herself to training her brother, Michael. When he is recruited by TMAX scooter racers for a high-profile heist in Paris, Soélie must overcome her fears to save him.

Un jeune professeur est accusé de harcèlement par une de ses élèves. Même s'il est innocent, l'incident tourne à l'incendie et embrase le collège.

本作は甲斐が20年以上をかけ構想し書き上げたオリジナル作品。舞台はそう遠くない現代、国家が推進する延命治療として、一定の階級より上の人間が病に侵されたとき、自分と同じ見た目の“それ”が提供されて病の身代わりになるという設定で展開される“命の問題作”だ。

　　In order to prevent a deadly explosion, an illicit crack team has 24 hours to drive two truckloads of nitroglycerine across a desert laden with danger.

一个小男孩为了逃避父亲的暴力而在一个想象中的世界避难。

For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

　　About the return of the royal treasures of Abomey in Benin, snatched away by colonial plunder, to a country that has had to build itself up and come to terms with their absence.