外接手

外接手

第08集

6.0 |2024年07月18日 |已完结
简介:

  这部引人入胜的体育类剧集聚焦美国橄榄球联盟外接手们在 2023 赛季的表现,其中包括德万特·亚当斯、贾斯汀·杰佛逊、乔治·基特尔、迪博·塞缪尔和阿蒙-拉·圣·布朗。

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简介:

  德国柏林动物园的小北极熊克鲁特,是现在全市最受宠的小家伙,在最近一次电视台举行的投票活动中,高票当选“柏林市最重要居民”。乖巧可爱的小努特每天都要吸引无数游园者的目光。小北极熊克鲁特一亮相就拥有耀眼夺目的明星风采,马上就变成柏林动物园的镇园之宝。
  这头可爱的小北极熊,有着一段凄惨的遭遇。去年12月,母熊妈妈生下克鲁特和它的孪生兄弟后,就把它们丢弃在了洞穴里。克鲁特的兄弟不久后就夭折了,而小克鲁特却幸运地被饲养员救了出来。从那以后,克鲁特的生活就大变样了,喝牛奶,吃鱼肝油,鸡汤进补,睡觉的时候抱着泰迪熊。也正是这种娇生惯养的状况,让一些动物保护人士看不惯了。他们认为这样做会破坏野生动物的天性。有的人甚至提出应该给克鲁特打毒针,让它安乐死。
  不过,看着小克鲁特一双无辜的大眼睛,实在没人下得了手。柏林动物园最终还是决定留下克鲁特。柏林动物园园长说,如今全球气候变暖,再加上人类在北极附近活动频繁,严重威胁着北极熊的生存。科学家预测,照这样下去,北极熊将在100年内灭绝。因此,可爱的小克鲁特就越发显得珍贵。
  纪录片《Knut und seine Freunde》叙述了小北极熊克鲁特如何征服全世界的故事。

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  What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.

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