克拉克森的农场第三季

　　「在你過世之後，你希望留給這個世界什麼？又希望後世的人們如何看待你？」
　　史帕汀格瑞，演員、劇作家、表演藝術家、傳記作家，同時也是一位知名的獨白表演者，2004年自殺身亡。
　　執導過《性、謊言、錄影帶》、《瞞天過海》等片的金獎大導史蒂芬索德柏，從格瑞生前電視節目訪談和戲劇表演共約九十小時的錄像中，剪輯出一個與眾不同的故事，演繹格瑞的一生。

　　In the very waters where Melville's Pequod gave chase to Moby Dick, Leviathan captures the collaborative clash of man, nature, and machine. Shot on a dozen cameras — tossed and tethered, passed from fisherman to filmmaker — this is a cosmic portrait of commercial fishing as it's never been seen.

　　我是一个纪录片工作者，Cling是我的朋友，我们都是女同志。历经同志恋情中的挫败，我们不约而同决定转性嫁给男人，但婚后却无法跟男人做爱，为此与丈夫关系冲突不断。最后我的婚姻以离婚收场，而Cling依旧在婚姻中挣扎。我们是两个在爱情中寻寻觅觅的女人，我们不停地寻找幸福的公式。到底幸福的公式是什么？或是幸福其实没有公式？

　　弗洛伦斯·卡塞斯是一个绑架集团的幕后黑手吗？还是她是腐败行为的受害者？这部纪录片将探讨墨西哥一起最具争议的案件

　　纪录片导演玛丽·玛吉欧新作《我是无名女》发布全新预告，“劳模姐”杰西卡·查斯坦配音。该片聚焦几位美国母亲和她们的女儿，就禁止网站发布非法性交易内容的博弈过程展开。由于过去的法律保护网站不因兜售或发布未成年信息承担责任，因而母女们不得不面临来自多方的挑战与威胁。

奥斯卡获奖纪录片导演埃罗尔·莫里斯揭开了前英国间谍大卫·康威尔的传奇生活和职业生涯的帷幕，他更广为人知的名字是约翰·勒·卡罗，他是经典间谍小说《从寒冷中归来的间谍》、《锅匠、裁缝、士兵、间谍》和《永恒的园丁》的作者。影片以冷战时期的动荡背景为背景，跨越60年，讲述了勒·卡罗埃尔最后一次、也是最坦诚的采访，穿插着罕见的档案镜头和戏剧化的小插曲。《鸽子隧道》是对勒·卡罗埃尔非凡旅程的深刻人性和引人入胜的探索，也是对事实与虚构之间薄如纸的隔膜的探索。

　　The Palm Desert band Eagles of Death Metal was performing at the Bataclan theater in Paris in November 2015 when terrorists opened fire, killing 89 people. The best friends who formed the band lead us through the horror and its aftermath in this moving documentary about the power of friendship and rock and roll.

　　简介： 德鲁另辟蹊径，拜访多位收藏狂人，最后终于达成他一直以来对汽车的执迷。朱利安紧随其后，他在朴茨茅斯的一家道具和戏服仓库中展开地毯式搜索，结果找到不少好宝贝。附近农场的主人那里也有众多珍宝，德鲁冒着激怒丽贝卡的风险，偷偷敲定一笔满足私欲的买卖。开发商尼克也是旧货回收的爱好者，他在诺福克的房子里堆满大大小小的古董，其中一部雪铁龙汽车勾起德鲁的买车欲望。大雅茅斯的鲱鱼博物馆是一个聚宝盆，馆内陈列着众多古代航海用品，并且所有的物品均可以出售，至少在丈夫厄尼出现之前，卡伦是这么说的。回到店里，一位路虎专家告诉德鲁，他对汽车的狂热痴迷也能让他们赚到大钱。

　　The Lady In Number 6 is one of the most inspirational and uplifting stories of the year. 109 year old, Alice Herz Sommer, the world's oldest pianist and Holocaust survivor shares her story on how to achieve a long and happy life. She discussed the importance of music, laughter and how to have an optimistic outlook on life.

　　The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
　　The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
　　Part 1 comments on:
　　■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
　　■"Konkurs" ("Audition," 1963) by Miloš Forman
　　■"Křik" ("The Cry," 1963) by Jaromil Jireš
　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt
　　■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
　　■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos
　　■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
　　■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
　　Part 2 comments on:
　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
　　■"Stud" ("Shame," 1967) by Ladislav Helge
　　■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
　　■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
　　■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
　　■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
　　■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
　　■"322" ("322," 1969) by Dušan Hanák
　　■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
　　■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný