浴血华沙2014
1.0 |2025年02月23日 |HD
简介:

  在华沙起义爆发前不久,一群当地的年轻人加入了地下组织,不仅是为了履行爱国 义务,同时也开启了一段青春冒险,可以跟同龄人吹嘘还可以吸引女孩子。在地下组织培训时,他们边调情、炫耀,边制订计划,殊不知接下来的那个夏天将是他们生命的考验,而历史已经为他们做好了计划。 他们成为华沙起义战斗中最为勇敢的组织之一,共同见证了牺牲精神和英雄气概,也看见了残忍、背叛与谋杀;他们懂得了爱,也体会了什么叫仇恨。尽管他们不情愿,历史还是在他们成熟的过程中,给他们上了血腥残酷的一课……

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主演:埃米纳姆,金·贝辛格,梅奇·费法,布莱特妮·墨菲,伊万·琼斯,奥玛·本森·米勒,德-安格里欧·威尔逊,尤金·伯德,塔恩·曼宁,普罗夫,迈克尔·珊农,克洛伊·格林菲尔德,安东尼·麦凯,戴·戈尔芬,霍姆,奥别·特莱斯,保罗·贝茨,艾勒比,阿卜杜勒·萨拉姆·埃尔·拉扎克,戴夫·丹尼尔斯,卡琳·迪克尔,布兰登·T·杰克逊,杰森·雅霍夫,胡安妮塔·摩尔,杰里·里德,格雷丝·斯塔福德,史蒂夫·范希
简介:

  1995年冬天的底特律,每逢周末乐手们都会聚在一家名为The Shelter的Hip-Hop俱乐部进行一对一的为时一分钟的表演比赛,吉米•史密斯(艾米纳姆)是众多黑人乐手中另类的白,虽然他很有实力,却在每次上台表演时都会卡壳,只得到一片喝倒彩的嘲笑声。
  除了要勇敢面对被起哄的人群轰下台的尴尬,吉米•史密斯还要应付与母亲(金•贝辛格)及同母异父的妹妹一起生活在狭小局促的拖车里的难堪。而母亲的男友、黑人与白人的平行线关系、他的工作和感情等等,也皆是他的压力。他试图冲破家庭与团体的束缚,用音乐表达出对生活的愤怒和不满,然而他首先要解决的,是战胜怯弱的自己。

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8英里
主演:埃米纳姆,金·贝辛格,梅奇·费法,布莱特妮·墨菲,伊万·琼斯,奥玛·本森·米勒,德-安格里欧·威尔逊,尤金·伯德,塔恩·曼宁,普罗夫,迈克尔·珊农,克洛伊·格林菲尔德,安东尼·麦凯,戴·戈尔芬,霍姆,奥别·特莱斯,保罗·贝茨,艾勒比,阿卜杜勒·萨拉姆·埃尔·拉扎克,戴夫·丹尼尔斯,卡琳·迪克尔,布兰登·T·杰克逊,杰森·雅霍夫,胡安妮塔·摩尔,杰里·里德,格雷丝·斯塔福德,史蒂夫·范希
往日情怀
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更新时间:2023年10月11日
主演:芭芭拉·史翠珊,罗伯特·雷德福,洛伊丝·奇利斯,詹姆斯·伍兹,苏珊·布莱克利
简介:

  本片以美国50年代美苏冷战时期为背景,围绕女主人公凯蒂·莫若斯凯(芭芭拉·史翠珊 Barbra Streisand饰)与男主人公哈贝尔·加德纳(罗伯特·雷德福 Robert Redford饰)讲述了一段由相识到相知相恋,却因彼此间个性和政治立场的差异而分手的爱情故事。凯蒂,性格倔强浓烈的左翼女生,在校担任青年政党联盟主席;而主张明哲保身的哈贝尔则是学校有名的运动和写作才子。两人顺理成章地走到一起,也不可避免地分道扬镳。许多年以后,哈贝尔在街头与凯蒂重逢,往日情怀,不禁涌上心头。
  由著名导演西德尼·波拉克执导的影片《往日情怀》,根据阿琴·劳伦茨的小说改编而成。导演波拉克十分擅长反映当今社会的政治问题和揭露一些社会现实,而这部具有浓厚政治意味的好莱坞爱情片,更成为当时具有知识分子味道的代表作。波拉克一生导演了19部影片,共获得46项奥斯卡提名。本片则荣获1974年第46届奥斯卡金像奖最佳原创歌曲、剧情类最佳配乐及最佳女主角提名等多项大奖与提名。

846
1973
往日情怀
主演:芭芭拉·史翠珊,罗伯特·雷德福,洛伊丝·奇利斯,詹姆斯·伍兹,苏珊·布莱克利
魔鬼的陷阱
907
7.0
HD中字
魔鬼的陷阱
7.0
更新时间:2025年02月24日
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
简介:

  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

5047
1962
魔鬼的陷阱
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
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