折扣风潮

　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

　　The glittering ladies of Bravo Media’s The Real Housewives of Beverly Hills are back for season seven on Tuesday, December 6 at 9:00pm ET/PT with extravagant trips, outlandish fun and unimaginable indiscretions as Erika Girardi, Lisa Vanderpump, Kyle Richards, Lisa Rinna, and Eileen Davidson are joined by new housewife Dorit Kemsley and friend Eden Sassoon.
　　Lisa Vanderpump’s friend Dorit is the glamorous and charming wife of Paul “PK” Kemsley, a wealthy English businessman turned high powered talent manager representing the likes of '80s icon Boy George and soccer superstar Pelé. A mother of two young children, Dorit balances the demands of overseeing her husband’s company while parenting alongside her many nannies.
　　Eden Sassoon, a friend of Lisa Rinna and the daughter of late style icon Vidal Sassoon, is expanding her own salon and Pilates business in an effort to continue her father’s legacy.  Having overcome a battle with alcoholism, the free-spirited and outspoken Eden is committed to having fun and looking for love when she is not fulfilling her parenting duties as a single mother.

　　凡尔赛宫，欧洲最雄伟壮丽的宫殿之一。本片讲述凡尔赛宫的荣辱沉浮。

　　在 Netflix 美国无脚本剧集《爱情盲选》中，单身人士想要别人爱上真正的自己，而不是外表，于是他们选择了一种不那么传统的现代约会方式，希望可以找到想要与之共度余生的另一半，而他们都是未曾谋面的陌生人。该节目获得了包括最佳虚拟现实类真人秀奖在内的 2 项黄金时段艾美奖提名。在没有外界干扰的情况下，单身男女会和几个潜在的爱慕者聊天，在回归现实世界后，情侣们开始筹划婚礼。婚礼越来越近，而他们很快就会认清两人在情感上的联系能否转化为真爱。藤井隆和板谷由夏将担任《爱情盲选：日本篇》主持人，带领观众见证社交实验节目的剧情走向。

　　這部肆無忌憚的脫口秀特輯於亞特蘭大拍攝，戴夫·查普爾在其中大談槍枝文化、鴉片類藥物危機，以及風起雲湧的藝人醜聞。

　　专辑曲目
　　01. Britney Spears – Femme Fatale Video Vignette (02:17)
　　02. Britney Spears – Hold It Against Me (Live) (04:33)
　　03. Britney Spears – Up N’ Down (Live) (03:40)
　　04. Britney Spears – 3 (Live) (03:56)
　　05. Britney Spears – Piece Of Me (Live) (01:35)
　　06. Britney Spears – Sweet Seduction Video Vignette (02:35)
　　07. Britney Spears – Big Fat Bass (Feat. Will.i am) (Live) (04:08)
　　08. Britney Spears – How I Roll (Live) (03:38)
　　09. Britney Spears – Lace & Leather (Live) (03:14)
　　10. Britney Spears – If U Seek Amy (Live) (03:47)
　　11. Britney Spears – Temptress Video Vignette (02:24)
　　12. Britney Spears – Gimme More (Live) (03:28)
　　13. Britney Spears – (Drop Dead) Beautiful (Feat. Sabi) (Live) (03:47)
　　14. Britney Spears – Don’t Let Me Be The Last To Know (Live) (03:26)
　　15. Britney Spears – Boys (Live) (04:01)
　　16. Britney Spears – Code Name: Trouble Video Vignette (02:03)
　　17. Britney Spears – …Baby One More Time (Live) (01:36)
　　18. Britney Spears – S&M (Live) (02:03)
　　19. Britney Spears – Trouble For Me (Live) (03:04)
　　20. Britney Spears – I’m A Slave 4 U (Live) (03:12)
　　21. Britney Spears – I Wanna Go (Live) (04:01)
　　22. Britney Spears – Womanizer (Live) (04:44)
　　23. Britney Spears – Sexy Assassin Video Vignette (01:45)
　　24. Britney Spears – Toxic (Live) (04:57)
　　25. Britney Spears – Till The World Ends (Feat. Nicki Minaj) (Live Remix) (05:07)

　　泰勒·汤姆林森现在已经二十五六岁了，她准备把自己的错误抛诸脑后。继在《笑星排排队》第一部分（2018 年）中完成了自己的 Netflix 首秀后，泰勒在她的首部长达一小时的喜剧特辑《泰勒·汤姆林森：青年危机》中透露了自己所学到的东西。该特辑在 3 月 3 日全球首播，其中泰勒谈到了如何自我调整、现实的恋爱目标，以及为什么你的二十几岁并不是“你人生中最好的几年”。