“人生本是戏”,艺术和生活的界限模糊了一个上海名门之后的海外闯荡,一个超逾时代的女性偶像,她就是周采芹Tsai Chin!从成为首位轰动西方的华裔邦女郎,到蜚声好莱坞的华裔演员,她历经繁华,也尝尽苦涩。周采芹刻入骨髓里的坚毅与傲气,使得耄耋之年的她,仍在表演艺术上坦荡无畏地续写传奇……
在捷威酒吧,女同性恋群体终于拥有了在那个年代真正属于自己的归宿与去处,而女同性恋的意义也在酒吧得到了凝聚。摆脱社会与男性的束缚之后,女人其独有的力量与特征也在捷威尽显。多年后,伦敦的女同性恋依然怀念那段难忘时光,并为捷威申请英国蓝色牌匾。这小小牌匾不仅是对捷威时光点滴的印证,更是希望穿越时间的距离,将捷威的往昔永恒传承下去的期许。
Shocking tales of betrayal, violence, and deceit through testimonials, bodycam footage, and reenactments. Exposes the disturbing realities of monstrous past relationships, tapping into the universal fear of not truly knowing one's partner.
In this coming of age documentary, four friends on the Autism spectrum whom have bonded through humor and performed as the comedy troupe "Asperger's Are Us" will prepare for one final, ambitious show before going their separate ways.
在非洲腹地一面广袤的森林里,小黑猩猩奥斯卡诞生于此。它终日围在妈妈伊莎身旁,不离寸步,学习各种各样的生存技能,生活充满了无限乐趣。然而对于他们这一群体的领袖弗雷迪来说,时时刻刻都不容有半分松懈。他每天都要为族群的食物而绞尽脑汁,更要时刻提防对手的入侵。弗雷迪所在的领地有一片坚果园,在食物匮乏的季节里,坚果园成为所有小动物的天堂,当然也不可避免变成一个战争多发地。比邻弗雷迪领地的,是阴郁狡猾的伤疤所率领的黑猩猩族群。伤疤一族孔武有力,野心勃勃,时刻蓄谋抢占坚果园,只可惜时机未到。 在一个狂风暴雨的夜里,伤疤向弗雷迪发起奇袭,可怜的小奥斯卡将面对出生以来和母亲的首次分别……
纪录片描写热爱裸体与大自然生活的族群,真实贴近人性的描绘,于蒙特娄影展、魁北克影展放映时,同样获得不少的好评与掌声,也成功引起大众对「天体营」这个社会议题哗然的高度讨论。
揭开世界顶级品牌的面纱,揭露那些让我们不计成本、陷入无休止的购买循环的隐藏手段和隐秘策略。
日本帝国主义在侵华期间,沿着苏满边境建立了代号为731的细菌部队。他们惨无人道的用中国人、苏联人、韩国人来做活体实验,在集中营、占领区、战俘营所犯下了惨绝人寰的兽行:大屠杀、变态的奸淫、毒气实验、细菌实验和性实验等等.... 致使无数生命惨遭杀戮。这里只有仇恨的震撼和国耻的警示!
纪实故事集《籍籍无名》通过六个独立而完整的故事,用三年的制作周期,讲述了每个普通人,对于自身的“无可替代”与“独一无二”。我是谁,我不是谁,我身处何地,我能做什么,我又不能做什么。那一条条纵横交错的路径是大路还是小道?那些关于职业足球运动员、电影导演、月球陨石、世界金牌以及城市舒适生活的愿望,到底在哪一格? 六个真实故事的主人公们有着大大小小的愿望,唯有为这些心愿努力过,他们才可能迈向普通人的生活。故事的结尾,他们依然籍籍无名,但他们眼里望出去的世界,已经与三年前不同。世界不是一个结论,那一条条纵横交错的路径正是每个人校准自我坐标的过程。
On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt. Berlinale 2014
Created by the monarch, Dukedoms are gradually becoming extinct - the last one was created by Queen Victoria. In this one-off documentary Michael Waldman meets some of the last vestiges of this level of British aristocracy, and asks what has become of those who remain. In 2012 South African Bruce Murray found himself becoming the 12th Duke of Atholl and heading up the only private army in Europe - the Atholl Highlanders. If Camilla Osborne had been a boy, she would have inherited her father’s Dukedom, but now there is no longer a Duke of Leeds. The Duke and Duchess of St Albans don’t have a stately pile, but do have their coronets and coronation robes. One of the few Dukes to still sit in the House of Lords, The Eighth Duke of Montrose (pictured) is a hill farmer by trade. He continues the family tradition of being intimately involved in the political relationship between Scotland and England. The Duchess of Rutland was determined to make Belvoir Castle an efficient business, living onsite in one wing, with her estranged husband the Duke living in another. Their elder teen daughters are prepared for when the title is passed down to their younger brother. Whilst at Blenheim Palace, Lady Rosemary Spencer Churchill, daughter of the 10th Duke of Marlborough, revisits her childhood home. Her nephew succeeded to the title only recently and it’s a rather a different Blenheim to the one she remembers.
In the heart of America's opioid epidemic, four men attempt to reinvent their lives and reenter society sober after years of drug abuse. Recovery Boys, from Academy Award nominated director Elaine McMillion Sheldon (Heroin(e)), is an intimate look at the strength, brotherhood, and courage that it takes to overcome addiction and lays bare the internal conflict of recovery and the external hurdles of an unforgiving society.
在世界名国,比如在英语国家和阿拉伯国家,也有被称为书法家的人物或书法艺术的事物存在。然而那些书法家的书法作品,不可能被书写成条幅或中堂在美术馆展出,他们的书法家也绝对不会具有中国书法家所具有的艺术家地位,受到世世代代的顶礼膜拜。