欲海潮4

　　刘唐劫了生辰纲后，为躲避官府追捕，便到大名州，投奔生死之交陆金彪，一路上看到三五成群的灾民们骨瘦如柴，扶老携幼，惨不忍睹；灾荒之年各米商抬高米价，梁中书的走狗黑豹将私藏的官粮抛到黑市贩卖，牟取暴利，百姓痛不欲生。刘唐、陆金彪带领众兄弟杀富济贫，替天行道，深夜将米商仓库的粮食全部盗空，救济百姓，各米商目瞪口呆不知所措。刘慕雪灵机一动，得知是劫取生辰纲的好汉所为，激动不已，刘幕雪带他来到了黑豹倒卖官粮的黑市，目睹了真正的恶人。为了惩罚罪大恶极、欺压百姓的梁中书等人，刘慕雪决定跟着刘唐、陆金彪一起联合起来，盗取梁中书赌场黄金、库房粮食；朝廷派都统徐达下来，专门来查粮商失窃案，梁中书甚是傲慢，最终查到了梁中书的走狗之一黑豹的头上，梁中书毅然决定将徐达等杀人灭口；当徐达弄明白事情的原为时已经晚了……魏季抽出三支“九尾镖”，瞄准陆金彪等人，使出绝招“三连镖”。陆金彪猝不及防，当场身亡，刘唐起身，趁乱使出绝技“飞雁连环杀”，扑向魏季。魏季猝不及防，中刀而亡,刘唐乘机施展轻功，快马奔上山……

　　女记者（叶德娴 饰）受托跟踪采访一个忠实于精神病患者救助事业的社会工作者（冯淬帆 饰），二十多年来他一直与街头流浪汉打交道，旨在引导他们走向康复，但他的行为得不到人们的响应。女记者亲眼目睹了他对垃圾佬（周润发 饰）、终日游荡在菜市场的癫仔（梁朝伟 饰）与康复的患者（秦沛 饰）的关怀 与他们辛酸的故事。康复患者其实有间歇性发作精神病，受到生活中重重压迫后，想念儿子的他持刀闯入幼儿园酿成血案......

　　戈尔（约翰•库萨克 John Cusack 饰倒的木偶艺人，善于操作舞台上傀儡木偶。生活所迫，他进入了一间纽约一间公司从事文件管理工作。这间公司在办公大厦的七楼半，由于它只有半层楼高，所以职员们都只能拱着腰工作。
　　正是由于这样，戈尔偶然发现了公司的文件柜后面有一扇门。好奇心驱使下，戈尔进入了这扇门。当戈尔一进入门内，马上便被吸入了其中，并飞越时空进入了著名演员约翰.马尔科维奇的大脑中。他发现现在自己能随意控制约翰.马尔科维奇的目光，并窥探到一切约翰.马尔科维奇的私隐。十五分钟后戈尔自动被弹回了现实中。
　　这一发现令戈尔兴奋不已，他决定利用这扇门做一笔大生意。

　　清醒后的三火去找馆主理论，发现她有很多事瞒着自己。三火则打算带着江流儿等人离开天都城，却发现醉酒的老沙被白骨姬绑走，筹码则是与众人交换江流儿。颲与三火设圈套为抓获白骨姬，上演苦肉计大打出手。为套出情报众人决定带着白骨姬去找能够窥探记忆的窥心老人，却发现了白骨姬令人唏嘘的过往。

　　故事发生在2003年的英国，凯瑟琳（凯拉·奈特莉 Keira Knightley 饰）是服务于英国情报机构的政府通讯翻译官，某日，她收到了一封加密邮件，该邮件揭露了美国国安局串通英国政府，企图入侵伊拉克发动战争的阴谋。
　　凯瑟琳过着人人羡慕的安稳生活，领着不菲的薪水，有着无量的前途。这封邮件让她陷入了纠结之中，究竟是视若无睹还是勇敢的站出来检举揭发，最终，正义感战胜了私欲，凯瑟琳和律师本（拉尔夫·费因斯 Ralph Fiennes 饰）联手将这封邮件公之于众，很快就引起了群情激奋。紧接着，凯瑟琳就因为违反了《国家机密法》而被指控为叛国罪。

　　龙王之女三生为解除父亲的封印，回到五百年前寻找降龙大师，意图通过杀死降龙大师来改变父亲被封印的命运，三生在穿越回时，正遇还未成为真正的降龙大师的修源与其搭档葫芦于莲花村捉妖，三生的从天而降，一段阴错阳差的故事拉开帷幕。

　　尼克·罗宾森、迈克尔·珊农、布丽特·罗伯森、亚历克斯·帕蒂弗将主演剧情片[回声潮世代](Echo Boomers，暂译)。影片根据真实事件改编，以一群幻想破灭的20岁青年为中心，他们闯入富人家中并实施盗窃。这将是塞斯·萨沃伊的导演处女作，剧本也由其独立撰写。

　　上世纪80年代末，胡八一（陈坤 饰）、王凯旋（黄渤 饰）与Shirley杨（舒淇 饰）在美国打算金盆洗手，本来叱咤风云的摸金校尉沦为街头小贩被移民局追得满街跑。就在此时，意外发现20年前死在草原上的初恋对象丁思甜（杨颖 饰）可能还活着，胡八一、王凯旋、Shirley杨决定再入草原千年古墓……

　　1967年，在非洲的扎伊尔莫他巴河谷，美国的雇佣军兵营中被一种突如其来的疾病肆虐，死亡人数不断攀升。军医抽取感染血样离开后，整个军营被炸弹摧毁，附近树林中的白脸猴发出阵阵惊叫声……
　　直到90年代，一个美国年轻人在非洲扎伊尔捕捉到一只小白脸猴，并带回国出售。由于不合买主要求，年轻人将猴子放生，之后一种新型疾病在旧金山的香柏溪镇上蔓延。美国传染病研究所上校军医山姆（达斯汀·霍夫曼 Dustin Hoffman饰）接到消息，与妻子（蕾妮·罗素 Rene Russo 饰）及同事立刻展开研究和救治工作。由于疾病传染性极高，政府紧急出动军队封锁镇子，想要逃离者格杀勿论。此时，有一批保密的染毒血清被送来，但山姆等一群人研究发现，这批血清能救治1967年的疾病，却对如今变异后的病毒毫无作用。不久，山姆的妻子不幸被感染，生命垂危中时，政府也作出决定，准备投放炸弹摧毁整个镇子，以此消灭病毒。时间迫在眉睫，山姆查出了病毒的来源，他必须抢在投弹前找到原始病毒携带者。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　马自乐23岁，其貌不扬，因父母离异，被迫独立谋生，为牙膏厂做广告宣传。歌舞是他唯一的乐趣，但几次报考歌舞剧团都因外形欠佳被拒之门外。马自乐不甘心，穿着朋友的大西装、后跟很高的皮鞋在朋友的陪同下再次投考。一进考场，主考老师鲁夫子就对他一身不协调的打扮极为反感，有意出他洋相，让他跳一段牙膏广告舞。马自乐被激怒，拣起掉在地下的鞋跟砸碎一面大镜子逃出考场，无意间闯到舞台上。竟在台上载歌载舞起来。运动健将许飞来歌舞团找妹妹红歌星彤丹，见到这别具一格的表演。经过交谈，他认为马自乐很有才华，只是缺少机遇，便有意介绍他认识彤丹，想让彤丹帮他找到施展才华的机会，同时也希望他能帮助彤丹克服骄傲自大的毛病。彤丹自认为是歌坛皇后，对马自乐盛气凌人。盲目骄傲使她在一次大奖赛中失败，伤心地躲在公园里出神。马自乐用激将法使她从苦闷中摆脱出来。从此，彤丹改变了对马自乐的态度，对他自强自立的精神非常钦佩。她带着马自乐去找鲁夫子，想凭自己台柱的身份和鲁夫子对她特有的感情让鲁夫子允许马自乐参加剧团主办的大型演唱会。不想鲁夫子坚决不接受、软硬不吃。彤丹说服了剧团有关人员，准备让马自乐出其不意地出现在舞台上。鲁夫子略有察觉，演出当天，他坐守后台，巡查严紧。意识到自己即将失去彤丹，他显得越发不近人情。马自乐终于被发现，在鲁夫子言语侮辱下愤而离去。彤丹只好含泪登台。哽咽中，她唱不下去了。忽然观众席上传来了美妙的歌声，满座欢呼——马自乐又回来了。他在观众热烈的欢呼声中步上舞台。鲁夫子只好虚伪地向观众宣布马自乐是剧团最新推出的天皇巨星。激动的彤丹和马自乐在化装间里紧紧拥抱。

　　靓妹仔来自一个破碎的家庭，在家中得不到父母的爱，在学校也得不到老师的理解。一次，她在舞厅中认识一男友，他十分爱护和关怀她，令她对他产生倾慕。由于种种原因，靓妹仔和她的3个同学慢慢步向堕落，结果4人都有不同的收场：一个变成瘾君子；一个因失恋而向杀；一个贪玩而引火焚身；最后只剩下她自己一个人，整日只是和其他舞女争风吃醋。后来她虽与久别的男人重逢，但这也是他们永别的时候.