兰开斯特之王

　　光鲜亮丽的京城，夜幕下罪恶滋生。媒体编辑苏苏（熊乃瑾 饰）此前一直关注社会边缘人物，她曾采访过许多流浪人口，可是其中很多人都不明不白地失踪了。强势的主编命令她转而调查连环剥皮杀人案，苏苏无奈之下只得从命。不久之前，站街女丽红被人掳走，她也正式苏苏此前的采访对象。为了查清真相，苏苏转而求助男朋友陈默（高云翔 饰）。两人一同走访丽红的朋友小娟，而在此期间小娟突然拨通了丽红的电话。未过多久，丽红的尸体在护城河被人发现，她身上一处纹身则被人剥下来贴在小娟的门上。
　　心理扭曲的杀人恶魔行走在大街小巷，贪婪地搜寻着下一个狩猎的目标……

　　东赤胜、朱仲、君孙泰是三个从小一起长大的好朋友，在混乱颠倒的年代里，三个少年混迹街头，穿梭于刀光剑影之中，依靠暴力闯荡江湖。长大后，三人一同拜入全罗道黑帮头目金勇息的门下。十年风雨路，他们对老大忠心耿耿，彼此间的兄弟情谊也愈加深厚。
　　某日，赤胜因刺杀某帮派头目而被判入狱七年，在监狱中他偶然见到原本以为早已死掉的孙泰，大喜过望。另一方面，金勇息并不在乎手下小弟的忠心，这个唯利是图的黑帮分子和赤胜刺杀的帮派头目媾和，由此获取对方迷幻药的经营权，而代价则是除掉赤胜，赤胜的父母也因此身亡。遭到背叛的赤胜和孙泰等狱中好友策划逃亡，而他也将宿命地面对自己的兄弟朱仲……

Sammy Lagucci是一个可爱的失败者，他只想做他的女儿的保护伞。当他发现歹徒将他女儿带走时，他进入了证人保护计划以保护自己和他的家人。从大苹果公司前往威斯康星州的一个小镇，最初他很失望，但他敢于做一个即兴的戏剧表演让大家认识他，他有他的诀窍。他是偷偷在装病的，当他在新的地方名声大噪引起暴徒的注意时，一种祝福也随之变成了诅咒。

　　讲述了一个导演拍电影的故事。
　　本片通过主角晨风电影找投资，讲述了中国电影行业5年来所谓的畸形的“电影盛世”，也即是晨风的电影之路。
　　该片为蝉鸣知了第一部电影长片作品。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　山姆（沃尔特·休斯顿 Walter Huston 饰）虽然有钱但过得并不快乐，他和妻子芙兰（鲁斯·查特顿 Ruth Chatterton 饰）之间的感情并不融洽，芙兰向往充满了刺激的生活，为了满足妻子的要求，山姆带着芙兰踏上了前往欧洲的旅途。在途中，芙兰邂逅了一名英俊的男爵，为了和男爵在一起，她无情的抛弃了山姆。
　　伤心欲绝的山姆流浪在异国他乡，偶然之中邂逅了名为伊迪斯（玛丽·阿斯特 Mary Astor 饰）的寡妇。伊迪斯的善良和开朗深深的吸引着山姆，两人之间迸发出了无疑伦比的激情，可是，就在山姆想要和伊迪斯私定终身之时，被男爵抛弃的芙兰回到了他的身边。

　　经过多年的追查，香港廉政公署准备对理达贸易集团负责人陈超群以及海关官员钟嘉玲（袁咏仪 饰）就非法内销行贿行为进行起诉。可是在开庭前夕，作为举报人和证人的理达的前任财务总监许植尧（张家辉 饰）临时改变出庭打算，启程前往澳洲。法庭给出七天限期，为此，该案负责人陈敬慈（刘青云 饰）和同在廉政公署供职的妻子江雪儿（林嘉欣 饰）联合展开调查。陈倾尽全力追查陈超群走私行贿的实证，并试图揪出其背后的大老虎。江雪儿则远赴澳洲，力劝许植尧回港作证。
　　短短的七天，一切争分夺秒，而在这一过程中，更多的真相交替浮现水面……

　　影片改编自苏珊·斯卡夫·梅瑞尔小说，背景设置在上世纪60年代，讲述了一对年轻夫妇(勒曼、杨饰)搬去与美国哥特惊悚小说家雪莉·杰克逊(莫斯饰)及其丈夫(斯图巴饰)同住，他们因此卷入一场心理惊悚事件，而这也为杰克逊的下一部小说提供了素材。

　　阿简（雷·温斯顿 Ray Winstone 饰）曾经是一名游击队员，经历过战争的残酷洗礼，如今，阿简选择定居新西兰，想要过上平静的生活。一个名叫卡瑞玛（特穆拉·莫里森 Temuera Morrison 饰）的船员让阿简再度陷入了危险之中，他奉命追击这个据说犯了杀人之罪的逃犯。
　　经验丰富的阿简很快便将卡瑞玛捉拿归案，可卡瑞玛的反复逃跑无疑为阿简完成任务增加了难度。支撑着卡瑞玛不断逃跑的信念只有一个，那就是他的无辜。在一次又一次的奔跑与追逐之中，阿简逐渐对卡瑞玛产生了兴趣，如果不是碍于身份，他们甚至可以成为趣味相投的好友。当阿简知道了卡瑞玛的无辜后，他还会选择继续执行他接受的命令吗？

　　A young woman is found unconscious in a city street - claims to be another person who was brutally murdered two months earlier - escapes from a psychiatric hospital in order to prove her identity and find the truth about her life, her death, and her murderer.

　　11岁的乔纳森（马库斯·瑞格德 饰）经常和自己的爷爷一起在一片巨大的树林边上度假，关于这个树林有一个传说：里面居住着巨大的神奇动物。这一年，乔纳森的平静的度假生活被自己的小妹妹索菲打破了，她加入到了乔纳森和爷爷之间，也在这里度假。乔纳森一点都不喜欢这个小妹妹，所以竭尽全力的躲避她。乔纳森“成功”了，一头1000岁的巨熊绑架了索菲。可是这个突如其来的事情完全出乎乔纳森的意料。现在，他只有克服自己的恐惧，步入森林深处，面对着居住在那里的怪物，救出自己的妹妹。

　　皇子彻夜啼哭，宫里宫外的人都束手无策。忽然一阵铃铛声响，皇子破涕为笑，宫里就把这对铃铛奉为神物供奉。若干年后皇子长大成人，嬉笑顽劣。恰逢铃铛被盗出宫外，引起江湖的轩然大波。皇上派出两位皇子隐姓埋名闯荡江湖，后来陷入皇权之争的两位皇子被江湖中的杀手围追堵截，危难关头他们化名叮叮和当当进入少林，经过一路历练后，回到朝堂之上，励精图治开创盛世天下。