中国西部刑侦大案纪实
6.0 |2025年10月07日 |已完结
简介:

  警匪狭路相逢,引发汉源枪战;凉山特大爆炸案,百余警力誓师破案;为防女友红杏出
  墙,竟用铁锁锁其下身;一群非法中介欺骗打工妹,逼迫妇女卖淫……
  江洋大盗的末日,新世纪一号劫案;色魔的下场;彭山扫黑;变态杀手落网……
  法网恢恢,疏而不漏,以身试法,必受法律的严惩,刑侦大案林林总总,无不宣示恶徒
  的可耻下场,人民警察捍卫法律尊严,勇破疑案要案,方显出英雄本色。
  一部“西部刑侦大案要案录”,折射出法的威严,干警的辛劳,匪徒的末路,不得不看,不得不细看,看后酣畅淋漓,令人拍案惊奇!
  01、法网恢恢(上下)、劫匪的劫日
  02、色魔的末日(上下)、现代“贞操锁”的来龙去脉
  03、达洲第一枪案(上下)、恶媳凶猛
  04、清溪苑绑架人质案、青城后山杀人案
  05、10.8涉黑杀人案(上下)、11.21天全绑架杀人案
  06、禁毒万里行1、2、3
  07、禁毒万里行4、5、6
  08、凉山特大爆炸案(上下)、山大王的日子
  09、遂宁逼妇女卖淫案(上下)、阳光下的罪恶
  10、汉源灭门惨案(上下)、残暴丈夫挑断妻子脚筋
  11、智破无头案(上下)、由爱生恨酿惨剧
  12、泸洲绑架落网记、喋血竹海
  13、惊天毒案、阻击毒流、死囚
  14、变态杀手落网记、冷漠的“亲情”、活埋疯妻
  15、绑匪的自白、惊魂四小时、追缉八小时
  16、三角畸恋的恶果、恶夫挖眼、婚外情引发的悲剧
  17、霸奸女儿的禽兽父亲、放“飞鸽”、公公霸奸儿媳
  18、雅安第一刑事案、连环凶杀案的背后、惨案启示录
  19、江洋大盗的末日、假枪抢银行、新世纪一号劫案
  20、《借种》悲情、金沙江边碎尸案、打借条的抢劫杀人案

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简介:

  Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background.
  In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built.
  Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs.
  Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children.
  Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents.
  Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors.
  A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.

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  《自拍》是16岁的戴维德·比福尔科(DavideBifolco)一案的独特记录,他在特雷亚诺的那不勒斯(NeapolitanDistrictofTraiano)被一名宪兵射杀。为了了解一个经常被描绘成贫民区和“卡莫拉”据点的街区,以及戴维德死亡的情况,导演Agostino Ferrente寻找戴维德的朋友,并会见了Pietro和Alessandro。在这部电影的序言中,有人听到他在摄影机前问,“告诉我你的友谊”,这揭示了他对这个一贯合作的纪实小说项目的态度。他让孩子们带上手机和麦克风,把他们的日常生活记录成一部“自拍”电影,无论他们是骑着摩托车,在海滩上,和朋友一起玩,还是在厕所里。在一个自我戏剧化经常成为产品的时代,这是一种完美的形式。其结果是一幅令人印象深刻的拼贴画,无论是视觉上还是在电影的音轨上,都是关于青春期;关于你的背景决定你未来的生活;关于国家专制;关于愤怒和悲伤,但最重要的是,在一个坚韧统治的男性世界里,一段温柔的童年友谊。
  Selfie is a unique record of the case of 16-year-old Davide Bifolco, who was shot dead by a carabiniere in the Neapolitan district of Traiano. To understand a neighbourhood often portrayed as a ghetto and ‘Camorra’ stronghold, as well as the circumstances of Davide’s death, director Agostino Ferrente seeks out Davide’s friends and meets Pietro and Alessandro. In the film’s introduction he is heard asking off-camera, ‘tell me about your friendship’, which reveals his approach to this consistently collaborative documentary-fiction project. Equipping the boys with a mobile phone and a microphone, he asks them to document their everyday lives as a ‘selfie’ film, whether they are riding a scooter, at the beach, hanging out with friends or on the toilet. This turns out to be the perfect format in an age where self-dramatisation often becomes a product. The result is an impressive collage, both visually and in the film’s audio track, about adolescence; about lives where your background determines your future; about state despotism; about anger and grief, but above all about a tender boyhood friendship in a male world in which toughness reigns.

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