安娜和狼

　　1979年11月4日，伊朗的革命军攻进了美国在伊朗德黑兰的大使馆，将大使馆的工作人员劫为人质。有超过50名人员被关押，但有6人逃脱，并躲在加拿大驻伊朗大使Ken Taylor（维克多·加博 Victor Garber 饰）的家里。CIA高层Jack O'Donnell（ 布莱恩·科兰斯顿 Bryan Cranston 饰）找到专家Tony Mendez（本·阿弗莱克 Ben Affleck 饰），让他协助将那六个人带回美国。经过讨论后，CIA决定采取Tony的办法，以拍摄电影的名义，Tony到伊朗将那六个人带回。Tony联系了他在好莱坞的朋友，化妆师John Chambers（约翰·古德曼 John Goodman 饰），并联系了电影制片人Lester（艾伦·阿金 Alan Arkin 饰）。Tony在许多剧本中选中了《ARGO》，一部和《星球大战》极为类似的电影。于是他作为制片人带着剧本和各种道具前往伊朗，找到了那六个人，开始了艰苦的逃离德黑兰之路......
　　本片根据真实故事改编，获得第85届奥斯卡最佳影片、最佳剪辑、最佳改编剧本等3项大奖。

　　When their son, Esben, moves out, Kjeld and Vibeke decide to relocate to a smaller home. They discover that the apartment they lived in back when they were students, is up for sale and agree to buy it and make a new start. Kjeld furnishes the apartment the way it was furnished back then, and for a while the two relive their sweet days of youth. But events take a turn neither of them had expected, when they wake up one morning, and find that they are actually thirty years younger. Written by Christian Tafdrup

　　派出所新分配来一批刚从警校毕业的实习生，王连贵的师傅是干了七年的“片儿警”杨国力。杨国力将小王介绍给居委会，居委会的老太太们热心地向他解释管片儿的工作，要以户籍管理为基础，治安工作为主。 晚上正逢杨国力值夜班，有人被狗咬伤。说是一条黑狗疯狂地扑向路人，会不会是疯狗?杨国力立即向所长汇报，所长果断决定：组织力量，迅速找到野狗，以防再咬伤其他群众。 民警们个个手持木棒，四处去寻找狗，终于在一个荒废的院子里找到，大家追到街上将狗乱棍打死。送防疫站检验，果然是条疯狗。防疫站给派出所敲了个警钟：狂犬病的死亡率是百分之百，对参加灭狗的民警必须采取防疫措施。 为了确保居民的安全，派出所要求民警们深入调查是否还有疯狗，并向居民们宣传狂犬病的危害性及城市禁养犬的必要性。所长指派杨国力主要负责这次临时安排的突击灭犬工作。 杨国力经常加班，难得有个星期天能闲下来陪三岁的儿子在家好好玩一天。他妻子时常埋怨说派出所的工作太辛苦。杨国力老是加班，操持家务和教育孩子全靠她一人。说归说，下班回来，她依旧忙碌着家务。 这天是户籍管理学习的日子，值班民警把杨国力从会议室叫出来，说抓住一个在公共场所赌博的外地农民。那农民矢口否认是赌博。杨国力让他在自己面前耍一次牌，他耍得杨国力眼花缭乱，杨国力从中看出问题，不慌不忙地提问，机智地戳穿他的谎言，耍牌人最终承认了是惯赌。 又轮到杨国力值夜班，白天旱日常工作，晚上下片儿检查灭犬工作，熬了几夜，已是精疲力尽。他的管片儿又出案情：一外地青年尾随女人耍流氓，他赶忙去处理。从现场回来，还没喘口气，王连贵又打电话告急：他检查养犬户时，遇到难缠的王小二，他养犬不承认，还不让民警入户检查。杨国力带人将他带到派出所进行教育，谁料他拒不接受批评还出言不逊，杨国力忍无可忍失手打了他。 所里开会批评了他，提出“从严治警”“增强法制观念”。以迎接新的任务。民警的工作就是这样琐碎平凡而又不可缺少

　　女儿声称将自己最好的朋友杀害，离异的保罗夫妇决心帮助女儿隐瞒一切。但女儿朋友的父亲步步紧逼，随后夫妇两人陷入了一连串麻烦之中……

　　In a Southern province in Thailand, a young boy lives with his uncle and a monkey called Kapi. When the uncle dies, the boy is threatened by a real estate tycoon who wants to buy their land and turn it into a resort. The boy has to train Kapi to enter a coconut-picking competition, with their land at stake.

　　一位单身妈妈搬到一个小镇，希望有一个新的开始。不久，她发现了隐藏在这个古朴小镇上的秘密，她可能无法逃脱。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　24 Hours with Gaspar (2023), a film depicting rough characters living on the edgy streets, will have its world premiere. This film, envisioning the emergence of a novel genre infused with science fiction elements into a life of deceitfulness, was chosen as a selection for the 2022 Asian Project Market.

　　一名父亲（乔什·哈奈特 Josh Hartnett 饰）陪同青少年女儿（阿里尔·多诺霍 Ariel Donoghue 饰）参加一场流行音乐演唱会，他们后来发现自己正处于一场黑暗邪恶的活动中。

　　乾隆中期，大清河发大水，胜芳县令李满仓趁机贪污腐败，致使灾情愈加严重。为查看民情，乾隆皇帝带公主及贴身侍卫，微服巡游散州（今霸州）境内号称“胜水荷芳”的胜芳。不料，这一消息被反清复明组织天地会和痛恨清政府剿灭政策的东夷倭寇截获。一场惊天的刺杀阴谋拉开了序幕……
　　乾隆等人入住胜芳和香斋客栈当夜，遭到薛树英的师兄、天地会香主江世成刺杀。薛树英念及旧情，也为了感化他，放了江世成。归来途中，薛树英从“仁义大盗”独行侠手中，得到文安县令李满仓贪污的账簿，而且得知山口太郎带了三百武士前来刺杀乾隆。
　　乾隆不顾薛树英劝告，执意要前往衙门严惩李满仓。未知，李满仓已与日本倭寇勾结一起，张开一张大网，等待着乾隆等人来投。
　　前礼部尚书左侍郎之子——左匡为父报仇，也循迹而来刺杀乾隆，结果被擒。但他也从乾隆口中得知，父亲是由于抗倭，遭到奸臣陷害所杀。左匡陷入了茫然中，并与独行侠意外相识。在独行侠的劝说下，做了乾隆的卫士。
　　因为天灾人祸，一些河南、山东灾民逃到胜芳，胜芳名医吴道春，用祖传秘方免费救助了不少灾民，李满仓为得到药方，以莫须有的罪行强行封掉吴道春的药铺，并买凶欲杀此名医抢得药方。凶手在行凶之时恰被薛树英所遇，薛树英为救名医，遭杀手偷袭。吴道春之女吴春子感激薛树英，二人顿生情愫。
　　山口太郎为了增强刺杀乾隆的实力，欲与天地会达成同盟，遭到了江世成的严词拒绝。于是，山口太郎用金钱厚禄收买了杨副香主，杨副香主指引日本武士，杀害了江世成的妻子，企图嫁祸薛树英，不料，薛树英反而帮助江世成认清了杨副香主的真面目。
　　为保全自己，杨副香主污蔑江世成为背叛天地会的罪人，传令“凡有遇见江世成，格杀勿论”。
　　乾隆前往衙门惩治李满仓，果然中了山口太郎的埋伏。还好，薛树英事先做了防范，才使得乾隆等人得以逃脱。
　　刺杀乾隆行动失败，山口太郎大怒，派出女儿山口惠子、扳本龙一等武士，全城搜捕乾隆。天地会众人，在杨副香主的蒙蔽下，也配合行动。一场大规模的围杀开始了……
　　乾隆听从薛树英的建议，藏身酒店中，不再外出。扳本龙一等人得知消息，率人奔来。早已淡出武林的老板娘，得知情况，奋不顾身，掩护乾隆逃走，力战而死。
　　面对严峻形势，吴春子主动请缨，前往霸州搬救兵。
　　与此同时，薛树英请求早已隐居此地昔日对手萧逸名复出江湖，助一臂之力，遭到拒绝。
　　薛树英迟迟未归，让公主担心不已。乾隆等人，一路慌不择路，逃到一座废弃的寺庙中，山口惠子等人紧跟而至。危急时刻，吴神医挺身而出，假扮乾隆，引开了倭寇，自己也遭到杀害。
　　乾隆逃跑途中，遭遇日本倭寇，伴随的左匡、王副将相继负伤，独行侠和醒悟过来的江世成赶到，无奈，寡不敌众，在杀尽倭寇的同时，左匡、王副将力战而死，江世成也身负重伤，并被尾随而来的杨副香主杀害。
　　乾隆又一次命临危机。这时，幸而薛树英及时到来，带着乾隆和公主来到胜芳武会，求助师父董太师。胜芳武会众武师深明大义，为了国家平安，决心誓死保护乾隆。
　　山口太郎和杨副香主带着剩下的所有精锐，将胜芳武会团团围住。
　　经过一番激烈的搏斗后，就在薛树英即将命丧山口太郎刀下之时，萧逸名出现了，他与薛树英携手剪除了山口太郎等倭寇。
　　
　　为表彰薛树英三次救驾之功和胜芳各武会的爱国之心，乾隆特下圣旨，营建“御前侍卫”府；胜芳武会为皇家会，文官遇之下轿，武 官遇之下马，并御笔题写下“转秋千会”和“跨鼓会”两个会名。

　　大概是法国第一部描写女同志的故事片吧。
　　Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
　　French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

　　电影由朴熙坤执导，该片是一部围绕想成为王的人们的欲望和暗斗、墓地（关乎风水）争夺战的古装剧，讲述被夺去家门的墓地、失去双亲的年轻人报复王的故事。