魅力四射：战斗到最后一刻

　　Two best friends try to make it through high school while dealing with embarrassing new urges and their very inconvenient feelings for each other.

　　Betty and Victor are a pair of scam artists. One day Betty brings in Maurice, a treasurer of a multinational company...

　　自从因为太胖抓不到抢匪而登上头条，“阿康”和他三个朋友就成了泰国警界的耻辱。这四个胖警察必须在三个月内甩掉肥肉，否则就会被惩处！当美丽的尊巴舞教练“小敏”加入之后，训练变得令人兴奋。然而，抢案持续发生，一台银行运钞车被抢后损失惨重，歹徒却没有留下任何线索。四位警探必须在塑身的同时侦查犯罪，减肥期限将近，但犯案之谜却仍未解开。这几个超大条的家伙，要如何保住他们的饭碗呢？

　　被封印的魔王再度苏醒，强盗法鲁格得知小芝麻是彻底解除封印的关键后派出手下四处搜寻，小芝麻能否逃过一劫？    为了帮助好朋友，冒险归来的阿里巴巴再度踏上了冒险的旅程，阴云笼罩着大地，此次在前方等待他的将会是什么？

　　该片以2013年同名英国纪录片为原型，讲述了美属萨摩亚足球队的故事，这支球队原本被称作世界上最差的球队，却不断努力最终在2014年的世界杯突破了自我。在球队取得佳绩的同时，同名纪录片也获得了英国独立电影奖最佳纪录片奖。

　　大唐年间，天下初定，世间却仍有妖孽作乱。 泾河龙王被斩，水族怨念横生，欲要大唐生灵涂炭以报灭主之仇；东瀛妖师为夺至宝，频用幻术扰人心性，夜劫龙头残害大理寺忠良，更致无辜百姓离奇身亡，一时间京城谣言四起，人心惶惶。为保天下太平，百姓重归安宁，唐皇亲设“御龙卫”并派秦叔宝暗中行动捉拿妖孽…..

　　以张三丰为主线，以元朝末年为背景，讲述了局势动荡的元朝末年，民不聊生，各地义军并起，形成割据之局，为镇压起义军，河南王扩阔帖木儿奉命寻找南宋留下的一处龙脉，在寻宝途中与龙门派丘处机、少年张三丰展开了一场惊心动魄的末世英雄传奇故事。

　　七个好友单身汉都声称自己永不会结婚，于是，他们凑了一笔钱，打赌谁最迟结婚谁就赢得这笔钱。一晃眼，七年过去了，只剩下困窘的漫画迈克尔（Jerry O'Connell 杰瑞•奥康耐 饰）和出名的“钻石王老五”凯尔（Jake Busey 杰克•布塞 饰）依然单身，而当初这笔钱由于投资得当而成了一笔巨额财富。这天，迈克尔在拉斯维加斯豪赌欠下了巨债，走投无路的他唯一的办法就是想方设法赢得这场打赌。
　　于是，迈克尔找到了凯尔的前女友娜塔莉娅（莎诺•伊丽莎白 Shannon Elizabeth 饰），千方百计游说了她嫁给凯尔，承诺事成之后分她一份奖金。迈克尔的计划进行得非常顺利，然而就在大功即将告成之际，他却发现自己已深深爱上了娜塔莉娅，金钱和爱情之间，他将如何抉择？

　　前特工人员弗兰克·摩西斯（布鲁斯·威利斯 Bruce Willis 饰）早年和同伴们金戈铁马，经历大风大浪，如今早已各自闲赋家中，过着优哉游哉的安逸生活。然而这份退休后的平静突然被打破，在圣诞前夜，一群全副武装的不速之客闯入弗兰克的家中，对其痛下杀手。原来，作为资深探员，弗兰克和他的同伴知道太多关于政府和军方的秘密，他们理所当然成为被抹杀的对象。不甘将命运交诸他人之手，弗兰克找到了乔·麦瑟森（摩根·弗里曼 Morgan Freeman 饰）、马文·博格斯（约翰•马尔科维奇 John Malkovich 饰）和维多利娅（海伦·米伦 Helen Mirren 饰）等当年的好搭档，决心展开一场绝地大反击……
　　本片根据华伦·埃利斯（Warren Ellis）和库里·汉默（Cully Hamner）的漫画改编。

　　正德皇帝朱厚照（任贤齐 饰）自小长于深宫，虽有太监宫女们扮演各色人物的“百姓街”供他进行“假装微服私访”的游戏，但正德对假模假式的表演早已厌倦，遂借皇太后为他操办婚事的机会，随史官司马西（罗家英 饰）、指挥使陈珍珍（梁小龙 饰）以及太医一同微服出宫。正德一行体察民情游历到江南小镇，误入江南四大才子的赌局，将玉玺和银两统统遗落，只得加入丐帮盛会抢食，岂料混乱中正德与司马西等人失散又失去了记忆，落魄的正德因一碗善面结识龙凤店老板娘凤姐（徐熙媛 饰），并进入龙凤店担任小二。另一方面，宫中图谋篡位的宁王获悉正德失忆，派出手下欲将正德的人生限制在龙凤店中……

　　香港探长钟伟正（郑则仕饰）联合台湾干探李（绍雄饰）合力营救被绑架的香港富商黄七辉（秦沛饰），辉为答谢二人，设宴招待，席间辉要求正代为设计及策划追踪器以防再被绑。而辉更与正结拜为兄弟。十年后，正已退休，其子明（李家声饰）开设建筑公司，正动用全部退休金，而辉口头答应全力支持负责判工程给予明，正开心非常，其实辉只知往钱看，明为人老实，辉为奸商，令明公司损失惨重，欠下大耳窿巨款，被追上门追杀，正想找辉...

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.