爱犬情深第一季

　　《科技新探恶魔岛》使用最先进的视觉效果“抽干”了恶名昭彰的恶魔岛周围的水。随着水的流失，揭露了恶魔岛的秘密，包括为什么岛上臭名昭著的监狱如此难以逃脱的确切原因。没有水的干扰，我们发现旧金山湾是一个迷人且嘈杂的地方。在干涸的湾底，我们看到了史诗般的地震留下的裂痕。这些断层线使科学家们知道下一个“大地震”会在何时何地发生。由于整个区域都排干了水，因此有可能看到下一次大地震袭击旧金山时会发生什么，以及尘埃落定后恶魔岛将剩下什么。

　　Jason Brown copes with his celebrity status. Bobby Bruce tries to rebound from bad decisions. Brown considers bringing back a polarizing player.

　　Weaving links between New York’s auction houses and art dealers, a revered British Leonardo da Vinci expert, one opportunistic Swiss go-between, a Russian oligarch, London’s Tate Gallery, Le Musée du Louvre in Paris, and a Saudi Arabian prince, journalist Antoine Vitkine delves into the secrets of the art world, and explores the influence that one painting can have. After mysteriously appearing, a painting titled Salvator Mundi (The Savior of the World) was sold at Christie’s auction house, for a record 450 million US dollars in 2017. Attributed to Leonardo da Vinci after its discovery, what became the most expensive piece of art ever has unleashed passions, while revealing the excesses of our time. Journeying along the hidden trails of money, power, and deception lying behind this questionable masterpiece, this film asks: is this really the work of the Italian genius, or one of the greatest scams in the history of art?

　　白鹿原纪录片<将令>吼出中国最难拍的电影。情欲强烈得体，全篇震撼感人，此部9年筹备5换导演的现实主义巨作之幕后坎坷首度亮相。
　　《白鹿原》是根据陈忠实的同名小说而改编的，由王全安执导，张雨绮、段奕宏和张丰毅等主演。 该影片筹备9年，电影以陕西关中平原上素有“仁义村”之称的白鹿村为背景，展现了白姓和鹿姓两大家族祖孙三代的恩怨纷争，主要表达北方农民生存状态中原生态的东西。

　　National Geographic will release a new documentary film this year about the extreme climber Alex Lowe. Directed by Lowe’s son Max, Torn will explore his father’s life and tragic death, and impact on the family after such a loss.

　　In 2011, Lisa Hepner and her husband Guy Mossman heard about a radical stem cell treatment for diabetes, a disease that shockingly kills more than five million people each year. Driven by a desire to cure Lisa of her own type 1 diabetes (T1D), the filmmakers were given unprecedented, real-time access to a clinical trial -- only the sixth-ever embryonic stem cell trial in the world. What follows is an intimate journey with the patients and scientists who put themselves on the line to be first.

　　军械库系列片是一部介绍武器以及和武器相关的教学类纪录片，每一集讲述了一种武器，并讲述其使用方法，示范教学，当然还会介绍其保管方法。武器的分类:家庭防御武器和猎枪手枪，冲锋枪，步枪和卡宾枪，突击步枪，机关枪，冷兵器以及重型武器装备等。观众不仅可以看到对传说中的武器的详细解析，还会看到世界上最新的武器像雷明顿7600，AUG77，MKB-43，AK-47，布莱泽R93RLS2，VZOR-59，勃朗宁1900，马林·温彻斯特，SVD&ZigZauer SSG 3000，装甲车VA-20，VA-64B，坦克T-34等。

　　植物漫长进化的成果，为人类打开全新的世界。
　　从香料的视角，看食物如何影响历史并塑造了地域性格；跟随香料的流转、迁徙、征服、融合，从全球视野看中国饮食的独特性；全球化浪潮下，香料如何影响烹饪，并成为地域美食的个性标签；人类的寻香之旅将去向何处，好奇心的故事又该如何演绎。
　　《风味人间 5》将探秘香料原产地，追寻它流转、迁徙、征服、融合的脚步，讲述在全 球化浪潮下，香料如何影响世界，并成为地域美食的个性标签。 寻香大千世界，这是人类好奇心的故事，也是一场关于诱惑的旅行。

　　本片摄制于1949年。
　　为了用胶片记录下开国大典的实况，中央政府专门邀请了前苏联的摄制人员，与我们自己的摄影师一起拍摄。没想到的是，苏联人拍摄的这批胶片，却意外地毁于一场火灾。因此，中央新闻纪录电影制片厂保存的这部影片，就成了开国大典仅存的影象记录。
　　
　　本片从筹备建国工作的第一次全国政治协商会议切入，全方位多视角地展示了开国大典的历史场面，具有极其珍贵的史料价值和收藏价值。

　　What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.