Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender.
Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
源自：https://tribecafilm.com/films/eric-larue-2023
Rose and Sammy enjoy an idyllic life with love, a Hollywood Hills home, and a curious son. During a party, Sammy assigns unusual significance to it, while Rose juggles preparations amid distractions. The unexpected arrival of Helen, who claims residence there, oscillates between confusion and lucidity. Strangely, Helen possesses intimate knowledge of the house and its guests: an Ingenue, a director, and Rose's former flame. Helen's revelations during the party spark drama, unearthing hidden truths and compelling Rose to confront her past, future, and the desire for change.
源自：https://schedule.sxsw.com/2024/films/2196975
