某年圣诞节期间，位于一个僻静舒适角落的格兰达尔森林旅馆正式开业。美丽的女店主阿哈娜（碧帕莎·芭素 Bipasha Basu 饰）为了这一天可谓煞费苦心，她以一己之力安排旅馆内的一切事务，与此同时第一批客人也接二连三入住。虽然状况不断，不过旅馆的开业仪式总算顺利进行了下来，而且她还因误会结识了拥有迷人气质的客人库纳尔·阿南德（Imran Abbas 饰）。然而在前一晚，给旅店送货的司机遭到不明生物的袭击，死状可怖。次日，一对新婚燕尔的夫妻也在丛林中遇袭。
　　恐怖的死亡气氛迅速蔓延，阿哈娜好不容易建立起来的梦想旅馆，面临怪物的无情毁灭……

　　在完全印度文化的背景下，女主安努舒卡·莎玛试过了杀人的公路惊悚片和与鬼魂相关的喜剧片后，在她制片的第三部作品中讲了一个西方恶魔的故事。
　　从宗教势力的追捕中侥幸逃生的恶魔之女，在母亲的保护下，在山林中活到二十几岁。母亲去世后，女孩走进城市，被善良内向的男人收留。
　　这是一个异类不惜付出一切渴望融入人类生活，渴望爱情的故事。联想到所有宗教都奉行的五花八门的女性禁忌，联想到女孩的母亲是因为被强迫才怀上了她，不禁感叹:也许所有女人都是主流社会眼中的恶魔。因为爱，女人能拥有摧毁一切的力量;因为爱，女人能放下一切仇恨;因为爱，女人能牺牲一切，包括自己。世界就是被这样的恶魔支撑着的。想尽办法把她们赶尽杀绝的人，和她们自己，谁是真正的恶魔?作为低成本独立制片的恐怖电影，声效化妆场景什么的，都没什么毛病，都在及格线以上。不过如果不像我一样对故事这么煽情，观众应该会觉得故事太单薄，不够刺激。一些观众群体可能会觉得不太舒服。毕竟在这部电影中，心中有爱的恶魔之女不是真的恶魔，那些站在正义一方的驱魔人才是。

　　四个年轻人前往一所废弃的房子拍摄一部纪录片，一系列奇怪和不幸的事情发生在了他们身上....

　　On the remote island of Chiloé in the late 19th century, an Indigenous girl named Rosa lives and works with her father on a farm. When the foreman brutally turns on Rosa’s father, she sets out for justice, seeking help from the king of a powerful organization of sorcerers.

　　“男爵”在策划一起完美的银行抢劫案，目标是重达3吨的现金，又不用暴力强抢。为此他需要找到合适的、愿意为百万美元酬金为他效力的人……
　　本片根据实事改编，2005年，一家巴西中央银行1.68亿里拉被盗（相当于8千万美元），这是历史上最大的和平时期抢劫案，也是一次最大胆的银行抢劫案。

　　泰国披集府有一个古老传说，当地河流最深处藏着许多鳄鱼，其中有一条凶恶无比，杀人如麻，被人称作查拉旺王。但自从十年前以来，这条河中再有没有任何鳄鱼出现的报道。直到某天，两个人在河中央遇害，警察和媒体纷纷赶到当地调查。富人之女唐桂是一名女记者，她和年轻的警察携手调查内幕，得知恐怖的查拉旺王已经复活，为了让身体更加完整必须吃很多的人，而唐桂美丽的姐姐当缎似乎成为查拉旺王下一个抓捕的目标。
　　在鳄鱼馆工作的小青年加拉，他的祖先是赫赫有名的鳄鱼猎人加拉当。不过到了他这辈，加拉既没有魔法也没有过硬的生活本领。当缎被绑架的消息传来，刚刚失去工作的加拉命运也发生了转变……

　　本片分为5个故事：《索命棕榈祭》为了逃避法律责任，母亲将儿子送到偏远的寺庙当苦行僧。少年跟随师傅们来到一个山村，师傅向其讲述了当地用棕榈祭台祭祀饿鬼的风俗。少年本不以为然，最终却发现师傅言之凿凿；《同房鬼病人》青年因车祸骨折，不得已被安置在一间多人病房养伤。不过病房内只有两人，除他之外还有一个脑死亡的老人。夜幕降临，老人竟然起身向青年袭来；《亡命背包客》一对来自日本的青春男女行至泰国境内，他们拦下一辆闷罐卡车。行至半路，车厢后传来连续的敲击声，噩梦就此降临；《亡魂二手车》某二手车行女老板，为了盈利经常将出过车祸的汽车翻新后卖给别人。某晚，她的儿子小德在车行玩耍时失踪，诡异恐怖的事情相继发生；《惊魂鬼片场》一个摄制组正在拍《连体阴2》，扮演女鬼的小根妹突然昏倒在片场，工作人员手忙脚乱将其送到医院。正当摄制组担心进度时，小根妹又重返片场。

　　Misha, who returns to her royal family estate after 15 years to visit her estranged father, only to find him missing.

　　影片由四个小故事组成。
　　因为车祸而行动不便的女孩通过短信与一素未谋面的男孩交往甚密，她将自拍发给男孩，并向男孩索要照片，手机嗡嗡的震动着，男孩发给她的照片上，女孩看到的究竟是什么？男孩生来性格内向懦弱，这成为了同学欺负他的最佳理由。一开始只是玩笑般的打闹，但逐渐的，欺负步步升级。男孩忍无可忍，决定冒着极大的危险，通过降头术将欺负他的人一一杀死。一群朋友外出露营，夜里，无聊的他们以讲恐怖故事为消遣，却自己被自己吓到，抢着要睡中间最有安全感的位置。第二天，睡在中间的男孩意外溺水身亡，按照恐怖故事所说的，今晚，已经死去的他会从地狱归来。飞机上搭载着王妃的遗体，这次航班的任务就是护送遗体回国火化。空姐心里惴惴不安，没想到恐怖的事情真的发生了，遗体离奇消失，在机舱封闭的空间里，在本该空无一人的厕所中，传来了令人毛骨悚然的声音。

　　Yaşar, a young man, has a hard time after his father's death. His inheritance from his father causes Yaşar to have problems with his stepmother. Meanwhile, Yaşar learns that her sister-in-law, Canan, who is living in the same house, is in love with her. While Yaşar is dealing with the inheritance issue and his sister-in-law, he realizes that there are some strange events at home. Yasar's mentally disordered daughter Efsun's dark past is unearthed, making things even more complicated. The pain of the family, who had to face the dark past of Efsun, is just the beginning for them.

　　一对从费城到落基山脉度蜜月的夫妇因为吵架，妻子一怒之下开车离去，第二天丈夫到当地警局报案想找回失踪的妻子，就在警察也毫无头绪之际，一个自称他妻子的陌生女人竟出现在他面前。。。

　　上世纪初的一个小港口，镶嵌在浪漫的河流中，树林茂密，山上有一座巨大的城堡废墟。九岁的漂亮女孩劳林和她年轻的母亲弗洛拉，她的父亲阿恩以及她有点奇特的祖母奥尔加住在森林中间的一个偏僻的常春藤农舍里。劳林的父亲是一名水手，他经常不得不离开他的家人几个月。一天晚上，弗洛拉带着她的丈夫走了很远的路到海港。在她穿越黑夜和风暴的路上，她在神秘的环境中死去，穿过一座木桥的腐烂栏杆，淹死在冰冷的河水中。 弗洛拉的死亡看起来像是一场可怕的事故，然而她的女儿却觉得村里社区里隐藏着一些邪恶的东西。两年后，劳林的父亲又出海了，女孩独自和奶奶呆在一起。现在，牧师的儿子里斯

　　在谋杀老妇，服刑四年后，他被释放，却即刻感到难以抗拒的杀戮冲动。谋杀的哥失败后逃至一座与世隔绝的村屋，那里住着年轻女人，她的生病母亲和弱智兄弟。接下来，他以施虐他们为乐，欲挟为人质，兼念及他的烦扰童年，伴着虐待狂妈妈和祖母...

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　　Monster Shark（红海魔影）
　　剧情大概：
　　两个游客在海上钓鱼时突然遭到一个巨大的水下怪物的袭击，其中一人死亡，整个下半身都被吃掉了。科学家在对其身上的齿痕进行检查时，发现这种齿痕只有一种凶残的原始恐鱼才有，而这种凶残的鱼早在几百万年前就灭绝了！ 类似的怪物袭击案接连发生，海滨居民陷入一片惶恐之中。
　　有人调查发现，是某科学家利用海豚的智慧、章鱼的力量、还有原始恐鱼的凶残性格等多重基因，将其综合移殖到一条大鱼的身上，使它变成了一个恐怖的水下怪物…… （此片就算不介绍大家也应该知道吧，兰帕德·帕瓦的成名作，央视早期引进的为数不多的恐怖片之一，正大剧场放映的超人气作品，虽然不及黑色的遗产有名……）
　　片子为法国和意大利合拍片，原名为Shark rosso'nelloceano，引进美国后改名为Monster Shark

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb

　　红色连衣裙的女人 Perempuan Bergaun Merah

　　当年阿迪和凯仁两个搞怪老板用灵异事件吓唬加班骗钱的员工，最终导致阿波和小萤意外身亡。事后凯仁重伤住院，阿迪遭受巨大的阴影，她们共同的好友阿丁则暂时打理公司的业务。虽然小萤的鬼魂至今徘徊在公司大楼内，可是新来的阿丁似乎决然不吸取教训，继续和阿迪吓唬着手下的员工。某天，他们的老同学阿谭和安找上门来，要求该公司为他们策划一场创意无限的婚礼。可是由于当年的一段往事，安又极度憎恨阿迪，似乎想借此机会报仇。
　　为了扭转公司的困境，二人接手这项业务，并且准备在一座传说中闹鬼的旅馆内举行典礼。鬼影幢幢的夜晚，意外接二连三……

　　恐怖分子闯入一对夫妇家中并将妻子劫为人质，在这场紧 张的对峙中，秘密与谎言背后的真相却渐渐浮出了水面。

　　距离上一部故事的若干年后，维杰一家人已经过上了平静的生活，但是杀人的阴影依旧存在。本地警察局的新任局长对于这桩悬案重启了调查，维杰一家岌岌可危。这次，维杰能否再次守护住他的家人？

　　Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

　　This is a very bizarre fairy tale. It commences with a wedding and singing and dancing but nearly the whole village is wiped out by wolves. The bride gives birth to a daughter several months later and promises her to the boy who saved her.
　　Ten years later there is another disruption when Some circus folk come by and the villagers trick them into staying. Tragedy ensues...
　　This has a strange cast, dwarfs, giants, priests and occasional intrusions from the modern world in the form of the police and a wonderer who returns bringing to the village the good news of Nostradamus. It is a long film but it honestly does not drag. and if you get bored of the plot you can always look at the sumptuous Countryside.

　　二战期间，一个连环杀手如鬼影般笼罩着德国汉堡，虽然罪行累累，警方却两年来拿他束手无策。一位警探决心重新调查这桩棘手的案件，SS起初还支持他的工作，不日就把这个案子又压了下来，而随后，他企图阻止一起明显不公的审判，拒绝执行命令并因此受到上级处罚，被送往前线。

　　这本该是一个平静美好的早晨，乔治（乌尔里希·穆埃 Ulrich Mühe 饰）和妻子安（苏珊娜·罗莎 Susanne Lothar 饰）带着儿子来到位于湖边的小屋度假，乔治和儿子前往湖边整理之后要使用的帆船，而安则在厨房里安置生活用品。一声尖锐的门铃划破的所有的平静，来者是一名看上去彬彬有礼的年轻人，他自称皮特（弗兰克·捷林 Frank Giering 饰），此行前来打扰是为了借一枚鸡蛋。皮特端正的外表取得了安的信任，但随后发生的事情却让安大跌眼镜。这时，一名叫保罗（亚诺·弗里斯奇 Arno Frisch 饰），外貌酷似皮特的男子敲响了安的房门，同时，乔治带着儿子也回家来了。
　　演员都到齐了，一家三口怎么也无法想到的是，等待着他们的，将是来自这两个白衣恶魔的，毫无动机，毫无怜悯，毫无理智的凌虐。