一次失误

　　30年代的北运河畔，柳巷村种瓜把式柳梢青青和她的女儿眉子是户侠义人家。眉子自幼丧母，与武艺高强、身怀绝技的父亲相依为命。她对同村的教书先生吴镰一片痴心，但却怕自己的"火"命克了吴镰的"水"命，不敢吐露真情。她常常捧着挂在脖子上的那把刻有"火命忌水"的铜锁，怨恨自己命不好！一次，她堵截了人贩子花子金的"放鹰"船，从船上救出一位如花似玉的姑娘花三春。眉子掩饰住内心难言的痛苦，亲自替吴镰与花三春操办婚事，促成吴镰与花三春的姻缘。花三春是花小金的女儿，她从小受不良环境的熏染，泼辣妖媚，好逸恶劳。但她聪明灵俐，渴望自由，渴望真正的爱情。为此她执意拒绝做大恶霸龙头少爷的九姨太。和吴镰的结合，使她得到了从前所享受不到的家庭温暖与幸福。三春有了身孕，眉子格外地照顾她，经常到吴家帮着做事。没想到，这却引起了三春的误解，她怀疑眉子和吴镰是"明来暗去藤缠树"，大耍泼劲，恶语伤人。为这，柳家和吴家断绝了来往。此时正值抗战前夕，运河两岸风云滚滚。吴镰立志投笔从戎，积极参加抗日救亡活动。他用练武方式团结群众，三番五次恳求柳家父女把武艺传授给乡亲们。柳家父女以大局为重，放弃前嫌，两家终于和解。吴镰从事地下活动，整日早出晚归。三春怀疑丈夫有了外心，便暗中盯梢。一次，吴镰把一位伤员刚刚藏到柳家瓜棚里，敌人便追踪而至。眉子掩护伤员迅速转移后正欲离开瓜棚，花三春跑来闹事，硬要眉子还她吴镰。情况紧急，眉子急中生智，将三春打昏后藏到草垛里。敌人冲进瓜棚，为掩护三春不被敌人发现，眉子临危不惧，只身与敌人拼死搏斗。三春在草垛里看着眼前发生的一切，终于明白了真情，又悔又恨，发誓一定要报答眉子。花子金为报失女之仇，杀气腾腾闯进柳巷村。眉子寡不敌众，被花子金抓住。危急关头，花三春救出眉子，并将计就计，杀死企图侮辱她的人贩子贾二哈。花子金见女儿背叛了自己，恼羞成怒。花三春大义灭亲，举枪打死了作恶多端的父亲，自己也不幸惨死在花子金的冷枪下。北运河滚滚东流。眉子站在河边，望着翻腾的河水，她拽下脖子上的铜锁，把它扔进河中。她将开始自己新生活。

　　夜晚，巨型建筑群的地下停车场，几个人手执冲锋枪，从一辆面包车中窜出摸索前进。突然枪声大作，子弹横飞，他们被一队埋伏多时的武警击毙。原来，这是一组正大拍摄中的电影特技镜头。海滨饭店，某制片厂正在拍摄侦破故事片《玻璃人》中的一组床上戏，可男女主角下装齐整，全穿帮了。导演宋昭气急了，宣布停机。宣发处长老赵来到摄制组，传达了厂里的意见：一是，片名要改得富于刺激性；二是床上戏一定要拍；三是动作戏要请神龙特技队出演。神龙特技队为摄制组带来了勃勃生机。精采的"大闹酒吧间"的首次亮相，令人拍案叫绝。不料，由于摄影技术问题，重场动作戏"砸锅"，全部样片泡了汤，特技队无法接受用汗水与鲜血换来的现实，因此决意解除合同，整个摄制组都束手无策。正在这时，又发生货场民工调戏女演员的事，剧组人员与民工发生冲突，特技队拔刀相助。结果特技队员和宋导演一同被拘留审讯。第二天，特技队员们刚刚迈出拘留所，被前来迎接的摄制组人员的热情所打动，同意继续合作。此后，上下努力，武戏、床戏一切顺利。拍摄接近尾声，特技队长王昕提出压轴戏要精要绝，于是枪击、翻车变成男主角高楼坠地，生擒逃犯。一切准备就绪，宋导演一声"开始"，特技队员林兵纵身跳出楼窗。成功了，人们朝勇士们拥去……

　　A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.

　　随着科技的不断发展，人类赖以生存的地球却受到越来越严重的污染和威胁。某天，一架巨大的飞碟出现在地球上空，引起各国民众一片恐慌，谁也不知道这个不速之客将对他们的命运带来怎样的影响。飞碟最终降落在美国华盛顿公园的中央，当地警察和军队倾巢出动。飞碟被全副武装的军人和好奇的民众团团围住，经过两个小时的对峙，悬梯从飞碟中缓缓探出。随着舱门的打开，一个身形与人类别无二致的外星人克拉图（Michael Rennie 饰）和全身金属的机器人出现在众人面前。这两个外星人似乎为了地球的命运而来，他们表示出友好，却未得到应有的回报……
　　本片荣获1952年金球奖最佳促进国际了解电影奖。

　　东京的都市丛林中央，残存着一栋古旧寒酸的老房子，这里局促地生活着柴田一家五口人。在工地当临时工的男人阿治（Lily Franky 饰）经常带着儿子祥太（城桧吏 饰）到超市盗窃生活用品，这一天，他们回家路上遇到了独自待在户外的四岁女孩由里（佐佐木美结 饰）。妻子信代（安藤樱 饰）起初极力主张将女孩送回父母身边，但当看到女孩原生家庭的状况时又心生恻隐。原本柴田家就靠着老奶奶初枝（树木希林 饰）的养老金度日，而今多了一口人，自然更艰辛了几分。包括信代的妹妹亚纪（松冈茉优 饰）在内，虽然一家人游走在贫困和违法的边缘，但笃深的羁绊将他们紧紧联系在一起，使他们的心不会随着冰冷的都市而寒冷下去……
　　本片荣获第71届戛纳电影节金棕榈

　　A poor young man finds a magic lamp that possesses a genie, who will grant the boy three wishes if he sets him free from the lamp.

　　生在地主家的德夫达（沙鲁克‧可汗 Shahrukh Khan 饰）和平民女子帕罗（艾西瓦娅·雷 Aishwarya Rai 饰）从小青梅竹马，但由于德夫达被送到伦敦读书，二人一别多年。到了德夫达学成返乡，帕罗已经长成光彩照人的美貌少女，他们的爱火仍旧炙热，但是德夫达家人对于帕罗母亲的提亲表现出傲慢和轻蔑的姿态，深深伤了少女的心。德夫达迫于父命难为时，帕罗已经决定嫁给一个豪门鳏夫，追悔莫及的德夫达开始终日酗酒，流连花丛，相思成疾，而帕罗需要恪守妇道，只能把爱和遗憾埋在心里。自暴自弃的德夫达终于送掉自己性命，临死之前，他强撑到大门外想要再见帕罗一面……

　　A beautiful road movie, and a chance to talk about love for Mexico through the eyes of an American.

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

　　18世纪的路易斯安娜州，丧失妻女痛不欲生的庄园主路易（布拉德·皮特 饰）遇上了吸血鬼莱斯塔特（汤姆·克鲁斯 饰），被其施法变成吸血鬼。路易心存人性，不愿意吸血杀人，靠吸食动物的血为生，而莱斯塔特则一心要把路易斯教导成一个真正的吸血同类。
　　在新奥尔良，路易禁不起诱惑吸了小女孩克萝迪娅（克尔斯滕·邓斯特 饰）的血，而莱斯塔特则不顾路易斯的反对把克萝迪娅也变成了吸血鬼。三个人组成了一个奇特的家庭。
　　几十年过去了，克萝迪娅开始怨恨莱斯塔特剥夺了他真正的人生，她设计杀死了莱斯塔特，和路易周游世界，过着既像父女、又像情人的生活，寻找同类，也寻找着自身存在的意义。
　　在巴黎，他们遇上了以阿蒙（安东尼奥·班德拉斯 饰）为首的一群吸血鬼，聚居在剧院地下，过着和他们迥然不同的生活，阿蒙给了路易许多教导，想成为路易的新伙伴，为此，路易和克萝迪娅之间出现了裂痕，最终，酿成了无可挽回的悲剧。
　　1988年，路易斯返回了新奥尔良，向一个年轻记者马洛伊（克里斯琴·斯莱特 饰）讲述了自己的经历，讲述了吸血鬼长生不死背后的哀伤，不料，马洛伊在听完之后却被深深地吸引，一个新的吸血鬼的故事，将由此开始。

　　动物与人之间互救互助，不舍不弃的感人故事，冰天雪地的南极迎来了三个科考队员，他们要前来搜寻一块陨石，随行的还有八条雪橇狗。南极风景优美，三人惊叹不已，然而危险却也随着美景到来。几天之后，一场暴风雪让他们尝到了苦头，其中一名队员掉进了薄冰下的冰水里面，危在旦夕，幸得雪橇狗奋身相救，队员才脱险——这似乎只是一个小小的序曲，更严峻的考验还在后头。
　　狂暴的风雪在肆虐着南极大地，科考队员进退两难，在恶劣的天气和环境下挣扎求生。而此时，他们只能决定放弃那八条忠实的雪橇狗。当三人安全返回的时候，他们怎样也放不下那些还陷于危难的狗。为了挽救它们，三人沿途折回，回到了那片南极大地。