Follows the 2023-24 Dallas Cowboys Cheerleaders squad their auditions and training camp and finally the ending of the Cowboys season predictably ended in the NFC Wild Card Round.
巴蒂斯特还在聚光灯下宣布了他与海涅曼在《美国交响乐团》(American Symphony)上的合作，这是一部专题纪录片，讲述了他如何创作去年秋天在卡内基音乐厅(Carnegie Hall)首演的同名舞台剧。据说，这部电影对他的创作过程进行了近距离的观察，并前所未有地展示了他的个人生活，包括赢得五项格莱美奖(包括《We Are》的年度最佳专辑)和面对妻子癌症诊断和治疗的低谷。
In the very waters where Melville's Pequod gave chase to Moby Dick, Leviathan captures the collaborative clash of man, nature, and machine. Shot on a dozen cameras — tossed and tethered, passed from fisherman to filmmaker — this is a cosmic portrait of commercial fishing as it's never been seen.
《少年*小赵》是一部关于90后年轻人——小赵的纪录片。影片跟随19岁的小赵——一个曾经在山西平遥古城街头摇旗呐喊“中国加油，中国万岁”的年轻人，一路从他生长的平遥来到他读书的四川成都、支教的凉山州彝族自治区等地区，记录了他从高中到大学二年级这四年间感情以及思想的变化，也借由小赵的视角见证与呈现了当下中国社会正在经历的焦灼与躁动。
在这部有趣而发人深省的剧集中，说唱歌手兼社运倡导者“杀手麦克”将自己谋求社会变革的革命思想付诸行动。
我是一个纪录片工作者，Cling是我的朋友，我们都是女同志。历经同志恋情中的挫败，我们不约而同决定转性嫁给男人，但婚后却无法跟男人做爱，为此与丈夫关系冲突不断。最后我的婚姻以离婚收场，而Cling依旧在婚姻中挣扎。我们是两个在爱情中寻寻觅觅的女人，我们不停地寻找幸福的公式。到底幸福的公式是什么？或是幸福其实没有公式？
《社团》（STEP） 导演：阿曼达·利比茨（Amanda Lipitz） 入围2017年圣丹斯电影节纪录片单元
SHOT! The Psycho-Spiritual Mantra of Rock is an odyssey into the colorful and bohemian tales of rock 'n' roll's history. A cinematic adventure that delves deep into the mind of one of rock's greatest living photographers: Mick Rock. Through the poignant lens of rock 'n' roll mythology; icon-maker, psychedelic explorer, poet, and custodian of dreams Mick Rock navigates his story from the glam rock shimmer of London to the snarl of NYC punk, and deep into the new millennium. Mick turns inward to face himself and the experiences as the visual record-keeper of myths and legends that propelled him into a living icon in this rock n’ roll comeback story.
David Millar是唯一夺冠环法自行车赛的英国人，但2004年他因服用禁药而被捕禁赛。如今重回赛场的他，希望能再次冲击环法，可是他已然不再年轻了，他究竟能否如愿以偿，又愿意为胜利付出多少代价呢？
利用很浅的景深以及局部特写把大型涂鸦、壁画和现实街景实现融合,或者壁画模特走到前景与背景的人物轮廓重合,这种有趣的视觉游戏与Varda出身摄影有关,或应和了内容:八十年代LA的涂鸦艺术成为不同族群表达和重塑身份的方法-亦是视觉的假象?画外音中的絮语与影片内容组成了标题Mural Mur的双关.
Hannah Fry, a professor of maths, is used to investigating the world around her through numbers. When she's diagnosed with cervical cancer at the age of 36, she starts to interrogate the way we diagnose and treat cancer by digging into the statistics to ask whether we are making the right choices in how we treat this disease. Are we sometimes too quick to screen and treat cancer? Do doctors always speak to us honestly about the subject? It may seem like a dangerous question to ask, but are we at risk of overmedicalising cancer? At the same time, Hannah records her own cancer journey in raw and emotional personal footage, where the realities of life after a cancer diagnosis are laid bare.
这部纪录片展现特吕弗于1966年所著的《希区柯克论电影》如何影响了后辈导演们。该片受访者包括斯科塞斯，大卫芬奇，斯皮尔伯格，韦斯安德森，林克莱特，帕尔玛，阿萨亚斯，格雷等等。
