热恋中的他

　　曾经的职业摄影师苏东（方中信 饰），在一次海外拍摄任务之后伤痕累累，身心俱疲。回国后他独自前往云南旅游散心，并在途中结识了美丽的空姐顾婷（李小冉 饰）。这对内心皆很孤独的男女结伴旅行，免不了引出情爱的火焰，然而突发的火灾打断了一切，似乎预示着他们并不顺利的情感交流。回到北京后，顾婷目睹苏东女友接站的一幕，自觉受到欺骗，与此同时与母亲多年来的矛盾也促使她寻找新的生活。另一方面，苏东最终和女友分道扬镳，他对顾婷念念不忘，终于在一份时尚杂志中找到线索。
　　两个一曾断了线的人儿再次相见，一切又将朝着怎样的方向发展？

　　高中女生芳山和子（原田知世 饰）与好友堀川吾郎（尾美としのり 饰）、深町一夫（高柳良一 饰）打扫教室卫生。和子独自一人时，听到实验室传出奇怪响声。她推门进入，却看见一支烧瓶跌落地上，瓶中流出冒着白烟的不明液体。在闻到一股薰衣草香气后，和子倒在地上不省人事。
　　在两名好友的帮助下，和子从昏迷中苏醒。原本以为没有关系的她却惊奇地发现，她拥有了穿越时空的能力。地震、好友所遇到的危险全都在真实度极高的“梦中”出现，而就在对童年的回溯中，和子渐渐发现了好友身上的一个秘密……
　　改编自筒井康隆同名科幻小说，原田知世处女作，大林宣彦“尾道三部曲”之一。

　　在这部短片中，两名少女妮基和萨姆相爱，并共同谋划未来。然而，妮基危险的过往卷土重来，一切都可能毁于一旦

　　伊莲（韩宝凛 饰）是一名标准的文艺女青年，靠着写作维持生计。在艳遇之都大理，伊莲邂逅了名为夏清源（高曙光 饰）的男子。夏清源有着冷峻的外表和冷酷的个性，平日里不苟言笑，他也从来不说自己过去的事情，这谜一般的存在反而让伊莲对他更加的着迷，不禁展开了热烈的追求。
　　实际上，夏清源有过一段悲惨的过去，而他刚刚结束自己的监狱生活没多久，整个人都沉浸在压抑与绝望之中。此时，伊莲来到了他的身边，缠着他，闹着他，虽然有时候令人心烦，但带来更多的，是依恋和温暖。就在夏清源决定对伊莲敞开内心时，后者却消失了。

　　安娜和乔昂是一对不太可能在一起的情侣，他们分别是寻找实习来照顾父亲的女孩安娜和一名街头音乐家乔昂。当他们漫步于巴西圣保罗市历史悠久的保利斯塔大道时，彼此相爱了。

　　本片以美国50年代美苏冷战时期为背景，围绕女主人公凯蒂·莫若斯凯（芭芭拉·史翠珊 Barbra Streisand饰）与男主人公哈贝尔·加德纳（罗伯特·雷德福 Robert Redford饰）讲述了一段由相识到相知相恋，却因彼此间个性和政治立场的差异而分手的爱情故事。凯蒂，性格倔强浓烈的左翼女生，在校担任青年政党联盟主席；而主张明哲保身的哈贝尔则是学校有名的运动和写作才子。两人顺理成章地走到一起，也不可避免地分道扬镳。许多年以后，哈贝尔在街头与凯蒂重逢，往日情怀，不禁涌上心头。
　　由著名导演西德尼·波拉克执导的影片《往日情怀》，根据阿琴·劳伦茨的小说改编而成。导演波拉克十分擅长反映当今社会的政治问题和揭露一些社会现实，而这部具有浓厚政治意味的好莱坞爱情片，更成为当时具有知识分子味道的代表作。波拉克一生导演了19部影片，共获得46项奥斯卡提名。本片则荣获1974年第46届奥斯卡金像奖最佳原创歌曲、剧情类最佳配乐及最佳女主角提名等多项大奖与提名。

东海龙女阿若一心寻找心爱之人，不计一切代价来到了凡人王生身边，而狐妖小蛮想要得到龙女身上的至宝灵叶，设计抓破了王生的心，阿若不得已用灵叶为王生补心，于是两女以王生为中心展开了一场”夺心”的较量。

　　青梅竹马的男女主，从小相恋。因为一场事故男主离开女主。多年以后，男主回来家乡，而女主已经要结婚了。婚礼上，新浪落荒而逃，男主只好陪着女主到毛里求斯继续原本计划好的蜜月之旅。在这场旅行中，双方找回了儿时对彼此的爱恋之情。

　　盖尔（何塞·祖尼加 José Zúñiga 饰）是一名创作陷入了瓶颈期的小说家，某日，他来到了位于加勒比海上的罗阿坦岛，希望这里壮丽的风景能够带给自己全新的灵感。在岛上，盖尔邂逅了经纪人的女友卡米拉（加布里埃拉·加尔萨 Gabriela de la Garza 饰），两人之间竟然产生了强烈的化学反应。
　　苏菲亚（拉莉·冈萨雷斯 Lali Gonzalez 饰）跟随着父亲亦来到了罗阿坦岛，一位名为保罗（罗德里戈·吉劳·迪亚斯 Rodrigo Guirao Diaz 饰）的男子深深的吸引了苏菲亚的注意，让她萌生了留在这里生活的念头。而苏菲亚的父亲，则对当地酒吧的老板娘安吉拉心生情愫。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　《月光男孩》导演巴里·杰金斯日前敲定新片，他将把知名作家詹姆斯·鲍德温的小说《假若比尔街能够讲话》(If Beale Street Could Talk)搬上大银幕，故事设定于上世纪70年代的纽约哈林区，主角是一对刚订婚的年轻情侣芬尼(Fonny)和蒂什(Tish)。芬尼被诬告强奸，而身怀六甲的蒂什将四处奔走寻找证据证明丈夫的清白。梅根·埃里森创立的安纳普尔纳将投资本片，也将和《月光男孩》制片公司Plan B、杰金斯本人的Pastel工作室一同制作本片，10月开拍。

　　台湾省电影制片厂出品
　　原创音乐：骆明道
　　摄影：周业兴 林赞庭
　　剪辑：周道淳 林善良
　　美术设计：张季平
　　三世轮回的情缘，从古代、民初到现代，从贵族、戏班、到市井小民，集结当年红极一时的彭雪芬、姜厚任及石隽，铺叙出两男一女的跨世爱情悲剧。
　　本片由人死后再投生，轮回三世，冤冤相报的三段故事组成。《第一世》描述明朝锦衣卫高手，奉命护送一官 员之女赴京，嫁给锦衣卫右都督作侍妾。途中他为将美女占为己有，杀尽随行人员，掳美女入山隐居。美女的 未婚夫为义军首领，为救未婚妻，一直尾随于后。在山中经过一场恶斗，将锦衣卫双眼刺瞎，美女及未婚夫亦 惨死于锦衣卫之手。《第二世》描写民国初年，一个戏班正当经营遇到困难，无法维持之际，得到一富家公子 的大力协助。公子与戏班花旦，初见时即感曾在冥冥中相识。两人一见钟情，以身相许。公子之母坚决反对儿 子娶戏子为妻。花旦的师兄已暗恋师妹多年，因妒嫉师妹与公子相好，在演出《坐楼杀惜》时，假戏真做，将 师妹杀死。《第三世》叙述当代澎湖岛上一个法师及其兄弟乩童相依为命。一个现代舞蹈女艺人来到澎湖渔村 ，与乩童偶遇，一见钟情。女艺人要带乩童到台北去开拓新生活。乩童陷入传统势力与现代思想，亲情与爱情 的矛盾。最后，在一次法会中，乩童不肯爬刀梯。法师无奈，只好自己爬上刀梯，不幸失足身死。乩童与女艺 人终于结为夫妻。