河中巨怪第二季

　　广东卫视自制美食纪录片《老广的味道》是国内美食视频类头部IP，2015年至今已制作至第六季。节目以食物为载体，通过美食这一“小切口”讲好“中国故事”，展现岭南农业文化和海洋文化的情怀与自信。节目第六季共八集。主题为：食不可貌相、虾兵蟹将、地标食记、老字号、零食记忆、辣在岭南、街头米其林、美食博主。

　　In 2007 Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.

　　开篇通过情景再现独立战争的经典场面，假设了华盛顿死于战争等情况下美国将何去何从。在长久以来的观念中，美国作为世界上唯一的超级大国成为世界人民心驰神往的理想国度，而美国梦则帮助一代又一代的普通民众走向成功，梦想成真。但是外表华丽的美利坚却有着永远无法洗刷的原罪，窃取土地、窃取劳动、窃取资源等等，是许多学者和平民对这个咄咄逼人的帝国最强烈的指控。本片导演Dinesh D’Souza通过采访和史料，试图推翻上述有失偏颇的指控，进而指出真正让美利坚之梦破碎的恰恰是奥巴马、希拉里及其背后的少数利益既得者。孰是孰非，莫衷一是，或许不过又是一场纸牌屋的博弈……
　　Dinesh D’Souza是一名印度裔美国人，他曾导演纪录片《2016：奥巴马的美国》试图影响2012年的大选。

　　From a nuclear lake to a haunted forest, New Zealand filmmaker and journalist David Farrier ('Tickled') visits unusual -- and often macabre -- tourism spots around the world.

　　Professor Mary Beard, renowned classicist and TV historian, is to explore what life was like in one of the world’s most extraordinary and iconic archaeological sites, in Pompeii: Life Before Death, a new landmark programme for BBC One.
　　Mary Beard – a world Pompeii expert and author of Pompeii: Life Of A Roman Town – will be joining an international team as they bring the very latest technology to bear on this most extraordinary of archaeological sites.
　　Mary Beard says: “This is a really exciting chance to find out more about the ordinary people who lived in ancient Pompeii. It's a once in a lifetime opportunity. I'm hoping we're going to unlock some if the secrets about who the people were.”
　　For the first time, a team is CT scanning and fully investigating the world-famous casts of the bodies to analyse the skeletons trapped within, to ascertain all they can about who they were, where they came from and how they lived. A team is also conducting DNA analysis of the bodies for the first time.
　　Elsewhere, the documentary will follow the work of recovering damaged frescoes and mosaics, the excavation and rebuilding of certain key buildings and the organisation and cataloguing of the thousands of astonishing artefacts in the storerooms – from loaves of bread to pet monkeys, paint pots to purses. It will shine a light on the work of archaeologists who are exploring the third of the town that has never been excavated, and will present a unique first look at the complete Pompeii in stunning CGI.
　　Using the evidence gleaned from all this research, the BBC One film will piece together a full picture of daily life in Pompeii before the town was destroyed by the eruption of Vesuvius in AD79.

　　The twins Eden and Léandro were born severely premature. Once out of the belly of their mother, Laurence, they find themselves propelled into the hostile and worrying world of the hospital, full of the sounds of machines and of doctors in white coats. As the weeks pass in the neonatal service, mother and children fight for survival. Haemorrhages, respiratory problems... Surrounded by the medical team, Laurence lives to the rhythm of the twins, caught between the hope for improvement, fatigue, the ever-present possibility that things will go wrong and the fear they will die. The bond between mother and children is organic, vital. Together, they fight fiercely for life.

　　本片以台湾美食为起点，串联起一个个普通台湾人的生活，反应出不同阶层、不同民族、不同年龄的台湾人对于当前两岸政治、历史以及未来发展的看法

　　本片是德国新电影运动的代表人物、著名导演赫佐格为纪念他那位举世闻名、而又充满争议的老友克劳斯·金斯基所拍摄的纪录片。在本片中，观众可以随着赫佐格重返昔日两人合作过的电影场景，采访相关人士，也有当年留下的许多珍贵的镜头。

　　这部纪录片由马龙·白兰度自己录制的视频和音频构成，通过他的音容笑貌去了解他伟大的演艺生涯，以及远离尘嚣的私人生活。

　　估值10亿美元的150件展品，一场横跨欧美大陆的盛大巡展，在埃及法老图坦卡蒙之墓重见天日100周年之际，纪录片《图坦卡蒙之墓：最后的展览》记下了即将关闭在身后的世界。
　　1922年，英国的卡那封勋爵和考古学者霍华德·卡特发现了尘封3000年的图坦卡蒙墓，摄影师哈利·伯顿在现场拍摄了精彩的黑白照片，还原陵墓发掘过程；加上当代摄影师桑德罗·瓦尼尼的海量高清照片，充分呈现墓中令人惊叹的5400多件物品。这是考古史上发现的陪葬品最为丰富的埃及陵墓，金面具、护身符、陪葬床、安度冥河的船只、护卫军队……这像是浩大兵器库与华丽妆奁的合体，陪伴着法老的永生之旅。
　　图坦卡蒙9岁成为法老，却在19岁那年暴毙，很快湮灭在历史的长河中；当3000年后霍华德·卡特念出图坦卡蒙的名字，就仿佛从未知世界召唤回了他，赋予新的生命。如今法老王启程前往来世，分享旧日见闻，就让我们跟随镜头，伴随他的世界巡游。

　　本片摄制于1949年。
　　为了用胶片记录下开国大典的实况，中央政府专门邀请了前苏联的摄制人员，与我们自己的摄影师一起拍摄。没想到的是，苏联人拍摄的这批胶片，却意外地毁于一场火灾。因此，中央新闻纪录电影制片厂保存的这部影片，就成了开国大典仅存的影象记录。
　　
　　本片从筹备建国工作的第一次全国政治协商会议切入，全方位多视角地展示了开国大典的历史场面，具有极其珍贵的史料价值和收藏价值。

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies?
In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson.
The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.