识人好过识字，识食就要识个麻甩佬。食到一个地方最正宗的美食，必定要「麻甩」带路。正所谓「有食唔食，罪大恶极」，驻扎在广州成一年的麻甩佬麦包，已经成为当地街知巷闻的「搵食家」，简直是人形Open rice。麦包将会带着镜头，和大家分享最市井、最贴地、最麻甩的广州美食， 保证观众流晒口水。当然，除了大饱眼福之外，麦包也会和本地麻甩佬们深度交流，挖掘每道菜色、每家小店、每条巷仔背后的故事，务求成为史上最「麻甩」的美食旅游节目。
2012年，荷兰哈伦小镇的一名少女在Facebook上为自己的16岁生日派对创建了一个活动，却错误地将私密派对设置成了公开。受好莱坞电影《X计划》的启发，荷兰青少年们将这个活动迅速传播开来，很快便有成千上万的人报名参加。 尽管警方和当地政府发出警告，但他们仍然认为不会有人来参加。由于没有为抵达哈伦的大量年轻人提供任何招待，派对很快就演变成一场全面的骚乱。
The Future of Work and Death is a documentary concerning the growth of exponential technology and where it is taking us. The film focuses on how future technology could significantly change the two inevitable features of the human experience; punching the clock and fading away. It explores how advanced automation, AI and technological singularity could be achievable in the next 30 years. How job obsolescence and technological unemployment could consequently occur and how digital immortality may not be a thing of science fiction. But what are the socio-political repercussions of these innovations and are we ready for them? Does working less mean living more and is ending ageing incumbent on us? Worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy share their thoughts on these future advancements.
What could be more fascinating than exploring the space program from a fresh perspective, driven by the new production processes and techniques we have today? Thanks to full color archival images - which have now been perfectly restored by NASA - and 3D reenactement of the mission's key stages, this documentary recounts this epic adventure by detailing the journey of the men and women who took part in or aided the mission. In order to not forget just how exceptional this feat was, these digital techniques will be used to "restore" the intensity of this unprecedented adventure into space, above and beyond the image.
劳拉·珀特阿斯因导演《第四公民》被大众所知。这部影片将关注到另一个在互联网掀起巨浪的人——朱利安·阿桑奇。在一个小小的建筑中被围困了五年, 即使他面临法律上威胁，阻止他所领导的组织和运动, 朱利安•阿桑奇也没有被吓倒。通过拍摄这部影片，导演劳拉发现自己困在了阿桑奇的动机、矛盾和内心之间。 Filmed over six years, Risk (2016) is a character study that collides with a high stakes election year and its controversial aftermath. Cornered in a tiny building for half a decade, Julian Assange is undeterred even as the legal jeopardy he faces threatens to undermine the organization he leads and fracture the movement he inspired. Capturing this story, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle.
The untold story of Dale Earnhardt Sr.'s ascent as NASCAR's preeminent figure. His charm resonated beyond the sport, yielding fame and fortune. An intimate exploration of a working-class icon's impact on his family and the racing world.
导演不是新加坡女模特好吧？ 是以下这位大叔：
Ben Robinson retraces the dramatic last days of King John, England's most disastrous monarch, and uncovers the legend of his lost treasure. Ten days took King John from ruler of an empire to sudden death, and left the kingdom in ruins. John is famous for the creation of Magna Carta, which inspired our modern democracy. Ben follows in the footsteps of the King's epic last journey, from the treacherous marshes of East Anglia, through Lincolnshire and Nottinghamshire, to his final resting place in Worcester. He is joined by medieval historian professor Stephen Church. Together they examine the truth behind the legend that has lived on for 800 years. Did the crown jewels really end up in the mud of the Wash? Was the King poisoned? Does he deserve his reputation as our most disastrous monarch? Thanks to unique documents, we can tell this epic tale in the King's own words. Not only can we get into the mind of the Magna Carta King, we can reveal in fantastic detail how and where he travelled. Ben reveals what happened when treasure seekers attempted to find the King's lost jewels with the help of a diviner. And using the latest technology reveals how we can actually see back in time to reveal the landscape as it would have looked when King John made his last journey 800 years ago.
在两次采访过程中——一次在她位于伊夫林省的家中拍摄，另一次是在特鲁维尔的前黑石旅馆，玛格丽特·杜拉斯回顾了地方在她写作活动中，尤其是在她电影中的重要性。她描述了女人在这些地方的决定性在场，也就是那些从书里移动到电影中去的女人。第一次采访中，杜拉斯谈到了位于诺夫勒堡的房子，「这是她在世上居住得最久的地方」；她回顾了她作品中的女性角色以及她们自己与这所房子的关系；她谈到了花园、森林、还有女巫和音乐，以及戈雅和巴赫。第二次采访以相册的形式开始。她谈到了她出生和成长的印度支那，谈到了《堤坝》中的房子，以及她母亲命中的祸根。她谈到了她对安娜-玛丽·斯特雷特的迷恋，这是她小说《副领事》中的人物，在《印度之歌》中由德菲因·塞里格饰演。「几年来，我的电影和书已成了与她之间的情事。」
继《中国新疆·反恐前沿》《幕后黑手——“东伊运”与新疆暴恐》《巍巍天山——中国新疆反恐记忆》之后，第四部涉疆反恐纪录片《暗流涌动——中国新疆反恐挑战》即将于近日推出。相比于前三部，本部纪录片将集中披露此前不为外界所知的反恐斗争案例，例如首次揭露新疆“两面人”个案事实，首次公布新疆少数民族语问题教材事件，以及首次介绍“东伊运”向中国境内传播暴恐音视频情况。中国现代国际关系研究院研究员、反恐问题专家李伟在接受《环球时报》采访时表示，中国新疆在打击“两面人”，挖出“毒教材”后，反恐与去极端化的工作才得以更加顺利展开，这是最大限度的保护民众的生命权。 第四部纪录片片长约56分钟，同前三部一样采用英文配音、中英双语字幕形式，并与前三部纪录片前后呼应。值得注意的是，西方长期以来针对中国新疆反恐去极端化措施的污蔑充斥着“反恐过度”“侵犯人权”“同化少数民族”等论述，而纪录片中“两面人”案例及“新疆少数民族问题教材”事件此前很少被媒体触及，此次公开披露在更深层次上彰显了反恐去极端化工作的正当性和必要性，对西方反华势力的上述污蔑无疑是一个有力的回击。
《空中浩劫》（Air Crash Investigation）是一个由加拿大的Cineflix公司所制作的纪录片节目。此节目主要介绍1970年代黑盒子发明之后所发生的近代重大航空事故。在第三季时，有三集穿插铁道事故及航海事故。 此节目在不同频道播出有不同的英文名称，于加拿大的Discovery频道播出时称为“Mayday”，在美国播出时称为“Air Emergency”，而在英国、法国和其他国家播出时称为“Air Crash Investigation”。 《空中浩劫》会以模拟演出的方式，分别以乘客、机师等不同人的视角，从一开始旅客登机、起飞，一直到事故发生、后续善后及调查为止，重现整个过程。在片中会穿插对于乘客及机师的访谈（若有生还者且其愿意受访时），另外也会访问空难调查人员、目击者等。取材以事故调查报告及相关新闻报道为主；若因调查单位不公开报告以致无法取得事故调查报告时，则会征询相关专家的说法以拼凑出全貌。 此节目对于飞机外观、空服员制服、机场等制作考究，但也并非100%做到与当时完全一样，偶有不相符之处，如波音737驾驶室变成空中客车A320驾驶室。模拟演出时，会找与当事人相貌近似的的演员参与。
In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it. Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused of making up their allegations, later they are prosecuted for giving false testimony and sometimes they end up serving prison sentences. ‘Victim/Suspect’ shows how the roles are reversed so the perpetrators are declared innocent while the victims sometimes end up behind bars and other times end their lives. Rae de Leon gets first-hand accounts from the women and interviews legal experts as she delves into police methods, interrogation techniques and preliminary investigations, and the outcome reveals a corrupt system. Nancy Schwartzman charts a law enforcement agency that confuses victims and suspects and is relevant far beyond America’s borders. It is a powerful testimony to systemic failure, police handling of cases and a determined journalist’s attempt to change it.
