逢春

　　何非（朱一龙 饰）的妻子李木子在结婚周年旅行中离奇消失，在何非苦寻无果之时妻子（文咏珊 饰）再次现身，何非却坚持眼前的陌生女人并非妻子，妻子拿出了身份证明进行自证，夫妻二人似乎都有不可告人的秘密，随着金牌律师陈麦介入到这起离奇案件中，更多的谜团慢慢浮现……
　　本片改编自苏联电影《为单身汉设下的陷阱 Ловушка для одинокого мужчины》。

　　俊生是周爷的干儿子，很受周爷的喜爱和信任，周爷甚至将自己的产业全部交给了俊生打理。小琪是周爷的女儿，单纯善良的她爱上了俊生，然而小琪并不知道的是，俊生实际上是一个败絮其中的坏蛋，他不仅利用公司为幌子做了许多不法勾当，更有一位名叫丽娜的情夫伴随在左右。
　　一次偶然中，周爷得知了俊生的所作所为，愤怒和失望之下，周爷喝令俊生将公司交换，为了保住自己的地位，俊生将周爷杀害，更企图得到小琪，以此控制住周家的产业。纸终究包不住火，小琪知道了俊生所做的一切，更知道了丽娜的存在，愤怒的她想要为父亲报仇，却遭到了俊生的软禁。

佐藤健、永野芽郁将共同出演漫改真人版《工作细胞》，佐藤健将饰演白细胞，永野芽郁饰演红细胞，将于三月开拍。这将是他们继《一半，蓝色》后时隔五年的再次合作。

　　Inspired by true events - Follows the story of two corrupt policemen Sammy Canzano (David Arquette) and Leo Beneti (Jeremy Luke) who committed a series of horrific assassinations and other crimes for the New York crime families in the mid-1980's to 1990's. Meanwhile, NYPD detectives Varrone (Kevin Connolly) and Delgado (Danny A Abeckaser) must carefully use their investigative skills to track and expose the crooked cops, ultimately bringing them to justice.

　　在日本广岛县尾道市海边唯一的一家电影院迎来了闭馆，在风雨交加的闭馆夜，通宵上映着日本战争电影特辑，有三位来看电影的青年被突然袭击影院的闪电所包围，时空穿越进入了电影里的世界。江户时代、幕末乱世、戊辰战争、太平洋战争……三人逐渐发现自己正在游览银幕中的战争电影的世界，随着战争历史的变迁，电影技术也从黑白无声发展到有声电影和彩色电影。舞台转到了原子弹爆炸前夜的广岛，三位青年能否救下他们遇到的移动剧团，改变命运？

　　古时，雨夜，杀命山，同寿客栈。
　　客栈内三教九流正闲谈吃酒，朝廷韩统领带“大内三杰” 闯入，以追查失窃国宝“龙鳞”为由，盘问众人。气氛肃杀诡异，一番口角暗战，“龙鳞”显现，然而众人的身份却都扑朔迷离起来！原来，偷盗国宝和故意让韩统领“找到”国宝的是一个人——叛军头领龙腾海！
　　龙腾海是皇帝龙霸江的亲弟弟，龙霸江为夺皇位杀死父皇，在追杀太子龙腾海时，被韩统领放走。龙腾海逃过一劫后，决心杀掉哥哥登位。龙鳞经过龙腾海改造，已从国宝变为杀人利器，随时可置皇上于死地。同时，精于易容的龙腾海，为登皇位不惜白骨铺路、杀尽天下！
　　一场惊心动魄的暗杀游戏，血腥上演，最终竟然呈现出神鬼南侧的诡异迷局。

　　卢克领导着一个诈骗集团在芝加哥附近的约里埃特行骗。这天，手下人向他交了一大笔刚刚骗了的钱。不久，卢克就遭到了谋杀。原来，这笔钱是芝加哥的黑社会头目朗尼根（罗伯特•肖 Robert Shaw 饰）刚刚收回的赌款，正是这笔钱令卢克引火烧身。
　　胡克（罗伯特•雷德福 Robert Redford 饰）是卢克的一个手下，卢克平日待他如亲生儿子一般，生前就想把他介绍到芝加哥的好友骗术大师冈多夫（保罗•纽曼 Paul Newman 饰）处学艺。胡克发誓要给卢克报仇，于是前往芝加哥寻找冈多夫。胡克顺利找到了冈多夫，听闻这次的对头是朗尼根，冈多夫马上摩拳擦掌。于是，一个天衣无缝的行骗计划开始了！

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　19世纪末叶，北京城内一豪华住宅，帝国公使夫人安娜正与英使翻译查尔斯幽会。查尔斯得知安娜即将随夫回国，要她一同私奔，远赴英伦。这时，房东来报，帝国公使馆武官别里科夫前来捉奸，已进院落。二人从后门逃走，别里科夫穷追不舍。一伙乞丐卖艺求赏，阻止了武官，等他再追时，发现二人已经不见。安娜得一位中国公子哥儿相救进入王府，却发现公子哥儿原来是一个美貌少女。她刚准备回公使馆，适逢王爷归来，原来王爷就是混迹于丐帮的黑衣神人，他惊艳于安娜的美貌。别里科夫以安娜幽会时遗失的宝石坠儿相要挟，查尔斯剑下受辱。在帝国公使阿尔昔金的告别假面舞会上，公子打扮的文瑞为抗婚求查尔斯弄赴英国的护照；别里科夫伺机向查尔斯寻衅；查尔斯欲约安娜私奔；王爷化装猎美。一时危机四伏。第二日晚，帝国公使夫妇赴日公使馆。日公使伊滕出门迎接时，只有公使阿尔卡金，公使夫人失踪，造成惊动京城的一桩公案。别里科夫奔到查尔斯和安娜幽会地点，却撞上了王府的“公子”，状极狼狈。日、英、法、美诸国公使照会清政府，保护外国人，从速破案。查尔斯怀疑是帝国阴谋，潜入帝国使馆查找线索，被阿尔卡金锁进暗室。格格文瑞求王爷打探公使夫人消息，却在府内后花园发现了安娜尸体，惊诧不已。别里科夫向帝国皇帝告公使耽误公事，公使惶惶不安。这时，刚运来装古董的木箱内冒出安娜幽灵，他被吓得魂不附体，向安娜画像忏悔，不该为了得到中国古画，毒死安娜。一直被关的查尔斯听后气愤已极，拔枪欲给情人报仇，安娜的“幽灵”忽至，查尔斯夺门而逃。别里科夫闻声前来，与幽灵交战，幽灵受伤。查尔斯把幽灵救回王府，发现幽灵是格格文瑞所扮。文瑞以此计抢回古画，死尸也被送走。王爷进宫请罪。为救哥哥性命，文瑞派人带画追去。

　　They come from all over the world but they have one thing in common: The Foreign Legion, their new family. The film tells their stories: of women struggling to keep their love alive, men who leave for battle, and couples forming on hostile ground.

　　影片根据N·J·克里斯普的舞台剧改编。 拉尔夫是一名年逾七十的过气编剧，如今身患疾病的他还有两个最后的心愿：和被自己遗弃多年的儿子迈克和解；确保自己没有成为年轻的太太安娜的累赘，毕竟他已经开始走入人生的“良夜”。可是，拉尔夫与迈克和解的心愿却因为他与迈克女友发生争执而被打破。不久后，孤身一人的拉尔夫雇佣了一位神秘的“到访者”，希望对方能让他走得不那么痛苦。然而，这位到访者却设下了一个惊人的陷阱。

　　平安夜即将来临。这一天也是朱利安迎来十一岁的日子。通常这是一年中最好的一天，充满了姜饼和橘子的香气、噼啪作响的炉火、装饰好的圣诞树和摇曳的烛光。但今年一切都与往常不同——朱利安和他的家人悼念他姐姐的离去，朱利安觉得圣诞节被取消了。然后有一天，朱利安遇到了无忧无虑且热爱圣诞节的海德薇，他开始相信也许圣诞节终究会一直存在。但是海德薇的房子有点奇怪：那个一直在房子周围鬼鬼祟祟的老人是谁？