破局2014

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　莱斯特（凯文·史派西 Kevin Spacey 饰）跟许多中年男人一样，遇到了各种各样的人生难题。他在一个广告公司工作，成绩平平，但是妻子却比他混得出色，一派女强人作风。这个平凡的男人还有一个未成年的女儿珍妮（索拉·伯奇 Thora Birch饰）。
　　珍妮性格叛逆，被邻居偷拍裸照还觉得很好玩，满不在乎。她有一个要好的同学安吉拉（米娜·苏瓦丽 Mena Suvari 饰），当莱斯特在拉拉队的人群中看到了充满青春活力的安吉拉，一切都改变了。莱斯特陷入了阿安吉拉年轻鲜活的气息当中。他死气沉沉的心境有了燃烧的感觉。而此时，他的妻子，也和另外一个富商有了私情。当莱斯特得到了他心目中的年轻女神，枪声也随之响起……

　　玛侬（艾曼纽·贝阿 Emmanuelle Béart 饰）是一个游荡于山林之中的牧羊女，在她温婉美丽的外表下，隐藏了一段悲惨的往事。玛侬的父亲死于一场阴谋，而罪魁祸首正是帕比特（伊夫·蒙当 Yves Montand 饰）和格林特（丹尼尔·奥图 Daniel Auteuil 饰）叔侄二人。
　　一次偶然中，格林特看见了正在沐浴的玛侬，不知真相的他深深的为玛侬的美貌而着迷，但此时，玛侬早已和教师贝莱德（西波里特·吉拉多特 Hippolyte Girardot 饰）两情相悦了。玛侬逐渐得知了父亲死亡的真相，愤怒的她将仇恨埋藏在心底，期望着雪耻的一天到来。在玛侬的设计下，她在所有村民面前解开了帕比特和格林特伪善的面具，格林特羞愧而死。但是，悲剧并没有就此结束。

　　生活在2018年的大龄女青年谷小焦（佟丽娅 饰），梦想能够嫁一个能买得起她幼时豪宅的有钱人，却屡屡受挫，只能蜗居在一栋老居民楼里。生活在1999年的陆鸣（雷佳音 饰）手握着自己设计的宏伟蓝图，却始终找不到投资人，同时也面临重大的事业危机。奇怪的时刻来临了，失意的两个人回到家中居然发生了惊人的一幕，同一扇门关上后居然是两个时空的交汇点，两个不同时空的人相遇了，为了拯救自己的未来，两人共商大计，开启了幻想一夜暴富的一系列措施，引发了啼笑皆非的连锁反应。而他们不知道的是，两个时空的重叠是人为的操控，他们每走一步都会引发不可预知的结果，更要命的事，本来只是视对方为赚钱拍档的两人引发了爱的火花……

　　女导演Cheryl（张艾嘉 饰）跟编剧商量准备开拍一部关于初恋的爱情故事，她决定把故事时间订在1977年，那时候的女主角小柔（梁咏琪 饰）只有17岁，在舞会上遇到了男主角浩君（金城武 饰）二人一见钟情，很快他们便陷入了热恋之中。小柔有一个好朋友叫陈莉（莫文蔚 饰），小柔除了跟她诉说心事以为，更是逃过妈妈追问出外过夜的好借口。浩君与小柔的家人很快知道了他们的事，两方家长都要求他们分手了断，伤心欲绝的小柔找到陈莉，原来陈莉一直喜欢小柔，令小柔惊吓不已。
　　多年后，浩君与小柔在日本重逢，就算他们各自都有了另一半，但还是阻止不了他们再次走进对方的生活。

　　天雫家的独子健太郎（星野源 饰）在市政府工作，现年35岁的他却全然没交过女朋友。他性格内向，平时连中午饭都回家吃，晚上则一个人闷头打电动。看着儿子的样子，可真愁坏了他的父母寿男（平泉成 饰）和富美（森山良子 饰）。为此，天雫拿着儿子的资料参加相亲大会，期间结识了同样为女儿相亲的今井夫妇（大杉涟 & 黑木瞳 饰）。不过，身为社长且爱女笃深的今井似乎完全没将资质平平的健太郎列入考虑对象。不过缘分还真是参不透，在一个落雨的日子里，健太郎和今井夫妇双目失明的女儿奈穗子（夏帆 饰）意外邂逅，而他完全发自本心的举动赢得了奈穗子的母亲玲子的好感。
　　一个是固守家中的小宅男，一个是不幸陷入黑暗世界的小公主，他们之间将会发生什么故事呢？

　　某公司主管徐冠中是个富二代，他在结婚前夕，接到前女友范萍萍的电话。两人在一家宾馆见面，范萍萍告诉徐冠中她怀孕了。不料未婚妻李晨赶来，把他们堵在了房内。徐冠中纠结她们两人谁才是自己的终极恋人？当徐冠中得知范萍萍欺骗了自己，后悔不已想要李晨回到身边，却意外发现李晨与他人闪婚。一件小事，让徐冠中坚信，为了结婚的爱情，就是要寻找自己最后的恋人，也就是终极恋人……

　　车行老板老七因为患有脑部肿瘤被推进了手术室，在手术中陷入了梦境。
　　在梦境中遇见了一位神秘人，并被迫与他玩了一场以自己和周围人生命为筹码的“换命游戏”，只要有3个人用生命为筹码向老七借钱，老七就可以换对方的生命继续活下去，不过，游戏一旦开始就不可以回头，否则，老七会立即死去。
　　老七阴差阳错的开始了这个游戏，被卷入了一场以自己和身边至亲好友为代价的“死亡游戏”……

　　tvN独幕剧系列第六部
　　讲述一个少女长大成人后，偶然发现自己学生时代的文集的故事，描写十七岁的记忆及初恋故事，将于1月6日首播

　　古魔族战败身锁炼狱，魔神为返人间，派人类首领范一航前往圣地夺取舆图，两军交战之际一航认出桃源圣女无忧竟是自己苦苦追寻的妻子，可发妻拒不相认还以刀剑相向。一航爱妻情深，屡次触怒魔族维护无忧，最终无忧是否能重拾爱的记忆？两人会在两族对抗中关系走向会如何？一场考验人性爱情的虐恋即将到来。

　　大龄男青年王大壮被家里人安排相亲，在经历了一次次奇葩女之后，一个人外出寻找艳遇，在结实女骗子杨丽后误入传销，通过眼镜男的帮助王大壮协同民警打击了传销抓走了传销人员，在回家的车站意外上错车偶遇到儿时玩伴朱婕，在和朱婕的接触中得知朱婕同样有不顺利的爱情，最终展开表白，最后经历千辛万苦的剧情终于得到了真爱

　　Ronald Miller is tired of being a nerd, and makes a deal with one of the most popular girls in school to help him break into the "cool" clique. He offers her a thousand dollars to pretend to be moxia.cc his girlfriend for a month. It succeeds, but he soon learns that the price of popularity may be higher than he expected.