鸡毛爱情

　　精神病院的默奇逊院长即将退休，接手的是年轻有为的爱德华大夫（格利高里·派克 Gregory Peck 饰）。医院里年轻漂亮的女医生彼特森（英格丽·褒曼 Ingrid Bergman 饰）和他相爱，然而竟发现眼前的爱人不是爱德华大夫，而真实的爱德华的秘书，还前来指出这个冒牌人士是杀害爱德华的凶手。
　　面对恋人扑朔迷离的身份，彼特森始终不相信他是杀人凶手，然而默奇逊院长却用精神分析法印证了“事实”。更为棘手的是，这个假爱德华也相信自己有罪，他甚至连自己是谁，经历过的事情也不知道。
　　彼特森对自己的判断非常坚持，她决定要帮他找出事件真相。在警察的追捕下，她带他逃到了心理分析教授的家中，展开了一联串精彩的心理分析过程，他童年的阴影和爱德华大夫被杀的真相渐渐浮出水面。

　　《我的魔界女友》是一部由超人气ip改编而成的电影，其改编自哎呦文学旗下粉色书城同名超人气原著小说《鬼神殿下：我的魔界女友》
　　
　　知名富二代袁野有着常人所羡慕的生活，车房全有钞票在手，美女怀里搂。看似幸福逍遥，实则却因天生体阴，经常莫名其妙被一些不清不楚的东西缠上：班上莫名多了一个不明来历的同学，谁都看不到，只有自己可以。从天而降的利器，游泳时抓住脚踝的怪手……为了摆脱这些麻烦，袁野花费了巨大的金钱和精力，拜访了各路奇人异士，却总也无法解决，直到从身边同学处听说了一位“大师”极为灵异，殊不知所谓的“大师”只是一个修野狐禅的膏药郎中，没有什么真本事，只是从古籍里学到了两三个不明效用的阵法，就出来闯荡。做法过程中，袁野的体质特殊意外打开封禁，大唐年间为祸人间的天外邪魔冲破道法，回到现世之中。袁野的鲜血唤醒了天外邪魔莫逢的记忆，莫逢为了得到更多血液拯救自己的爱人，则答应与袁野“绑定”。几番相处之后，袁野喜欢上了看似冰霜，实际却热心的魑魔莫逢。同时，莫逢也发现袁野性格深处，居然有很多和爱人齐玄甲相似的地方，渐渐地将袁野看成了齐玄甲的转世，并产生了让自己疑惧的情感。域外天魔秦昊（如钦）的出现，却打破了一切平静，被如钦一路引导之下的袁野和莫逢打开了天魔冢，在如钦将要击杀莫逢之际，袁野牺牲自己换取了莫逢的生机，重伤的袁野心甘情愿献出自己的第三滴血，换回莫逢的爱人齐玄甲重归于世。然而莫逢满心期待，等到的苏醒者却是万魔之主——惊夔……

　　这个反映现实生活的故事发生在活力而多元的伦敦，活波但敏感的塔拉与孤僻却迷人的毕拉发生碰撞，擦出了火花。

　　上世纪70年代初，与家人音讯全无隔绝多年的劳改犯陆焉识（陈道明 饰）在一次农场转迁途中逃跑回家。这对怀抱芭蕾舞梦想的女儿丹丹（张慧雯 饰）带来了巨大压力，她阻止母亲冯婉瑜（巩俐 饰）与父亲的相见。因此夫妻二人近在咫尺却又相隔天涯。文革结束后，陆焉识终于平反回家，但是他却发现女儿早已放弃了芭蕾的梦想成了一名工厂女工，而深爱的妻子因为患病已经不认识自己。深厚的感情、生活的变故，迫使陆焉识做出了对他来说最荒唐却又最合理的人生选择……
　　本片是张艺谋导演加盟乐视影业后的第一部作品，被编剧邹静之誉为苦心之作。

　　丹麦王子哈姆雷特（肯尼思·布拉纳 Kenneth Branagh 饰）被传召回家参加父亲的葬礼以及自己母亲和叔父克劳迪斯的婚礼。父亲的突然离世，加上母亲的改嫁，使哈姆雷特终日郁郁寡欢。一次哈姆雷特在半夜里来到城堡高台上，与父亲的鬼魂相会，得知父王被叔父克劳迪斯毒死。鬼魂要求哈姆雷特向那个篡夺王位、霸占王妃的凶手复仇。背负了复仇任务的哈姆雷特决定用假装发疯的办法来掩饰自己，以窥探克劳迪斯的一举一动。随后他安排了一场宫廷戏，将国王被害一幕以戏剧形式表演出来。叔父看后原形毕露，而哈姆雷特却误杀了恋人（凯特·温丝莱特 Kate Winslet 饰）的父亲，导致恋人发疯死去。随后哈姆雷特的母亲也饮毒酒死亡，最终哈姆雷特愤怒杀死叔父。

　　源于单亲长大，源于父亲的满身纹身，大学美术系女生盛尚（褚旭 饰）热爱纹身，再加高冷的性格，盛尚成为了学校里的“另类”。 盛尚曾与初恋男友相约，将彼此的头像纹身纹在双方手背，但就在被盛尚视为“神圣”的一纹之前，初恋男友抛弃了她。无比受伤的盛尚发誓，如果将来有一个男人把自己的自画像纹到身上，那么，他就是命中注定的人，她将嫁给这个男人。就在大学生活即将结束的时候，这个人出现了，历史系男生艾飞（高可夫 饰）。一段情缘，就此开始……

　　让娜（艾斯特·加莱尔 Esther Garrel 饰）是一个二十岁的年轻女孩，在刚刚结束了一段失败的恋情之后，她决定回到阔别已久的父亲吉勒（埃里克·卡拉瓦卡 Eric Caravaca 饰）家里，重新热络一下疏远的父女感情。
　　吉勒和妻子分手多年，一直都辗转在不同的女人之间。令让娜没有想到的是，当她回到家中时，竟然见到了一个年纪和自己差不多大的女孩阿丽亚娜（露易丝·谢维洛特 Louise Chevillotte 饰），这个女孩是父亲的现任情人。刚开始，阿丽亚娜的存在令让娜觉得非常的不舒服，因为这个女孩虽然年轻，但感情经历却极为丰富，并且目前正在同多位男子交往。但随着时间的推移，让娜、吉勒和阿丽亚娜之间渐渐产生了一种奇妙的关系。

　　影片由演而优则导的意大利知名演员塞吉·卡斯特里图执导，改编自导演妻子玛格丽特·玛赞蒂妮创作的同名小说，夫妻俩继2004年的《别碰我》之后再度合作编剧，当年这部电影也是由佩内洛普·克鲁兹主演。《来到这个世上》讲述了一位单身母亲盖玛（佩内洛普·克鲁兹 饰），她的丈夫在波斯尼亚战争中丧生，多年后她只身带着16岁的儿子回到了当年丈夫死去的那片土地－－萨拉热窝，不曾想在那里，他们将再度经历上世纪90年代战火弥漫中的审判与磨难。

　　张莉莉（陈妍希 饰）学成毕业之后留在了美国一间医院里，成为了那里的实习生。每一天，她都要忍受上司麦奇医生（成康 饰）的各种苛责和挑剔，肩上的压力越来越重。就在这个节骨眼上，张莉莉邂逅了名为尼尔（杰克逊·拉斯波恩 Jackson Rathbone 饰）的男子，温柔体贴的尼尔让张莉莉很快就坠入了情网。
　　一场严重的车祸中，张莉莉受伤陷入了昏迷。苏醒后，她震惊的发现，现实和自己记忆中的世界竟然截然不同。讨厌的麦奇成为了自己的丈夫，两人还有一个四岁的孩子。每一个人都极力否认着尼尔的存在，只有张莉莉一个人坚信，尼尔一定在这个错位的世界里的某个角落等待着她。

　　On an archaeological dig in Iraq, author Agatha Christie uncovers a series of murders.

　　边所长多年以来为了给儿子赎罪，放弃升职的机会，多年来一直照顾着晓晓，而不敢向儿子边辰说出事实。一次偶然，边辰遇到了单纯的盲女晓晓，两个人日久生情后，边辰才知道晓晓就是自己儿时闯祸弄失明的女孩。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)