诡婴吉咪

　　Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.
　　Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.

　　影片改编自著名惊悚小说作家斯蒂芬·金的同名小说。泰德（蒂莫西·赫顿 Timothy Hutton 饰）是一位小说作家，曾经，他以乔治史塔克为笔名所创作的恐怖小说让他获得了读者的认同和喜爱。如今，对一切渐渐感到厌倦的泰德决定不再拿乔治史塔克当做挡箭牌，他要用自己的真名写作，为此，他甚至为乔治史塔克准备了一座空坟墓，举行了一场虚构的葬礼。
　　然而，也就是从这一天开始，小镇上接连发生了多起凶残的凶杀案，而凶案现场上，居然遍布着泰德的指纹。周围发生的一切让泰德开始怀疑，此事和乔治史塔克有着千丝万缕的关联，然而，乔治史塔克，一个笔名，真的能够犯下这些恐怖的罪行吗？

　　大学时期，宋倩（朴韩星 饰）与娜娜（辛芷蕾 饰）、羽菲（李昕岳 饰）、游峰（张皓然 饰）、宏瑞（杨帆 饰）、杨铮（孙绍龙 饰）几个人是非常要好的朋友。直到认识了新生小艾（章婷婷 饰）。漂亮的小艾让本来亲密无间的小团体产生了裂痕。特别是娜娜，处处针对她，只有宋倩努力维系着大家的关系。渐渐开始有不好的传言在学校漫延——小艾一直被视为邪恶的化身，所有与她接触的人都会有厄运。很快宏瑞发生意外摔伤腿，错过一场重要比赛。宋倩几个人在学校的屋顶阁楼玩起笔仙，结果笔仙也验证了小艾的不详，当晚小艾便跳楼自杀了。
　　大学毕业后，宋倩和她的同学们事业都发展很顺利，有的成了大明星，有的成为了企业精英，而直到娜娜从美国回来，怪事接二连三的发生，每个人都开始遇到危险，谜底一层层揭开，原来大学时代小艾的死，是另有原因……
　　2013年与2010年，都市中与校园里，一段尘封已久的大学往事，某个被记忆掩埋在心灵深处的名字再次因为笔仙的到来浮现脑海……

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　2039.监狱已经变成了在线门户网站，公众可以选择囚犯吃饭，穿，看，和谁打架。如此成功的是Panopticon TV，即将推出到整个城镇，为用户提供更多选择。

　　美国青年艾许（布鲁斯•坎贝尔 Bruce Campbell 饰）在和女友琳达（布丽切特•方达 Bridget Fonda 饰）度假时，偶然发现一本《死亡之书》。书中记载各种神秘的丧葬风俗以及招魂仪式，更为诡异恐怖的是，这本不应该存在于人间的书具有十分强大和邪恶的魔力。为与之斗争，艾许失去了女友和自己的右手，但最后还是体力不支，被《死亡之书》带到600年前的中世纪。他奇怪的穿着一度被骑士们当作间谍抓起来，经过一番波折，艾许决定帮国王打败《死亡之书》幻化出来的怪兽，这也是他回到现代社会的唯一办法……
　　本片荣获1993年布鲁塞尔奇幻电影节金鸦奖、1993年葡萄牙奇幻电影节影评人奖、1994年美国科幻恐怖电影学院土星奖最佳恐怖片。

　　在他的爱妻去世后，心里不平衡画家本认为自己是文森特·梵高的转世，于是他挖出她的尸体 - 与他的恋尸癖管家的帮助下 - 将其带回给他的城堡，并用它赋予“灵感”。很快他就遇到一位美丽的音乐家，她的长相相酷似他已故的妻子，他将她带回自己的城堡。然而，她最终发现了他们的秘密：管家杀害了这个年轻女子并用她的尸体的血液当作他们 “生命的色彩” - 艺术家的颜料

　　One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .

　　Douglas Breen是一个孤独内向的唱片店员工,也是女星Sally Ross的狂热粉丝。他经常给Sally写信,但却一直未得到过回应.Sally的助理注意到了Douglas不正常的来信,并回信提出警告,这激怒了越来越走向极端的Douglas...

　　文静少女麦克斯（泰莎·法米加 Taissa Farmiga 饰）和妈妈（玛琳·阿克曼 Malin Akerman 饰）相依为命，她的妈妈是一位小有名气的B级恐怖片演员。虽然妈妈一直希望闯出名头，但是却命运多舛，始终名不见经传。在一次失败的试镜过后，麦克斯和妈妈遭遇一场严重的车祸，而妈妈也在这场灾难中去世。三年后，母亲的忌日当天，一群好友约上麦克斯去影院重温妈妈的经典营地恐怖片。可是观影途中突发意外，大火引起莫大的混乱。当麦克斯再度醒来时，发现自己和好友竟然穿越来到了母亲的电影之中。
　　随后的九十多分钟里，他们将随同逝去的母亲一同经历可怕的营地血腥大屠杀……

　　一座风景秀美的小镇被一场突如其来的浓雾瞬间淹没。雾中传来阵阵惨叫，人们惊慌失措地四处逃散。戴维和他的儿子与众多镇上的人被困在小镇超市里，等待雾的消散。浓雾并没有如期望的散开，而走进浓雾的人一去不返。浓雾逐渐露出了它狰狞的面目。恐惧、惊慌、挣扎、悲伤、绝望……人们的精神濒临崩溃。如何才能活着走出迷雾？面对超市里几近癫狂的人们和超市外吞噬一切、不可知的迷雾，戴维紧紧搂着儿子，开始了艰难的求生之路……