阿黛拉的非凡冒险

　　一位未来的工薪阶层父亲反复梦到被未知力量摧毁。当他的噩梦开始影响自己与家人的关系时，他便很快意识到，外星人的无情攻击开始摧毁地球，而这些噩梦也许是骇人现实的关键线索。随着入侵者一波又一波的凌厉攻击，他必须寻找保护家人的力量，并弄清自己的真实身份。

　　自纽约事件以来，托尼·斯塔克（小罗伯特·唐尼 Robert Downey Jr. 饰）为前所未有的焦虑症所困扰。他疯狂投入钢铁侠升级版的研发，为此废寝忘食，甚至忽略了女友佩珀·波茨（格温妮斯·帕特洛 Gwyneth Paltrow 饰）的感受。与此同时，臭名昭著的恐怖头目曼达林（本·金斯利 Ben Kingsley 饰）制造了一连串的爆炸袭击事件，托尼当年最忠诚的保镖即在最近的一次袭击中身负重伤。未过多久，托尼、佩珀以及曾与他有过一面之缘的女植物学家玛雅（丽贝卡·豪尔 Rebecca Hall 饰）在家中遭到猛烈的炮火袭击，几乎丧命，而这一切似乎都与22年前那名偶然邂逅的科学家阿尔德里奇·基连（盖·皮尔斯 Guy Pearce 饰）及其终极生物的研究有关。
　　即使有精密先进的铠甲护身，也无法排遣发自心底的焦虑。被击碎一切的托尼，如何穿越来自地狱的熊熊烈火……

　　宠爱女友的男主角，在好友帮忙下成功求婚。男主角当晚高兴入眠。至第二天醒来，发现自己在一个陌生房间，身边多了一个陌生女子，她告知是自己的老婆，惊讶之时才发现自己来到三年之后，离奇荒诞的事接踵而来，究竟为何会这样？这三年又发生了什么事？本身的女友又去了哪里呢？

　　剧情大概：
　　一个执行太空任务从宇宙归来的太空舱里的船员被天外异形下了药变成了可怕的怪物，这种异形能寄生到人体使其发生肢体变异。同时期一组洞穴探险员来到城市郊外溶洞探险，没想到此地已经被异形占领，他们只能靠本能来逃脱异形所设下的种种陷阱……（说起山寨，意大利人才应该算是鼻祖吧，就如同这部电影标题一般…不要对这部电影有任何企图，他只会让你变成扑克脸- -）
　　血腥度：4
　　片中怪物数量：？
　　怪物类型：外星生物
　　怪物特点：寄生
　　怪物必杀技：变形
　　怪物恶心度：3

顾家富贵显赫，可有史以来一直无法摆脱单脉相传的魔咒，其唯一的继承人顾睿整天只知吃喝玩乐，不务正业，令顾家老爷子非常焦心。顾睿遭黑社会绑架追杀，无意中闯入飞船，放出被禁锢几百万年的外星生物，并得到前人类召离的法力和战宠雪清。外星生物为独霸地球，寄生于人体，想方设法除掉最大的障碍——地球上最后一个拥有法力的人——顾睿。顾睿被迫陷入与外星人的战斗中，各种奇葩对手陆续登场。为应付不断进化的外星人，顾睿在召离的点拨下修炼法力，并成功收伏青龙、白虎、朱雀、玄武四个得力干将。随着事态进展，顾睿发现自己最棘手的敌人不是E伯爵，而是自己最信任的人……顾睿将计就计，试图由此消灭E伯爵，拯救身边之人，未成想却将自己引入死局……顾睿陷入困战，危机时刻，召离舍弃最后一丝精神能量相救……E伯爵损兵折将元气大伤，暂时撤退，但他并没有绝望，因为他的“种子”已被植入顾睿的未婚妻——千百音体内，等到时机成熟，他便可重现世人面前。顾睿与外星生物之间的战斗还远远没有结束……

　　一支四人科学小队登陆火星探险，结果遭遇了种种怪物铩羽而归。

　　21世纪初，一场瘟疫夺去了99%的人类生命，幸存者们依靠科学家古德查德的发明，建造孤城布瑞拉格维系文明。时间过去四百年后，部分市民不满古德查德政权独裁统治与持续发生的失踪案，组建武装力量魔力党（Monicans）对抗。
　　女战士伊恩（查理兹·塞隆 Charlize Theron 饰）是魔力党中实力顶尖的人物，在完成破坏古德查德监控系统的任务中，伊恩目睹了被对方杀害的亲妹遗体，伊恩在怒火添胸时得到了刺杀古德查德首脑特雷弗的指令，但当她与特雷弗面对面时，对方呼唤“凯瑟琳”这个名字让她陷入混乱的记忆无法行动。伊恩脱身后着手调查这座城市的真相，发现一直以来的失踪案与克隆计划息息相关，而布瑞拉格运行的基础便是复制人类。伊恩的发现很快引起连锁反应，将各方势力卷入其中……

　　Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet.
　　While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.