爱很美味

　　99 Songs is a musician’s quest to understand his purpose and passion. It is a journey of heartbreak and redemption, of loss and faith; an ode to the timeless power of love and music. 99 Songs is co-written by A.R Rahman. He also composed the original score and songs.

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　1930年代，自幼在美国生活与学习的大提琴家徐少东（黄磊）返回祖国准备与素未蒙面但一直有书信往来的未婚妻英儿（刘若英）成亲。可是在随英儿在自家戏院看过昆曲《夜奔》并结识其主演林冲（尹昭德）后，徐少东的感情天平开始更多地倾斜到林冲身上，但随后有关他与林冲的流言蜚语传出，顶不住世俗压力的他最终告别英儿回到美国。
　　二战后，英儿赴美找到徐少东，二人谈起林冲为找徐少东的悲惨经历时，徐少东明白到他的内心会一直为英儿和林冲留有位置。

　　郁郁不得志的演员杨一恒在其父的帮助下取得了一次在剧组跑龙套的机会，在过程中因为对业余剧组的不满愤而打断了拍摄，导致其父在代他进行替身工作时受到重伤。杨一恒四处求借医药费无果在家自暴自弃时发现了一本有关药膳的祖传仙书，机缘巧合之下他吃了随书附赠的返老还童丹。一觉醒来他穿越 回了清朝康熙年间，见到了仙书的主人食神。食神告诉他要把错乱的历史修复回正常的道路，杨一恒为了及早回到现代救助自己的父亲，便发愤图强研究仙书制作药膳寻求回去的办法......

　　安娜（达科塔·约翰逊 Dakota Johnson 饰）在出版业找到了一份前途光明的新工作，准备开始自己新的生活，格雷（詹米·多南 Jamie Dornan 饰）依然对安娜进行着热烈的攻势，虽然已经决定摆脱过去的种种，但对于格雷的魅力，安娜还是无法抵挡，最终，在格雷保证自己会做出改变后，安娜再次接受了他。
　　刚开始，重修旧好的两人享受了短暂的甜蜜，但随着时间的推移，格雷的本性渐渐流露。他不仅从特殊的渠道得到了安娜的银行账户信息，限制她的人身自由，甚至斥巨资买下了安娜供职的公司。在格雷的种种举动逐渐挑战安娜的耐心的同时，格雷不怀好意的前女友莱拉（贝拉·希思科特 Bella Heathcote 饰）再度出现在了他的生活中。

　　讲述赵家之女赵织织阴差阳错与男主段子矜相爱，而后又发现两家势不两立，无法走到一起的虐恋故事。

　　汉娜（苏菲·罗艺斯 Sophie Rois 饰）和西蒙（塞巴斯蒂安·施普尔 Sebastian Schipper 饰）永远都不会想到，他们之间稳定而坚固的婚姻也会有濒临破碎的这一天，一个名叫亚当（大卫·史崔梭德 Devid Striesow 饰）的男人的出现让这一切变成了现实。面对英俊又深情的亚当，汉娜沦陷了，尽管背叛婚姻的罪恶感从未放过她，但她还是义无返顾的跌进了偷情的深渊中去。
　　不幸的是，最糟糕的并非汉娜的不忠，因为在亚当面前，甚至连西蒙的心中都有些小鹿乱撞的错觉。在三个成年人之间，两段扭曲的感情慢慢的纠葛在了一起，它们像锋利的宝剑一样悬挂在每一个人的头顶，而支撑宝剑的绳子即将断裂。

　　一直深爱着哥哥的妹妹从医院领回了因一起意外事故中失忆的哥哥，并谎称是他的恋人，与哥哥生活在了一起。两人时刻承受着道德与情感的冲突，但情感的河流奔腾得如此汹涌，道德在情感面前显得异常无力。道德的解构表现在拆房的建筑工地一再地出现，而情感则在日常的相濡以沫中以温和的姿态感染着观众。不是什么肮脏的不伦之恋，而只是干干净净的平常人的情感，甚至要更纯更美。

　　1926年哥本哈根，风景画家艾纳（埃迪·雷德梅恩 Eddie Redmayne 饰）和擅长人物画的格尔达（艾丽西亚·维坎德 Alicia Vikander 饰）结为夫妇。因为模特失约，格尔达为顺利完成画作说服了艾纳穿上女装救场。这次意外令艾纳多出一个女性人格“莉莉”，而后者亦成为妻子的灵感女神，让格尔达声名鹊起。只是随着沉睡女性人格的被唤醒，艾纳开始厌恶自己作为男性的身体，他渐渐发现莉莉不但是艺术存在，更是真正的自己。格尔达也没有想到只是临时起意的游戏，竟为自己人生投下了一颗震撼弹，她该如何继续爱她的伴侣？她们在各种社会非议和误解中不离不弃，最后格尔达鼓励艾纳彻底变成莉莉......
　　根据世界上首位变性人士生平改编的《丹麦女孩》讲述一段跨越性别和性向的爱情，重现一位最早接受性别重置手术的丹麦画家与妻子的传奇故事。该片由奥斯卡导演汤姆·霍珀执导，入围威尼斯电影节金狮奖。

在世界级画家田村修三（石坂 饰）的展览会上发生了一件大事。发现其中一幅展示作品是赝品。画这幅画的到底是谁？连日来，报道不断升温，北海道小樽发现一具女尸。在这两起事件之间出现的男人。他就是曾经被称为新锐天才画家，却因为某个事件而从人们面前消失的津山龙次（本木 饰）。                                    
                               　　曾经的龙次的恋人，现在田村的妻子·安奈（小泉 饰）前往小樽。原以为再也不会见面的龙次与安奈重逢，长年侍奉龙次的神秘人费克塞·水肯（中井 饰），追查伪作事件的美术鉴定权威·清家（仲村 饰）、全身刺青的女人·牡丹（清水 饰）、仰慕龙次的调酒师·蓟（菅野 饰）…每个剧情都与不断追求“真正的美”的龙次的想法交织在一起。当他的画笔动起来的时候，紧张的剧情、深邃的爱情、痛切的人性就会呈现在画布和银幕上。

　　前世善良质朴的宝尊上，临危救下唐幂幂，引发惊世骇俗的缘分；今生俊逸不凡的车帅与前世遭遇不测的唐幂幂，校园重逢。唐幂幂始终念及这段恩情，想方设法甚至通过上身白玉娇，陪伴车帅左右，守护着他，唐幂幂在魔君属下郑好和大锤的利诱下，进退两难......

　　这是一个流传久远的神话故事。王母（王少梅 饰）容不得牵牛星（黄宗毅 饰）与织女星（严凤英 饰）的两情相悦。金牛星（王少舫 饰）见机出来做月老，王母大怒，将牵牛星与金牛星一同打入凡尘。织女星则被关入云房，失去人身自由，每日望月空叹，好不凄凉。落入凡间的牵、金二星化身为牛郎和老牛，整日里风餐露宿，遍尝劳作艰辛。一日，织女有幸随王母出巡凡界，经金牛牵线，与牛郎栖身人间，过起男耕女织的快乐光景，不久，还诞下一双儿女。出巡归来不见了织女，王母心生恼恨，厉令天兵天将下凡捉拿。落入凡尘的牛郎织女怎对抗得了天上的神仙......