蝴蝶魔咒

　　艾丽思厌烦平平淡淡的生活，认为没有刺激，没有冒险，乏味，从电影上公路常常会遇到非  常危险的事于是她约上情人约翰尼开始了一段冒险之旅，万万没想到这次冒险，付出的代价，让她一辈子后悔也无济于事……

　　豫剧电影《天职》主人公纪忠的原型是全国唯一连续两届获得“全国纪检监察系统先进工作者标兵”称号的周口市纪委书记杨正超，影片以其真实的事迹为创作蓝本，热情讴歌了新时期纪检监察干部亲民、爱民的公仆情怀和勇于担当、秉公执纪的英模形象。
　　电影版《天职》由河南国杰文化传播有限公司、国影宣文化传媒(北京)有限公司联合拍摄。影片由著名剧作家陈涌泉编剧，国家一级导演王冰河执导，江团结、党玉倩分别饰演男、女主角，中国戏剧梅花奖获得者李树建、著名豫剧表演艺术家张宝英等将倾情加盟。

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

　　故事发生在清末民初之际，世道离乱，人鬼同途。被称为鬼城的丰都，传说每当夜幕降临便有酷似故宫的鬼城和鬼哭神嚎的奈何桥。客死他乡的孤魂野鬼只有在法术高强的茅山道士的引领下，才能起尸蹦蹦跳跳回到故里安葬。某个月黑风高的夜晚，破落户陶宇和胖子怀恨盗挖土匪军阀胡大帅家的坟墓，结果偶然撞见一伙赶尸队伍。天降死鬼，吓跑了两个家伙，他们好不容易得手的珠宝也被赶尸队伍抢走。原来这支队伍假借赶尸之名，实则帮助盘踞一方胡大帅的走私鸦片烟土。
　　两人知晓了胡大帅的秘密，在日后一连串的冲突事件中，他们将和这个恶棍展开连番较量……

　　The memories of the title are the recollections of a young woman’s older sister that killed herself mysteriously. The subtle traces of abstractness that inform the film show signs of experimentation by the film’s rookie director, full of dramatic careers in her middle-50s making her feature debut.

　　陆野和席娟已离异，各自又有了新的选择，他们的儿子陆一和耐克公司经理陆建国的儿子陆依在同校同班学习，而且都穿耐克广告衫。刚从监狱获释的魏文彬，为了给狱中的哥儿们出气，敲诈陆建国不成，就纠集歹徒去绑架陆依，不料他们误绑了陆一。陆野、席娟寻子不见即向公安局报案。陆建国接到歹徒要赎金的电话，后又知陆一失踪，方知歹徒是冲着他来的，就将错就错，准备交赎金以图安宁。刑警队长石伟和助手先以夫妻离异、家庭解体和孩子可能出逃的线索去查找，后发现陆建国从银行提取三万元现金，而陆一的广告衫又是他送的，便推测陆建国的行动与失踪案有关。这时，魏文彬到海滨浴场来取赎金，偶然发现寻找陆一的启事，方知绑错了人，但又怕其中有诈，就让其情妇亚丽看住陆一。亚丽有意让陆一逃跑，夜料孩子刚到家又被魏文彬等人掳走。石伟、陆野、席娟从陆建国那儿得知真情后，陆野救子心切，独自行动。石伟获得的线索，又因陆野的莽撞而打乱了计划。魏文彬发现他已被公安人员盯上，就派歹徒杀人灭口。在混乱中，歹徒杀死了席娟。陆野欲与魏文彬拼命，这时石伟干警赶到与众匪徒激战，终于击毙了魏文彬。陆野与儿子团圆了。然而，这仍是一个不完整的家庭。

　　故事发生在美国新奥尔良市，一年一度的狂欢节正在如火如荼的进行之中。就在节日热烈的气氛被炒到顶峰之时，德沃公园突然发生了塌陷事故，市长助理艾莉森（杰西卡·斯汀 Jessica Steen 饰）很快就赶到了现场。可怕的事情并没有就此结束，入夜，塌陷事故接连发生，整个城市岌岌可危。
　　万分危急之中，艾莉森只得向自己的男友马特（约翰·考伯特 John Corbett 饰）发出求助信号，马特是一名地质学家，因为曾经的一场矿坑塌陷事故而患上了创伤症，从此再也不问世事。马特经过专业的调查震惊的发现，这座城市即将整个陷入地下，为了将伤亡人数控制到最小，政府必须立刻疏散正在狂欢的人群。

　　影片改编自柯秋宾斯基的同名抒情小说。导演把情节拆散为“伊凡和玛丽奇卡”、“波洛尼纳”、“孤独”、“伊凡和巴拉格娜”、“日常生活”、“圣诞”、“春在明天”、“雷雨”、“小酒店”、“伊凡之死”、“虔诚的仪式”等11个单元，讲述了主人公伊凡两阙刻骨铭心的爱情悲歌：先是女主人公玛丽奇卡在寻找伊凡的途中不幸坠河而死，后有另一位女主人公巴拉格娜背叛伊凡，故事最后以伊凡死于情敌手下而结束。
　　本片是典型的诗电影，以独特的风格展现了民族探索生存道路的景象，窥探了民族内在意识的活动和变化。影片以出神入化的方式混合细腻的纪录场面和巴洛克华丽的视觉效果。透过主角情感的引导，漩涡式的叙事方式，穿梭于奇幻真实之间。摄影机像是着魔似地，将观众带进他们神秘的梦境。影片上映后曾遭禁演，但在压力下，随即解禁。

　　阿格涅丝卡·霍兰([糜骨之壤])新片[江湖郎中](Charlatan，暂译)正式开拍，该片由伊凡·特洛伊(Ivan Trojan)、尤拉伊·娄伊(Juraj Loj)主演。影片故事根据草药医生Jan Mikolášek的真实故事改编，讲述尽管困难重重 ，他还是毕生致力于照料病人。该片计划于明年2月20日首映。

　　入围戛纳短片单元的《延边少年》，故事围绕着“少年的烦恼是什么”展开，主要讲述朝鲜族少年花东星离开村庄去城市寻找父亲索要旅费的故事。该片在湖北宜昌和吉林延边两市进行拍摄制作，选角近万名。

　　一个看不见的女人朗诵莎士比亚的十四行诗，画面上是一个男人在寻觅自己内心的欲望。摄影趋于静止，音乐虚无缥缈，加上充满自然物质的背景：巨砾、小石头、大海、烟雾，还有花园。完全营造出一种人间世外的天堂景致。

　　摄影师铉满（安圣基 饰）一心扑在事业至上，从而忽略了个人的感情生活，已经年过五十的他，竟然连一次完完整整的恋爱都没有谈过，与此同时，感情生活的一片空白亦让铉满保持了难得的纯真和善良。
　　一场意外的发生让铉满结识了朋友的女儿娜媛（李荷娜 饰），机缘巧合之下，娜媛担负起了帮助铉满料理内务的责任。起初，铉满只将这个比自己小二十六岁的女孩当做是晚辈和妹妹，然而，随着时间的推移，娜媛的坚强和单纯渐渐打动了铉满。让铉满没有想到的是，娜媛竟然亦对自己怀揣着相似的感情，一对年龄差异悬殊的男女能否打破世俗的屏障，最终走到一起？