金属风暴1983

　　马杜（艾萨·安哈尔 Ishaan Khattar 饰）是一个非常善良的小伙子，他的梦中情人是名叫帕缇维（贾维·卡普尔 Janhvi Kapoor 饰）的姑娘。帕缇维的父亲是一名老谋深算的政治家，正在进行竞选，因此，马杜和帕缇维的感情自然遭到了后者家人的强烈反对，帕缇维的父亲希望能够将自己的女儿嫁给门当户对的男子，而不是像马杜这样一个一穷二白的无名小子。
　　为了不让帕缇维为难，马杜决定主动离开她，但是勇敢而又执着的帕缇维紧追不舍，两人最终走到了一起开始了甜蜜的约会。好景不长，他们之间的情事很快就被已经当选的帕缇维的父亲知道了，利用自己的权利，他对马杜进行了残酷的迫害。

　　故事發生在20世紀夏威夷咖啡田的背景下，關於一個超越種族和階級界限追求禁忌之愛的年輕人的成年旅程

　　影片改编自松浦寿辉获得芥川奖的同名小说，由荒井晴彦执导，讲述奋斗在逐渐衰落的桃色电影界的导演栩谷（绫野刚 饰）和立志成为编剧的男人伊关（柄本佑 饰），以及两人所爱的女演员祥子（佐藤穗奈美 饰）之间悲伤而纯粹的恋爱故事。三人所怀抱的对电影的梦想逐渐崩溃，他们各自的人生也开始相互交错。

　　爱伦是夜班护士，刚与男友分手；她的母亲遂替她登了徵婚启事，结果反应热烈，但在一连串口不对心的约会后，她对男人更加失去信心。在水族馆打工的艾伦是半工读的进取男人，正当他要接纳向他展开追求的风骚女同学，竟发现她已搭上他们的教授。艾伦和爱伦在屡战屡败的爱情路上流连，终于偶然相遇，这次的缘份能让他们共度一生吗？

　　25岁的莎莎（Khanungnit Jaksamitthanont饰）仍沉浸在多年前的单恋里不能自拔，感情生活一片空白。她还在痴痴地等待着男孩的回心转意。终于，上天给了她一件出乎意料的礼物。男孩回国后居然对莎莎展开热烈的追求，心花怒放的莎莎以为终于守得云开见月明。然而当她正幻想着与男孩的美好生活时，高中生潘贝斯（Takrit Hemannopjit 饰）意外地闯入了的她的生活。在公交车上，莎莎跟潘贝斯意外的发生了亲吻，莎莎的初吻就这样莫名其妙的被潘贝斯夺走了。嘴角总是带着坏坏笑容的潘贝斯，一下子就爱上了莎莎，对她展开了热烈的追求。然而面对年龄、经历等方面的巨大差别，这对看上去完全不可能在一起的恋人，最终能否走在一起呢？

　　IT新贵Ben（张智霖）过著中产生活，一日科技股泡沫爆破，Ben失去工作，却不甘放弃既有生活方式。他在跑马地新兴蒲点认识IT公司主席千金Jenny（佘诗曼），趋之若鶩。龙（蔡一智）分租Ben的房子，希望找到梦中女神，直至开放美丽的Michelle出现，他又感到自卑。Ricky（苏永康）志在搜刮八卦料，初与三线女星敏仪合作制造新闻，最后竟然恋上。同时Jenny也渐渐发现Ben的企图……

　　故事发生在19世纪的英格兰，青年奥斯卡（拉尔夫·费因斯 Ralph Fiennes 饰）是一位传教士，心怀远大理想的他踏上了前往澳洲内陆的旅途，准备在那里展开自己的事业，让更多的人承蒙主的恩赐。露辛迪亚（凯特·布兰切特 Cate Blanchett 饰）从小在富裕的家庭长大，衣食无忧的生活让她保留了美好的梦想和纯洁的心灵，在继承了父亲的玻璃厂之后，她决心将解放女性自立自强的态度发扬光大。
　　在漂泊在大海上的一艘轮船上，就是这样相似又迥异的两人，他们相遇了。好强又好胜的两人打了一个赌，赌局里奥斯卡必须建造一幢玻璃教堂并将它运往内陆山区，赌注是露辛迪亚的全部财产。而正是这个大胆又疯狂的赌局彻底改变了两人的命运。

　　20世纪30年代的德国柏林，纳粹势力正在兴起。美国女艺人Sally（丽莎·明奈利 Liza Minnelli 饰）是一家俱乐部的舞女，非常受欢迎。刚刚来到柏林的英国男教师Brian Roberts（麦克尔·约克 Michael York 饰）碰巧成了Sally的室友，他 以教英语来养活自己。Sally诱惑Brian没有成功，于是怀疑他是个男同性恋者。Sally和她的一个朋友Max（赫尔穆特·格里姆 Helmut Griem饰）发生了关系，后来她发现，Robert也和Max发生过关系。另一边，一个犹太人Fritz爱上了Robert学生Natalia，一个有钱的犹太小姐。为了和Natalia在一起，他从一个基督教徒转变成犹太教徒。Sally怀孕了，但她却不知道孩子是Robert还是Max的。纳粹在德国的势力越来越盛，Robert决定带Sally回英国.....
　　本片被提名1973年奥斯卡十项大奖，最终赢得包括最佳导演、最佳女主角等八项。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　《明天也有好吃的饭》根据濑尾麻衣子的同名恋爱小说改编，讲述不善言谈的草食系男子叶山亮太与开朗活泼的女生上村小春通过体育祭“米袋跳跃”的活动相识并开始交往，通过美食孕育七年感情的故事。

　　Eva（蔡卓妍 饰） 与Adam（周柏豪 饰）拍拖十年多，却因一件小事突然分手。莫名被分手的Adam酒后与学生Mandy（ 卫诗雅 饰）发生了关系。可随后Mandy却在Adam家中意外发现了一本Eva所写的77次心碎记录，记事簿里Eva一次次的被伤害纪录历历在目⋯Adam愧疚不已，鼓起勇气在众目睽睽之前向Eva道歉。岂料，Eva却在Adam家中发现了Mandy的物品⋯到底她可否原谅Adam第78次呢？