米娜的故事

　　为纪念《CodeBlue》剧场版7月27日上映，富士台将在7月28日播放Code Blue特别篇《Code Blue特别篇 另一个战场》，同时在23~27日晚0:25分播出五夜连续的衍生剧《Code Blue -另一个日常-》。

　　路易斯（罗伯特·卡明斯 Robert Cummings 饰）是一名出版商，某日，他得到了一条机密消息，上世纪一位非常有名的诗人，他的情人朱莉安娜（阿格妮丝·摩尔海德 Agnes Moorehead 饰）依然存活于世，并且保留了自己和诗人之间的通信。为了得到这些信，路易威隐姓埋名，伪装成为了一位小说家，以住客的身份接近并且入住了朱莉安娜的家中。
　　如今，朱莉安娜和自己的侄女蒂娜（苏珊·海沃德 Susan Hayward 饰）生活在一起，蒂娜对于路易斯的到来非常的反感，处处针对他，当地的神父亦告诫路易斯，要远离这个家庭，否则会发生不幸。朱莉安娜和蒂娜的背后，究竟隐藏着什么秘密呢？

　　A man (Young) comes round after a car accident, and realises that a perfect crime is now possible: any movie with this scene can't fail. From this halfway point, the anxious mood of this rare noir thriller thickens fast. Jane Greer and Susan Hayward in turn tempt Young (a spineless louse) from his rich wife (Johnson). We know he's wretched, but is he guilty of murder?

　　帕特森（亚当·德赖弗 Adam Driver 饰）居住在新泽西州帕特森市，这个和故乡有着相同名字的男人是一名巴士司机，和女友劳拉（歌什菲·法拉哈尼 Golshifteh Farahani 饰）以及一只牛头犬一起过着平淡的同居生活，每天开着巴士重复着相同的路线和波澜不惊的人生。帕特森喜欢写诗，他随身携带着一本笔记本，把脑海中跃动的诗句记录在本子上，但从来都没有想过将自己的诗句出版成册，他的唯一读者只有劳拉。
　　和帕特森截然相反，劳拉是一位天生的艺术家，每天脑袋里都闪现着五花八门的古怪念头，她在窗帘、墙壁甚至自己的衣服上画各种黑白图腾、学吉他、做美味的杯子蛋糕，乐观开朗的她全心全意的热爱着生活。终于，帕特森答应劳拉将自己的作品印刷成册，他的生活是否会因此发生改变呢？

　　曾經意氣風發的刑警豪哥，數年前因一樁殺妻案的偵辦疏失而遭受打擊，再也不到前線偵辦。突如其來的『未成年少女砍人案』，卻再度將他捲入深黑的漩渦中。
　　豪哥起初只想草草結案，卻在針對嫌犯王佳穎的逐步調查中，發現少女處處充滿謎團，竟燃起他追求真相的慾望。
　　案件即將水落石出之際，王佳穎竟出現疑似附身的詭異狀態。即便所有人都反對他繼續深查，豪哥卻堅持已見，亟欲釐清所有線索，卻絲毫沒有發覺，他早已深陷謊言與陰謀所編織的陷阱中……

　　维多利亚时代的英国小镇莱姆，年轻的绅士查尔斯（杰里米艾恩斯 Jeremy Irons 饰）在海边的悬崖上邂逅了一个神秘黑衣女子（梅丽尔斯特里普 Meryl Streep 饰）。听当地人说，黑衣女子名叫萨拉，因为曾与一名法国中尉有染，所以遭众人非议，被称为“法国中尉的女人”。不过，查尔斯却对这位遗世独立的女人颇感兴趣，尽管他已经有了一个贤淑的未婚妻，并拟定了婚期，但他还是抑制不住萨拉的诱惑。两个人在几次试探后，终于开始幽会。萨拉对查尔斯讲述了她的遭遇和经历，但这一幕却被他人窥视，于是偷偷摸摸的私情面临公诸于众的危机……
　　无独有偶，这段故事被改编成了同名电影，女主角萨拉的扮演者安娜与男主角查尔斯的扮演者迈克，也给戏中人一样，保持着若即若离的情人关系，只是结局却出人意料……

　　二十世纪初年，河北义和团运动被清廷镇压，首领张德成临终把借来的古兵器龙凤锏交给闵宗瑞（张蜀渝 饰）和满七姑（李秀珍 饰）。转眼二十年过去了，义和团后代长大成人，闵宗瑞约满七姑八月十五赴北京天桥比武决定双锏的归属。八月十五这天，七姑的儿子满金子（龚玉春 饰）和小砘子（巩立峰 饰）带着凤锏来寻龙锏，闵宗瑞之子闵呈祥（戴文章 饰）与徒弟鲍国平（陈敏 饰）则带着龙锏寻凤锏。龙凤锏的原主人李长水的儿子李广仁（王群 饰）也闻讯至此，三拨人展开了明争暗斗。日本洋行掌柜占部（李林 饰）看出端倪，顿生歹意。天桥恶霸刘光庭调戏艺人翠花（黄维清 饰），满金子实在看不下去，打伤刘光庭将翠花救下，阴险狡诈的占部目睹一切，感觉时机已到......

　　威尼斯电影节地平线拓展单元。
　　Tacho, a farmer, tends to his plot of land as life passes him by. When he receives news of his daughter's death, he travels to the city to bring her body home, and he discovers a world that is alien to him there.

　　从马来西亚移居新加坡的阿玲在一间高中担任中文老师。她的家庭生活让她倍感沮丧：公公因为瘫痪无法说话，丈夫对她也日趋冷淡。夫妻二人多年来一直尝试怀孕，但情况一直没有得到好转，丈夫的不闻不问更让她感到孤独。伟伦是阿玲的一位学生，他通过中文课对老师产生了某种不可名状的情愫，两人的关系随着阿玲给伟伦的课外辅导产生了变化……

　　凯瑟琳（Famke Janssen 饰）因一场交通事故而患上了闭锁综合症，医院的护士(Anna Friel 饰) 觉得事情并非这样简单，在帮助凯瑟琳康复的同时也在极力挖掘真相，一场违背道德的恩怨慢慢浮现，不仅是背叛甚至还有谋杀。
　　本片由Rowan Joffe（《在我入睡前》）编剧，Netflix出品。

　　This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script.
　　The director Evald Schorm (1929-1988) was one of the most original members of the Czech "New Wave". During the "normalization" era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the "Na zábradlí" Theater and Laterna Magika.

　　Howard Tyler (Frank Lovejoy) is a family man, living in California, who can't seem to get by financially. He meets up with a small-time, but charismatic, hood Jerry Slocum (Lloyd Bridges). Soon, Slocum convinces Tyler to participate in gas station robberies to get by. Later, they kidnap a wealthy man in hopes of getting a huge ransom. Things go wrong when the man is murdered by Slocum then thrown in a lake. Tyler reaches his limit emotionally, and he begins drinking heavily. He meets a lonely woman and confesses the crime while drunk. The woman flees and goes to the police.
　　When the two kidnappers are arrested, a local journalist (Richard Carlson) writes a series of hate-filled articles about the two prisoners which eventually lead to a brutal lynching.
　　The despair of the lower middle-class: A family man ashamed of being unemployed allows himself to be convinced by a gangster to take part in a kidnapping. The police arrests them both and the anger of the small town’s population is unforgiving. THE SOUND OF FURY is a dark crime movie that builds up to an apocalyptic storm, but never loses sight of social realities, thus telling a lot about the daily despair of the working-class. A masterpiece, it was Cy Endfield’s last film before he felt compelled to move to Britain.