实习警犬物语
9.0 |2023年10月11日 |HD中字
简介:

  杏子的父亲是一名搜救犬训练员,在杏还小的时候,父亲就不幸的离开了她,然而,杏却继承了父亲的遗志,发誓也要成为一名和父亲一样优秀的训练员。一次偶然中,杏子遇见了一只无家可归的拉布拉多寻回犬,善良的杏子收留了它,取名小粉豆。然而,小狗的身体实在是太虚弱了,无法成为一名搜救犬,不信邪的杏子随即展开了对小粉豆的训练。
  然而,随着时间的推移,虽然小粉豆一天一天的长大着,但它的本领却没有丝毫的长进,它越不过障碍物,嗅不清气味,甚至有时候丝毫不理会杏子的命令。某日,小粉豆忽然晕了过去,原来,高强度的训练透支了它的体力,直到这时,杏子才开始察觉,也许小粉豆作为一只宠物狗会比成为一只搜救犬快乐得多。

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简介:

  这一年,塔尔寺的大法会热闹非凡,吸引了众多信徒和游客。来自河南的孙家武班也前来献艺,其中被大活佛封为“铁臂王”的张虎,出于不满,公然向班主的长女寻衅,结果将她打倒在地。正当局势紧张时,游侠黑蝴蝶(郑爽 饰)挺身而出,迅速制止了张虎的嚣张气焰,经过一番激烈打斗,张虎狼狈逃离。回到客栈,张虎向失明的哥哥张龙谎称自己受到无辜的侮辱,煽动他为自己报仇。黑蝴蝶见张龙是个盲人,尽量忍让,最终答应让他先击自己三掌。张龙的掌法非凡,黑蝴蝶巧妙避开,最终被迫用一指点中张龙的肩部穴位,礼貌告别。张龙意识到弟弟的错误,批评他在外惹事生非,然而痛苦的手臂让张虎心生绝望。事情真相被揭开,黑蝴蝶得知后也并未责怪。
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简介:

  The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
  The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
  the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
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