恶名昭彰的大盗路瑟逃狱成功，号召昔日狐群狗党巴克一票合组五人帮，准备重出江湖洗劫墨西哥银行。他们相约德州边境的野狼汽车旅馆，巴克一伙早早抵达，闲闲没事打炮看A片；路瑟命运乖违，在赶往旅馆会合途中，半路撞上吸血蝙蝠，又遭「大奶酒吧」吸血鬼一口咬定，变身吸血一族。 于是，五人相见欢，「口口相传」，只差巴克没被染指。吸血鬼抢银行超狠、超凶、超猛，警察的子弹完全没路用，血光四溅、吸血鬼个个原形毕露，巴克这才发现苗头不对，赶紧联手警察头头，展开人鬼大战……
When a group of horny teens wind up on the grounds of a creepy abandoned asylum, they think they’ve found the perfect place to party. Little do they know that inside the building’s crumbling walls lurks a freakishly deformed maniac, driven to madness by the tragic loss of his fiancée in a car accident. With an array of grisly surgical tools at his disposal, it’s only a matter of time before the youngsters begin meeting various splattery ends at the hands of the ghoulish Coroner. Helmed by director Richard Friedman (Scared Stiff and Phantom of the Mall: Eric’s Revenge), and also starring Penthouse Pet of the Year 1988 Patty Mullen (Frankenhooker), Doom Asylum combines outlandish gore and a wise-cracking villain to create one of the most wildly entertainingly blood-spattered slashers of the late ’80s.
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
In New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but something has gone horribly wrong.
随着剧情推展，市民被伤等情节陆续出现，片中的火锅店是香港历史的缩影，传承两代，深受坊众爱戴欢迎，男主角从父亲手中接棒经营，努力将它发扬光大。火锅店遇上特殊时期，生意受挫， 男主角身为东主，仍然咬紧牙关，不肯辞退员工，期望特殊的日子早日过去，生活重归正常，充份体现香港人的拚搏精神，即使遇上风浪，对前景仍然信心十足。匪徒不懂收敛，变本加厉，把火锅店变成挟持人质的犯罪现场，员工顾客生命备受威胁，未婚妻更遭匪徒掳走，令男主角忍无可忍， 决心出手制暴，将匪徒绳之于法，这个结局，完全符合香港人的主流愿望。
电影包含10个怪谈主题所组成：密室逃脱、人体模型、变脸游戏、婚姻、二手家俱、层间噪音、魂游、寄生虫、红衣服、隧道。
Dinda, who is considered strange by the village children because of her strength, accidentally injures Panji and Ambar. She regrets and asks Aunt Donna to register her at the Mata Hati School, so that she can learn to control her power.
一群亲密的好朋友决定前往西弗吉尼亚州徒步旅行，却意外遇到在对陌生人不友好的部落，这是一个已经在山里居住了数百年的部落。面对好朋友相继遇难，女主角利用自己的勇敢和智慧保护自己，最终虎口脱险的故事。
夏天和林风为救聋哑女孩进入黑心工厂，一步步揭开贪婪厂长的野心，不料变异鼠群开始反攻，林风为救夏天牺牲自己，最终夏天除掉了鼠王，救出了小女孩，也制止了黑心工厂利用鼠王谋取私利以及对物种、环境破坏的阴谋。
When a young soldier leaves for a mountain biking excursion, he meets the girl of his dreams as well as a group of violent locals who want to see them dead at any cost.
出于对年迈邻居艾尔西（布兰达·布莱斯饰）所获照料状况的厌恶，科琳（安德丽亚·瑞斯波罗格饰）主动提出免费提供帮助。在茶叙与艰难时刻中，尽管存在差异，两人成为了彼此信赖的知己。但科琳的意图可能并非表面所见。随着疑云渐起，一项骇人举动触发了一场暴力的连锁反应，势将无可挽回地改变这两位女性的生活。
A woman has had her little child squashed and killed after the jins have turned the cabinet over him as she found out that this was not a coincidence or a matter of death and life rather a malignant black magic has been hatched to hunt their family.
