南加州是美国改装车文化的重镇，1940和50年代全在这里开始，因为这儿阳光温暖的气候，让车子比起在世界其他地方，保存得更好。但这依然需要苦干实干，才能让车龄50、60，甚或90年的机具，好看又好开。这正是老爸改装车坊的进场点。距离洛杉矶30哩，藏身在西米维利的心脏地带，这个小镇每人拥有的经典车，多过美国其他各地。车坊老板是老比利和大师级技工史提夫，他们各带着自己的儿子小比利和贤恩进车坊学习，加上其他老手，好比教授「麦可」、技师杰夫和亚特。
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
高耸的喜马拉雅山，是地球上人类最不可能定居的地方之一，由登山人士和科学家组成的一支团队前往这个险恶之地，寻找早期人类定居于此的线索，探究他们从何而来，又如何适应高度在此生存，团队发现有数个洞穴遗留大量人骨和文物，包括黄金面具和中国丝绸，年代大约在西元前2800年到西元650年间，某些文物令人费解，指向早期死亡仪式，僵尸信仰和吸血鬼，但其中最关键的证据，就是洞穴里发现的古代人类DNA！
全球最知名的求生专家贝尔吉罗斯重回Discovery频道。共分为三集的《贝尔吉罗斯特辑》节目中，他将征战地球上环境最险峻的地区，示范更多的求生秘技。《贝尔吉罗斯特辑》将收录历年来贝尔最危险的冒险之旅。这位资深探险家、电视节目主持人兼作家到过地球各个蛮荒角落，对极端环境一点都不陌生。节目将带领观众探索最令人难忘的求生情境，其中包括为了求生不得不硬吞下恶心食物和液体。 《贝尔吉罗斯特辑》要跟着这位现代印第安那琼斯展开再寻常不过的探险行程。
幽浮总动员:全球各地有成百上千人看见过幽浮，多数目击现像都能够解释得过去。但最近3次有了特殊影像和目击者不可思议的供述，3次目击地点分别在德州，麻州和印第安纳州，分属3州的数十名目击者在夜间看到了几乎一致的现象，彻底调查能够带来意外的结论吗？西伯利亚浩劫:1908年6月30日，在俄罗斯帝国西伯利亚森林的通古斯河畔，突然爆发出一声巨响，巨大的蘑菇云腾空而起，天空出现了强烈的白光，气温瞬间灼热烤人，爆炸中心区草木烧焦，七十公里外的人也被严重灼伤，还有人被巨大的声响震聋了耳朵。
《原始生活21天》里好几季里选出几个有争议的或是求生能力强的选手，让他们再度分成四组去非洲挑战赤裸裸求生40天
史上最极端的生存挑战赛难度越来越大。在参加过《原始生活21天》节目后，熟悉这种“裸体挑战”的资深生存主义者尝试在荒凉、危险的环境中生存40天——比之前在节目中挑战的时间还要长19天。为了争夺有限的食物、水和住所，男性和女性都必须挑战人类耐力的极限，同时还要避开对地盘敏感的食肉动物和充满毒液的爬行动物。因为别无选择，竞争者们很快就了解了彼此以及他们周围的环境，他们希望自己的本能、生存技能和勇气能很好地为他们服务。
Bombing of Germany explores the role bombing played in the course of the Second World War. Discover in detail how the British and American bombing campaigns against Germany were carried out and what they were designed to achieve. In this programme see interviews with veterans, historians, and ethicists from countries engaged in WWII as this film recounts the story of the British and American bombing campaigns against Germany.
这些是食欲超过自我控制的感觉的食肉猎手。这些是世界上最致命的动物杀手。
位于新英格兰州南部海岸一百哩外的乔治湾，是全世界最富饶的渔场之一。历代的美国渔夫都在这片海域捕捞渔获，许多渔民至今仍一如往昔，从同一个老渔港启航前往浅滩，寻觅北大西洋最令人觊觎的宝藏：美国巨螫虾，俗称美国龙虾。但由于当今海洋资源日渐耗竭，新英格兰外海长达一世纪以来的讨海生活竞争更加激烈。海上老手努力捍卫自己的”地盘”，对抗越来越多赶来分食大饼的新渔船。更麻烦的是，所有渔人都必须善加把.稍纵即逝的捕捞时机.每当冬季气温骤降，海象恶劣之际，龙虾就会迁移至深海寻找食物与栖身之所
Keyed to the imminent opening of the Olympic Summer Games, Samantha Brown brings her globe-trotting perspective to the colorful sights available to tourists in Beijing, Sichuan and Xian, China.
《幸存者》是一类热门的真人秀类比赛节目，在全球各地的电台多有举办。在这类比赛中，参赛选手被孤立在遥远而鲜有人住的地区，通过比赛赢得奖金。此类节目始于1992年英国。 美国的《幸存者》节目始于1999年，曾先后被NBC, ABC, CBS电台拒绝，后来终被CBS台买下并于2000年开始制作。 《幸存者：珍珠岛》是CBS热门真人秀幸存者的第七季，拍摄于2003年，首播于03年9月28日。比赛地点是巴拿马附近的珍珠岛，历史上曾是海盗活动猖獗的地方。因此该季度两个部落的名字分别为Francis Drake（伊丽莎白一世执政期间的著名海盗）和Henry Morgan（十七世纪加勒比海最大胆和成功的海盗）。合并后的部落名为Balboa（16世纪杰出的探险家）。 《幸存者：珍珠岛》是自幸存者开播而来，观看率最高的一季，出现了众多新元素：独一无二的大逆转，放逐岛、战利品、隐藏的宝藏；个性鲜明、令人难忘的参赛者（Rupert Boneham, Jon Dalton）。比赛开始的第一天，一众参赛者盛装打扮，登船后却震惊地得知不能带行李、只能穿着身上衣服比赛。他们可以在附近的一个渔村用发下来的100美元资金加上自己的饰物换取生活必需品。 本季最大的一次逆转，是头6名出局的选手有机会再回到游戏中，过程如何操作？谁将得到重生的机会？
