再造人卡辛

　　卡通中的超级英雄太空超人终于跃上大银幕了！在这部真人版的太空超人中，老冤家幽灵王当然是不会缺席，这次两人为了要抢夺一把时空钥匙，而展开一场惊天动地的大战，因为这把钥匙的拥有者，将有能力控制时间与空间。

　　The year is 2047. Our planet is ruled by the repressive Confederate Central Government (CCG). Ryan is a Green War rebel agent sent on a mission by Sponge (Danny Glover) to collect evidence against the CCG for its heinous crimes. Ryan soon faces the sinister Colonel Asimov, Major Anderson and a group of mercenaries lead by Lobo. Ryan's mission quickly turns chaotic when he meets Tuage, a mutant survivor of the CCG rebellion who swears to help Ryan save what is left of their world - or does she?

　　共和体制崩塌，银河帝国的阴影笼罩着宇宙文明每一个角落。为了加强对反抗势力的镇压，塔金主义直接催生了一种足以摧毁星球的超级武器——死星的诞生，而物理科学家盖伦·厄索（麦斯·米科尔森 Mads Mikkelsen 饰）正是死星的主要设计者。厄索的女儿琴（菲丽希缇·琼斯 Felicity Jones 饰）在童年时代与父母经历了生离死别，之后她被反抗组织领袖索•格雷拉（福里斯特·惠特克 Forest Whitaker 饰）所抚养长大。成年后琴罪行累累，成为帝国的阶下囚，最终却被反抗组织救出。从格雷拉那里她得知死星的存在，并见证了一个城市的灰飞烟灭。然而义军同盟决然不信死星的存在，万般无奈琴和飞行员卡西安·安多（迭戈·鲁纳 Diego Luna 饰）等人孤身前往收藏着死星设计图的星球，攸关全宇宙命运的战争拉开了序幕……
　　故事根据1977年《星球大战：新希望》片头的一段文字改编。

　　经历病毒浩劫的幸存者们在远离城市的地方建立了新的聚集区，平静的生活却在28年后被再次打破。更加致命的病毒变异，日渐扭曲的人性与欲望，人类的命运将会何去何从？
　　影片为《惊变28天》续作。

　　2008年美国经典剧集电影版。剧情紧接着第十季，本片将是Ori故事线的大结局。真理之箱（The Ark of Truth）已经透露是当年Alteran人研制的一个洗脑装置，它引起了在道德和哲学上的极大争议，赞成使用的一派Alteran人后来成为Ori，反对的一派离开家乡星系并最后到了银河系，就是古人。在这部电影里，主角们必须使用它来消灭Ori，但这个决定是艰难的，因为一旦使用，在本质上就与Ori 毫无区别。

　　Five Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.

　　腿有残障的科学家桥本良晴（江口洋介）率领科学小组（大S、陈柏霖等）发明“孟结海绵”，捕获囚禁了一个十三岁男孩的鬼魂，为了查出该男孩的死因，以便自己死后也能变成类似的鬼，桥本良晴找来有超常能力的探员叶起东（张震），令其跟踪被放出去的男孩。最终，叶起东发现男孩是被他的亲生母亲杀害。
　　其后，叶起东从男孩的双眼间看到一条细丝，它似乎连接着某种神秘的力量。科学小组成员因为害怕男孩伤害他们，再次将他隔绝拘禁，不想因此扰动了细丝的另一端，更为恐怖凶残的力量被释放出，小组人员先后一一离奇死亡，叶起东与女友（林嘉欣）也受到该力量的追踪。

　　描写洛杉矶的一家外科整型医院，常有众多美女前来求诊，希望整容后成为名模。不料别具野心的院长利用一个神秘的黑箱来窥视这些女顾客，其中一些人又发生离奇死亡。阿尔伯特·芬尼饰演的医生涉有重嫌，他决定追查真相还自己清白，终于发现了院长詹姆斯·科伯恩的阴谋...
　　◎ 影片介绍：
　　本片是侏罗纪公园原著编剧迈克尔．克里奇顿早期自编自导的惊险悬疑片。描写洛杉矶的一家外科整型医院，常有众多美女前来求诊，希望整容后成为名模。不料别具野心的院长利用一个神秘的黑箱来窥视这些女顾客，其中一些人又发生离奇死亡。阿尔伯特．芬尼饰演的医生涉有重嫌，他决定追查真相还自己清白，终于发现了院长詹姆斯．科伯恩的阴谋。众多美女的加盟和刺激的偷窥镜头，无疑是本片吸引观众眼球的亮点。本片与克里奇顿的另一部作品《八号房禁地》题材类似，导演风格和娱乐效果也相若，倘若你知道他原是医生出身的畅销作家，也就不足为怪了。
　　本片获得1982年布鲁塞尔科幻国际电影节最佳科幻影片奖。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　文静的Rose从事女性时装工作，希望成为一名设计师。一次交通事故毁坏了她的脸。她接受了实验性的干细胞治疗，使她比以往更强壮、更漂亮——但也有副作用。