小夫妻

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　纽约港的码头上，以约翰尼为首的黑社会势力无情地压迫着码头工人们。曾经是拳击手的特里（马龙·白兰度 Marlon Brando 饰）来到码头为约翰尼工作。他的朋友乔伊因为向犯罪委员会揭发约翰尼等人的罪行，被其手下，也是特里的哥哥查理从楼顶上推下摔死。乔伊的妹妹伊迪（爱娃·玛丽·森特 Eva Marie Saint 饰）发誓要为哥哥复仇，与教区牧师巴里神父一起展开调查。知情人都不敢出面告发。特里也目睹了乔伊被害的经过，虽然同情伊迪的遭遇，想要帮她逃离黑社会的迫害，但他没有告发哥哥的罪行。在与伊迪的接触中，两人渐渐产生感情。当伊迪得知他是杀害哥哥的帮凶，她拒绝了他。之后哥哥也为了救特里而被约翰尼杀害。无数罪恶的事件让特里决心去揭发约翰尼的罪行。在码头上他被约翰尼的手下打成重伤，神父和伊迪赶来支持他，一直沉默的码头工人们也觉醒了，他们团结在一起，为了正义抗争。
　　本片获第27届奥斯卡最佳影片、最佳导演、最佳故事剧本、最佳男主角等8项大奖。

　　太逸（黄政民 饰）是一名帮高利贷讨债的小混混，人到中年的他不仅没有份正经的工作，甚至连个住的地方都没有，寄宿在开美发店的哥哥英逸（郭道元 饰）家。太逸有着自己的人生哲学，那就是借出去的钱一定得要回来。大大咧咧的他完全不懂得如何尊重女性，亦和浪漫的爱情故事无缘。
　　某日，在去讨债的途中，太逸邂逅了名为周皓婷（韩惠珍 饰）的美丽女子，那一瞬间，太逸懂得了什么叫一见钟情。然而，太逸并不能给予周皓婷她所想要的生活，第一次，太逸决定为了自己之外的人做出改变。然而，面对两人之间巨大的悬殊，太逸能够坚持他的感情吗？与此同时，接二连三发生的意外亦让太逸的生活陷入了麻烦之中。

本剧时空背景横跨1947、1967和1987三个年代，剧中李宗霖与杨欣仪沿着台湾的历史脉络，上演一段跨越40年的时空虐恋。

　　风流倜傥的小说家洛伦佐（Tristán Ulloa 饰）在遭遇创作瓶颈之际邂逅了自己的崇拜者露西亚（Paz Vega 帕兹•维嘉 饰）——一名在咖啡馆工作的女招待。她点燃了洛伦佐沉寂已久的激情，两人开始一段愉快刺激的同居生活。偶然机会，洛伦佐得知自己拥有一个女儿，那是他一年前在海边夜晚的所留下的艳遇结晶。自此他的心情重归浮躁，他私下寻找女儿，却将小说中的情节和现实混为一谈。
　　露西亚和洛伦佐的爱情开始出现龃龉，某晚在接到警察一通电话之后，她逃离这座压抑沉闷的城市，来到爱人曾经徜徉的海边……

　　A romantic comedy movie about two senior high school boys, who, through the help of a fortune teller, find each other at an optional school retreat called Journey with the Lord.

　　奈奈（普丽缇·泽塔 Preity Zinta 饰）一家人从印度移民到美国，家里经营着一家餐厅，可是由于经营不善，这家餐厅随时都濒临倒闭的边缘。母亲和奶奶之间糟糕的关系让奈奈整天都生活在争吵之中，与此同时，她默默喜欢的男生罗黑特（赛尔夫·阿里·汗 Saif Ali Khan 饰）实际上是一个不学无术的花花公子，这让奈奈感到非常的失望。
　　一天，一个名为阿曼（沙鲁克·罕 Shahrukh Khan 饰）的男人出现在了奈奈的生活之中，在阿曼的妙手回春之下，奈奈家的餐厅死灰复燃重获生机。随着时间的推移，奈奈渐渐依靠上了阿曼，可是阿曼已经有家室了，他来到美国的目的就是寻找自己的妻子。

　　唐泰忠从国外回到香港，与朋友开了一间制作公司。某日二个为一对新婚夫妇拍摄，似乎透过画面看到了另一面。瑶瑶单纯、直率，其丈夫却虚伪可憎，因为一家人的命运掌握在她手里，移民在即，但却快乐不起来，直到登机前她终于作出了选择。

　　伊斯梅尔·维亚尔是一位法国电影导演，他正在拍摄一部以外交官伊凡为主人公的影片。与他的师父兼岳父布鲁姆一样，伊斯梅尔一方面仍然沉浸在丧妻之痛里。然而与此同时，他已经与西尔维娅开始了新的生活，西尔维娅成为了伊斯梅尔生活里的一道光。后来卡洛特突然回来“起死回生”，在西尔维娅离开之后，伊斯梅尔拒绝了卡洛特，他被生活中的一切折磨到快疯了。他中断了拍摄，回到家乡、法国北部城市鲁贝，在那里过着离群索居的生活，就像被幽魂围绕着一样。

　　On an archaeological dig in Iraq, author Agatha Christie uncovers a series of murders.

　　上世纪二十年代，中国处于军阀混战时期，西南军阀派系之间的割据争端尤为严重。靳非鱼是韩军大将，与燕军交战时身受重伤，被女医燕清澄所救，两人相恋，但非鱼不知清澄就是燕督军的女儿。之后非鱼奉命替义父韩中天参加燕军举行的比武招亲，赢娶燕督军的千金，却发现千金就是他朝思暮想的爱人……

　　月山村为恢复宋代的廊桥，把在外读建筑桥梁博士吴天宏（郭鹏 饰）叫了回来，但回村后的吴天宏却发誓，永不造桥。
　　从台湾回老家月山寻祖的斯月（王薇 饰），发现了吴天宏难以启唇的秘密。为使他走出困境，斯月介入到了他的生活中；而深爱着吴天宏的大学生村长如意（邓锦 饰），面对斯月和吴天宏的情感变化，陷入了痛苦；其间一直追求如意的阿根，又在如意的感情徘徊中出走；四人卷入了复杂跌宕的爱情纠葛……
　　所有一切，都被八岁的阿水看在眼里，并将每件事都写在了给他妈妈的信中。阿水是阿根（蔡亦明 饰）的儿子，三岁时因母亲在一次意外事故中去世而失语。但阿根一直骗他妈妈去了天堂，所以阿水最大的愿望就是要把信寄到天堂。
　　桥造完了，四个人的情感都有了意外的归宿；而阿水的信也终于到了天堂，并且收到了回信……