卧虎
10.0 |2025年02月23日 |已完结
简介:

  相传警方派驻了上千卧底深入黑帮,就等时机成熟把社团一网打尽。此时警方雄图大志,将潜伏已久终于爆发的行动命名为“百年孤寂”。洪兴社树大招风,社团里各个话事人开始草木皆兵。相反洪兴老大淡定自若,他的女人苏菲(秦海璐饰)替他周旋于各帮派期间,力稳局势。
  然而洪兴社团的众人已经按捺不住躁动。人人自危的情势开始:分管不同领域的华超(吴镇宇饰)、黎继祥(曾志伟饰)、钟孝礼(张智霖饰)、游志标(陈小春饰)几人当中,有的已经被警方掌握了犯罪证据,有的正陷入一场恐慌,看不清身边谁人是卧底身份。警方铲除洪兴社团即日可待。

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第三个愿望
8.0
更新时间:2023年11月09日
主演:吴慷仁,曾恺玹,唐国忠,卓胜利,纳豆
简介:

  曾传绯闻的曾恺玹与吴慷仁,最近首度在电影「第三个愿望」里饰演离婚夫妻。从「当爱来的时候」到「河豚」,吴慷仁几乎每部片都有裸戏,但在「第三个愿望」他却没有激情戏,最大的挑战是扮演渐冻人。为演好渐冻人,177公分的吴慷仁努力减重,瘦到只剩65公斤,但他希望能减到60公斤。
  曾恺玹与吴慷仁在「第三个愿望」里升格当父母,曾恺玹还是个为了追求事业抛夫弃子的女强人。曾恺玹说,她光是看到剧本就感动掉泪,不惜在片中超龄演出当妈妈。不过现实生活里,觉得自己的年龄当妈妈还太早。
  在黄铭正执导的「第三个愿望」里吴慷仁戏分吃重,是个健康出问题的渐冻人、也是坚持有机栽培的果农。演出前吴慷仁不但得研究渐冻人的相关讯息,还曾上梨山实地了解有机栽培果树的辛苦。
  除了曾恺玹与吴慷仁,「第三个愿望」还请到久未演出电影的卓胜利与最近频频演出国片的纳豆在片中扮父子,两人将一起耍宝。两度经历抗癌的卓胜利表示,去年10月他又因肿瘤动刀,瘦了15公斤,现在不但味觉改变,还得少量多餐。自嘲曾在梦里被阎罗王「退货」的卓胜利,逢人就劝要珍惜健康,能和新生代演员演出,他也很开心。

1728
2012
第三个愿望
主演:吴慷仁,曾恺玹,唐国忠,卓胜利,纳豆
明日家族
299
4.0
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明日家族
4.0
更新时间:2023年10月10日
主演:宫崎葵,永山瑛太,松坂庆子,松重丰,一路真辉,六平直政,涉谷飞鸟,近藤芳正,田村健太郎,今井朋彦
简介:

  小野寺理纱(宫崎葵饰)四年前在婚礼上遭遇新郎逃婚,现如今心情已经平复,一直跟父母生活在一起。其父亲俊作(松重丰饰)曾经是糕点生产公司的营业部部长,现因人事变动被调到了其他的部门,而该部门新上任的部长就是俊作曾经的下属兵头幸太郎(永山瑛太饰)。其母真知子(松坂庆子饰)是一个性格开朗的家庭主妇,经常去仓桥响子(一路真辉饰)开的插花班上课。仓桥响子的前夫村上洋一(六平直政饰)是俊作的发小兼前辈,他经营了一家小酒馆,俊作是他家的常客。
  四年前父亲俊作为了想和女儿女婿住在一起建了一栋双户型的别墅,然而因为理纱被逃婚,现在就理纱、俊作以及真知子,这一家三口住在别墅里。某天理纱说自己被求婚了,要带个对象回来给俊作和真知子看看,谁知带回来的人竟然是兵头幸太郎。之前的下属,现如今成了自己的上司兼准女婿……
  理纱和幸太郎的感情究竟会如何发展?理纱、幸太郎会和俊作及真知子同住在一个屋檐下吗?

1156
2020
明日家族
主演:宫崎葵,永山瑛太,松坂庆子,松重丰,一路真辉,六平直政,涉谷飞鸟,近藤芳正,田村健太郎,今井朋彦
魔鬼的陷阱
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7.0
HD中字
魔鬼的陷阱
7.0
更新时间:2025年02月24日
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
简介:

  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

5047
1962
魔鬼的陷阱
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
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