极速前进第二十二季

　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

　　Recorded during her Speak Now World Tour in 2011, this live recording collects 16 performances from the country-pop starlet, including all 14 songs from her 2010 studio outing Speak Now, as well as covers of Train's "Drops of Jupiter" and Kim Carnes' "Bette Davis Eyes." The DVD/Blu-ray disc that accompanies some editions of World Tour Live: Speak Now features 18 performances, as well as home movies and rehearsal footage for the show, which was an elaborate affair that utilized dancers, aerialists, numerous costume changes, and a mammoth, multi-stage setup that more closely resembled a high-profile Broadway musical than it a did country music concert. ~ James Christopher Monger
　　This combo includes a DVD and CD. The DVD gives fans the complete Taylor Swift Speak Now concert experience, showcasing performances of all 17 songs from her Speak Now show, plus additional bonus content. The CD contains over 75 minutes of music, including live versions of favorites from the Speak Now album. The performance is a theatrical presentation of a Broadway experience. The show features elaborate costumes, dancers, aerialists, changing sets, and innovative choreography and instrumentation showcased on a multi-level stage. Taylor plays 5 different guitars in the show, including electric, acoustic, and 12-string. She also plays 2 banjos, the ukulele, and the piano, and changes costumes 9 times over the course of the evening. She moves around the venue and uses different stages, giving every audience member a great seat.
　　Liner Note Authors: Paula Erickson; Grant Garner.
　　Recording information: Atlanta, GA; Love Shack, Nashville, TN; Nimbus School Of Recording Arts, Vancouver, BC.
　　Directors: Taylor Swift; Baz Halpin; Ryan Polito.
　　Editor: Sharon Everitt.
　　Photographers: Christie Goodwin; Austin Swift.
　　Personnel: Taylor Swift (vocals, guitar, banjo, ukulele, piano); Mike Meadows (guitar, banjo, mandolin, background vocals); Caitlin Evanson (guitar, fiddle, background vocals); Paul Sidoti (guitar, keyboards, background vocals); Grant Mickelson, Jody Harris (guitar); David Cook (keyboards); Al Wilson (drums); Daniel Sadownick (percussion); Marlyn Ortiz, Shannon Beach, Charity Baroni, Meredith Ostrowsky, Justin Boulet, Fernando Miro, Dom Kelley, Claire Callaway (dancer); Liz Huett (background vocals).
　　Audio Mixers: Justin Cortelyou; Chris Rowe; Robert Allen; Bob Ezrin; Brian Virtue .

　　BBC于2013年制作，CCTV于2015年引进，并于3月24-26日在《自然》栏目播出。
　　全3集分别为：
　　第1集《风沙星辰》在海湾地区深处，隐匿着世界最后一片大荒原。几十年来，它的神秘魅力和迷人景象一直不为世人所知。本片首次向世界展示它激动人心的多样地质和非凡的野生生物，以空前的近距离角度，带我们到三座大陆交叉点的神秘国度，感受富饶的文化和令人窒息的美景。
　　第2集《阿拉伯之珠》在阿拉伯南部的一个偏远角落里，一段山脊隐藏着一个巨大的秘密。每年在印度洋雨季的湿润下，阿曼佐法尔省的山区变成了一个神秘的隐藏世界：在这里到处都是瀑布，云雾缭绕着树林，处处都能发现变色龙和偷食蜂蜜的獾，成千上万只绿色的海龟上岸来产卵……
　　第3集《沙漠巨变》几个世纪以来，阿拉伯人会举行骆驼大赛庆祝特殊的时刻。但在过去的半个世纪，正如整个阿拉伯发生的这样那样的变化，骆驼大赛也已面目一新。如今的骆驼大赛添加了现代科技的元素。为了减轻负重，人们用重量不超过一台笔记本电脑的遥控装置代替了骑师。

　　繁华奢靡的大都市，纸醉金迷之夜，纽约的一切都迥异于赌城和迈阿密。这座繁华的超大城市究竟是文明进步的典范还是犯罪滋生的根源？是每日里快节奏的生活疏远了人与人的距离，还是害怕袒露内心的深情却引发出重重伤害？是冷漠计较占据上风，还是友善宽容更高一筹？前者是无数犯罪的根源，后者却是人类进步的希望。本季CSINY篇将继续前四季的故事，NYPD的CSI们在精明能干，铁面无私的主管MacTaylor的率领下，继续抽丝剥茧，运用各种最新科技手段，从蛛丝马迹中找出狡猾的罪犯。
　　除却令人眼花缭乱，叹为观止的高科技，本季NY篇也将继续揭示CSI们的感情世界。
　　看Mac在英伦美女Peyton之后，是否又能赢来人生的另一个春天；
　　看历经感情挫折的坚强女性Stella能否在新一季展开新的恋情；
　　看Danny 和Lindsay这对欢喜冤家能否在邻居妈妈的插曲之后感情更进一步；
　　看帅哥Flack能否和天使警官擦出更热烈的火花；
　　看冷面笑匠Sid和网游专家Adam能否再给我们带来意外之喜；
　　看摆脱冤狱的Hawkes是否仍行单影孤，孑然一身。。。
　　敬请期待CSI NY篇 金秋第六季隆重登场。
　　---YDY

史提夫前往遥远的印尼巴布亚省，一睹巴列姆河这条无人有胆航行的湍急水道，然而，首位勇者将在此出现！

　　本届奥斯卡颁奖典礼将于北京时间2013年2月25日（周一）上午9点半在杜比剧院（即前柯达剧院）举行，届时美国广播公司（ABC）将进行现场直播，全球超过225个国家也将进行转播。今年颁奖典礼的主持人是《泰迪熊》导演及主演塞思·麦克法兰。

　　怪物传说 Man v. Monster: 恐怖蜘蛛 Amazon Terror探险家兼摄影师理查德德泰瑞，深入亚马逊雨林，调查一宗惊人报告的真相。理查德德跟当地人一样搭乘独木舟，前往内格罗河岸边的一座小村庄，据说那里有村民被超大蜘蛛攻击。理查德德发现全球都有类似传说，哥伦比亚有种超毒蜘蛛，被称为「马匹杀手」......

　　节目深入介绍我国少数民族流传千年的各种传统！

　　北京时间2016年3月10日上午十一点，维多利亚的秘密海滩泳装派对（Victoria's Secret Swim Special）正式上演。
　　本次泳装秀将13位维密天使带到加勒比海圣巴特岛，将她们在岛上的10天的泳装生活进行全方位无死角的记录与还原。
　　本次泳装派对共邀请了13位超模前来赴约，其中包括11位维密的签约天使，比如参加过上一届维密泳装大秀的糖糖坎蒂丝-斯瓦内普尔（Candice Swanepoel）、美国甜心辣妈Lily Aldridge、纳米比亚娃娃脸超模贝哈蒂-普林斯露Behati Prinsloo、艾尔莎-霍斯卡(Elsa Hosk)、玛莎-亨特(Martha Hunt)、斯特拉-麦克斯韦(Stella Maxwell)、Jasmine Tookes等人，以及首次参加泳装秀的几位2015维密最新签约天使：莱斯-里贝罗（Lais Ribeiro）、萨拉-桑帕约(Sara Sampaio)、Romee Strijd和Taylor Hill。而两位非签约天使是丹麦模特约瑟芬·斯可瑞娃(Josephine Skriver)以及为维密拍摄过广告大片的Vita Sidorkina。

　　中国是一片巨大的土地，有着巨大的生物多样性，一个古老的文明，有着可以追溯到几千年的悠久的历史。
　　从不朽工程壮举的长城，创新和独特的耕作技术，到一个巨大的泼水节，你会发现中国十年间如何改变如此多的城市和基础设施，却同时仍然保持其强大的传统，怎样这些强烈的传统塑造中国的景观使它唯一可辨认的真正瑰宝，尤其是从空中！
　　整体上受篇幅限制显得浅尝辄止，但好歹算是第一部真正意义上的鸟瞰。

　　托马斯·米德蒂奇和本·施瓦茨为全球观众献上他们的二人喜剧节目《两个男人一台戏》。这是三部完全即兴制作的 Netflix 喜剧特辑，每一场演出都完全根据一条随机的观众建议进行。全部三个部分都拍摄于纽约大学斯科博表演艺术中心，于 2020 年 4 月 21 日在 Netflix 上首播。
　　
　　《两个男人一台戏：理想的工作》
　　讲述了两个朋友的故事，其中一人要参加一场重要的工作面试，这场面试演变成了一场存在主义危机，其中涉及摄影、《纽约时报》和肯尼迪机场的卫生间隔间。在一连串滑稽事件的结尾，凯尔和索辛境遇相同，两人都没有找到理想的工作，但都明白了“小羚羊”所蕴含的深层含义。
　　
　　《两个男人一台戏：魔法法学院》
　　二人组遇到一个打算遗弃小孩并对魔法产生些许兴趣的外星人，这起初是一场一年级法学生参加的恐怖期末考试，随后迅速演变成对人类道德的考验。《早餐俱乐部》与《纳尼亚传奇》在虚构课堂中相遇，该课堂旨在了解纸质合同与数字合同之间的区别。
　　
　　《两个男人一台戏：停车场婚礼》
　　在婚礼前和婚礼期间，牧师、幽灵、新娘和新郎的父母都非常放松。跟随托马斯和本步入走廊，他们编造了一个引人入胜的情景（六年级恋人的故事、一场失败的抢劫，以及对真爱的终极考验）。