纸年

　　凌希在家变之前对自己的父母存在误会，因此养成冷傲任性的性格。但是父亲的生意危机和病危，母亲的力不从心迫使她不得不成长起来。最终，她在自己的努力和朋友的帮助下接过重担，不仅改善了家里的困境，为父母撑起一片天，自己也得到了成长。

　　出租车司机李米（周迅 饰）嘴里一直叨叨着神秘的数字，坐她车的乘客都得回答她一个问题：见过这个男人吗？李米的男友方文已经失踪四年，然而在这四年里又一直不停地给她写信告知近况，找不到恋人的李米把他的照片贴在杂志里让人辨认，每天生活在极大的折磨下。
　　这天她载了一对从云南来昆明等待交易的毒贩子裘水天（王宝强 饰）和裘火贵，这对毒贩在交易时发现“接头人”莫名其妙坠桥而亡，慌张失措时又遇见回头找钱给他们的李米，仓皇上车的裘火贵企图从李米这里抢回损失的金钱回老家。李米利用时机报警，但随后裘水天拜托李米寻找自己的初恋小香而放走了她。
　　这边坠桥的“接头人”撞上了马冰（邓超 饰）和菲菲（王柠 饰）的车头身亡，马冰和菲菲不由自主地牵扯到这宗命案里。正好被逮捕裘家兄弟的警察叶倾城（张涵予 饰）和李米发现了方文的踪迹——马冰和方文长得一模一样！只是马冰对于李米的相认十分淡漠，李米等了四年的，竟是这样一个结局吗？叶倾城亦开始怀疑马冰的真实身份。

　　野村聪（织田裕二 饰）是一名公务员，身处森严的等级制度中，野心勃勃的野村聪相信自己一定能够一步一步向上攀登，最终通过“特别护养老人设施建设”这个大项目一跃而上，成为发号施令的“人上人”。职场上的野村聪兢兢业业，毫无破绽，情感上他亦即将迎娶建筑公司老板的女儿，这无疑将为他未来的事业锦上添花。
　　某日，野村聪进驻了一间民营龙头企业进行交流进修，到时才发现，这家所谓的龙头企业不过是一间充满了懒散员工和三流超市。与此同时，野村聪和他的教育员二宫亚季（柴崎幸 饰）之间亦是矛盾多多，从前的“领头羊”一下子沦为了“吊车尾”。之后，野村聪的事业受到了巨大的冲击，情感亦遭遇滑铁卢，在他最落魄的时候，竟然是二宫亚季站在他的身后，一直支持和鼓励着他。

　　The direction of The Sleeping Tiger was credited to Victor Hanbury, but this was actually a pseudonym for the blacklisted Joseph Losey, whose first British film this was. Alexander Knox stars as psychiatrist Clive Esmond, who believes that he can stem the criminal tendencies of young fugitive from justice Frank Clements (Dirk Bogarde). To this end, Esmond hides Clements in his own home. At first hostile towards the handsome crook, Esmond's wife Glenda (Alexis Smith) gradually warms up to her house guest, and before long she and Clements are casting lustful glances at one another. She intends to run off with Clements and make a new life for herself, when suddenly he decides that he actually wants to reform. If nothing else, The Sleeping Tiger is a fascinating precursor to the sexual tensions prevalent in Losey's later Harold Pinter adaptations. ~ Hal Erickson, Rovi

　　律师李捷（姚晨 饰）正在离婚进行时，与前夫争夺女儿抚养权，拼命工作为给孩子最好的生活，幸有保姆孙芳（马伊琍 饰）帮忙照顾孩子视如己出。                                                                                  一日下班，李捷发现保姆孙芳和女儿毫无预兆地消失了，她内心最大的恐惧变成了现实。在追寻孙芳和女儿的下落时，她收到来自家人的谴责声讨，甚至遭到警方的怀疑。几乎崩溃的李捷，靠着惊人的勇气，踏上独自寻访的旅 程。在追踪过程中，李捷逐渐接近了另一个女人——保姆孙芳的人生故事，她的身份原先都是谎言，而真相也将浮出水面……

　　秦子昊是某市刑警支队支队长一天，秦子浩的师傅陈国安遇袭致死，怒发冲冠的秦子浩誓要抓住凶手，不料却卷入了和本市著名企业家梁振坤的纠纷中。一天夜里大雨瓢泼，梁正坤公司所开发的建筑工地被发现了一具被雨水冲出来的女尸，警局刘局和章政委决定成立专案组，将两起案子并案侦查，并让秦子昊临时调到专案组协助侦察。秦子昊和同事经调查发现，此案牵扯到王妙妙的好友吴美丽还有梁正坤情人宋茜，于是秦子浩更加怀疑梁正坤。就在调查进行中，吴美丽却坠楼身亡。这事打乱了秦子浩调查案件的节奏，最终在搭档冯嘉怡的帮助与鼓励下秦子浩振作起来，通过蛛丝马迹追查出了案件的真凶就是梁正坤的助理王建波。在一番斗智斗勇之后正义最终战胜了邪恶！

　　美国南北战争前夕，南方农场塔拉庄园的千金斯嘉丽（费雯·丽 Vivien Leigh 饰）爱上了另一个农场主的儿子艾希礼（莱斯利·霍华德 Leslie Howard 饰），遭到了拒绝，为了报复，她嫁给了自己不爱的男人，艾希礼妻子梅兰妮（奥利维娅·德哈维兰 Olivia de Havilland 饰）的弟弟查尔斯。
　　战争期间，斯嘉丽成为寡妇，失去母亲，挑起生活的重担， 不再是当初的千金小姐；战争结束后，她又两度为人妻，嫁给了爱她多年的投机商人瑞德（克拉克·盖博 Clark Gable 饰）。
　　然而，纵使经历了生活的艰苦，斯嘉丽对艾希礼的感情仍然没有改变。艾希礼妻子梅兰妮的去世，给了斯嘉丽一个机会，一边是深爱自己的丈夫瑞德，一边是心心念念多年的艾希礼？斯嘉丽会给自己怎样一个不一样的明天？

　　影片以中国舞为重要元素，讲述一场误会使得中国舞班晚会节目无人指导，组织能力较强的苏筱悠与班长王语熙担起重任，带领班级同学积极面对危机，勤学苦练、互相鼓励，最终在毕业晚会上出色的完成了毕业表演的故事。本片用校园生活中的小乐趣与小感动讲述了大众级的青春励志故事，既包含人物在校园的逗趣生活、动人友谊，也不乏他们勤学练功、奋发图强的赤子之心，啼笑皆非的同时令人细思和回味人生的意义。故事简单、真实、清新，既展示了融合中华民族艺术精髓的中国舞，令人赏心悦目，又鼓舞观众要锲而不舍地追求梦想，勇于克服一切困难，实现个人价值，将自己培养成时代所需要的创造性人才，成为国家人才队伍中积极的一份子。

　　Nina和Madeleine是两位退休老人，也是深爱彼此数十载的恋人。在外人眼中，她们只是普通邻居，直到女儿无意中发现了她们的秘密……对于Nina和Madeleine来说，爱情是生活必需品，是野性的，是冲动的。年龄没有扑灭她们炽热的爱情火焰，或许正相反。
　　本片以老年拉拉这个经常被忽视的群体为着眼点，以情感的方式探讨在生命的尽头，她们如何面对疾病、家庭和、

　　宋巳州（张捷 饰）天生秉赋音乐细胞，刚刚十九岁就被冠以天才的大提琴手和明日之星称谓。小郁（李路加 饰）则是个天生的舞者，她与巳州同庚，现正运作着出国留学的梦想。俩人为一首不知名的乐曲碰撞在一起，交织出炫目的生命乐章。在一个偶然的机会，小郁聆听了巳州小时候录制的乐曲，她深受感动，从此成了巳州忠实的粉丝，她用优美的舞姿撩动着旺盛的青春，同时也撩开了巳州尘封已久的心扉。父亲（高捷 饰）望子成龙心切，当他发现儿子与小郁有恋爱的苗头时，决定把这种念头扼杀在萌芽之中，他积极筹办儿子的复出音乐会，不让儿子分心。音乐会上，巳州因心中有爱，奏出了不同以往的奔放旋律......

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　Amazon rainforest, 1538. King Carlos V de España y I de Alemania sends a group of Spanish soldiers to the new continent to locate Teziutlan, a legendary city created with gold, to claim it to the Spanish Empire. Alone in the rainforest and without a help, soldiers face not only indigenous tribes but the manifest hate themselves by their respective birth places. Leaded by old Don Gonzalo, married with young Doña Ana, his aging and weak health turns in danger Ana, who is disputed by Alférez Gorriamendi, Gonzalo's right-hand, and soldier Martín Dávila. After to realize that Viceroy of Port Prince has send another expedition looking for them leaded by Juan Medrano after to accuse Don Gonzalo of treason, Dávila, Gorriamendi and other soldiers as Sargento Bastaurrés and Barbate must decide if fight against Medrano's and his men or continue until Teziutlan. But the rivalry and hate between them will reveal more dangerous than the own rainforest and the indigenous tribes