乱世英豪

　　莱娜在父亲的阴影下每天过著地狱般的生活，她唯一来往的对象是旅馆同事穆法塔斯，莱娜从未答应但也没拒绝他的追求，痛苦的莱娜只想挣脱生活中的恶性循环；在城市的另一端，有位技师正为他刚过世的妻子哀伤，一只装有他妻子衣物的行李箱，竟出其不意地改变莱娜的命运…
　　Because of her father's inappropriate behavior, Zeynep, a hotel housekeeper, spends hellish nights. The only person with whom she has a relationship is Mustafa, a young man who works in the same hotel and who is interested in Zeynep. Zeynep is trying to escape from the vicious circle in which she finds herself. In another part of the city, Selcuk, a sound technician, is struggling with the guilt he feels over the recent death of his wife. The suitcase that contains Selcuk's wife's clothes will change Zeynep's fate in a most unexpected manner.

　　上世纪八十年代，陆秉峥与陈有德带领的考古队在前往昆仑山考察中途遭遇沙尘暴，意外掉进尼雅女王的地陵，却发现位于地下的一个巨大磁场迷宫。在遭遇了巨型蜘蛛与毒蝎群等袭击之后，全体队员阵亡，只有陈有德逃了回来，而陈有德却不知所踪。七年之后，陆秉峥之子陆九逸带领众人踏入茫茫沙漠，寻找尼雅古国，试图找回父亲的踪迹，可等待他们的却是各种诡异的未解之谜……

　　Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.

　　维多利亚时代的英国小镇莱姆，年轻的绅士查尔斯（杰里米艾恩斯 Jeremy Irons 饰）在海边的悬崖上邂逅了一个神秘黑衣女子（梅丽尔斯特里普 Meryl Streep 饰）。听当地人说，黑衣女子名叫萨拉，因为曾与一名法国中尉有染，所以遭众人非议，被称为“法国中尉的女人”。不过，查尔斯却对这位遗世独立的女人颇感兴趣，尽管他已经有了一个贤淑的未婚妻，并拟定了婚期，但他还是抑制不住萨拉的诱惑。两个人在几次试探后，终于开始幽会。萨拉对查尔斯讲述了她的遭遇和经历，但这一幕却被他人窥视，于是偷偷摸摸的私情面临公诸于众的危机……
　　无独有偶，这段故事被改编成了同名电影，女主角萨拉的扮演者安娜与男主角查尔斯的扮演者迈克，也给戏中人一样，保持着若即若离的情人关系，只是结局却出人意料……

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

　　坐拥数亿财产的钟小年(徐峥 饰)意外遭人绑架，不得不在一位神秘人的操控下完 成一道道令人两难的选择题。在选择的过程中，钟小年落入陷阱，不仅巨额财产被盗取、 濒临身败名裂的边缘，还将妻子魏思蒙(王丽坤 饰)牵扯进一个个险境。为了洗脱罪名， 救回爱人，钟小年在重重危机中与神秘人展开了一场关乎生死和救赎的金钱游戏…

　　罗密欧（阿德里安·蒂蒂耶尼 Adrian Titieni 饰）和妻子玛格达（莉亚·巴格纳 Lia Bugnar 饰）结婚多年，两人共同养育着女儿艾丽莎（玛丽亚·维多利亚·德拉格斯 Maria-Victoria Dragus 饰），漫长的婚姻生活令罗密欧和玛格达都感到疲惫不堪，对妻子早已经没有感情的罗密欧唯一的指望，就是将艾丽莎送出国留学，希望她能够尽早离开这个陈腐不堪的国家。
　　让罗密欧没有想到的是，艾丽莎竟然在会考前夕遭到了陌生男子的袭击，手臂受伤，导致她在之后的考试之中发挥不佳，为了不影响艾丽莎的前途，罗密欧不惜一意孤行贿赂官员买通阅卷老师，全然不顾妻子和女儿的感受，殊不知，这一连串的举动，令他坠入了万劫不复的深渊之中。

　　该片讲述了一个八岁的小男孩山姆，寻找他丢失乐的宠物的故事。爸爸不在他的身边，所以作为礼物的小仓鼠在山姆眼里显得格外珍贵。
　　当然这并不仅仅是一个小男孩找仓鼠的故事，坏人总能想到办法丰富起一个故事。这只命途多舛的小仓鼠其实还身怀绝技，这让刚刚从监狱种出来的洛基看出了它的潜在价值。就这样，一个小男孩和一个罪犯之间的斗智斗勇就围绕着一只可爱的仓鼠展开了...

　　阿直（吴镇宇 饰）和阿车（倪星 饰）是一对好朋友。阿直的职业是殡仪馆的化妆师，因职业的关系从未结交过一个女朋友；阿车在叔叔陈师傅（林正英 饰）的跌打馆里帮忙，本身有点儿小道行，却是个不务正业、玩乐调皮的家伙。阿车欠下黑社会老大贵利雄（黃光亮 饰）一笔钱，为筹措资金绞尽脑汁。偶然机会两人与殡仪馆老板（吴耀汉 饰）打赌，在农历十五月圆之夜引出传说中的芭蕉精。为措资金，二人铤而走险。结果引出的芭蕉精化身为阿直所迷恋的模特Iris（傅丽人 饰），但他必须在初一将其送回，否则一尸两命，芭蕉精化做青烟，Iris也会魂归黄泉……

　　While Amy is preparing for her father's Halloween-themed wedding, she, Gilbert and Marshall discover that Harold and Rose may be in danger. An evil mummy is unexpectedly awakened and out for revenge.

　　本片以美国50年代美苏冷战时期为背景，围绕女主人公凯蒂·莫若斯凯（芭芭拉·史翠珊 Barbra Streisand饰）与男主人公哈贝尔·加德纳（罗伯特·雷德福 Robert Redford饰）讲述了一段由相识到相知相恋，却因彼此间个性和政治立场的差异而分手的爱情故事。凯蒂，性格倔强浓烈的左翼女生，在校担任青年政党联盟主席；而主张明哲保身的哈贝尔则是学校有名的运动和写作才子。两人顺理成章地走到一起，也不可避免地分道扬镳。许多年以后，哈贝尔在街头与凯蒂重逢，往日情怀，不禁涌上心头。
　　由著名导演西德尼·波拉克执导的影片《往日情怀》，根据阿琴·劳伦茨的小说改编而成。导演波拉克十分擅长反映当今社会的政治问题和揭露一些社会现实，而这部具有浓厚政治意味的好莱坞爱情片，更成为当时具有知识分子味道的代表作。波拉克一生导演了19部影片，共获得46项奥斯卡提名。本片则荣获1974年第46届奥斯卡金像奖最佳原创歌曲、剧情类最佳配乐及最佳女主角提名等多项大奖与提名。

　　为了获得普利策奖，一名记者谎称自己患有精神疾病，而进入了疯人院，以此来调查一个谋杀犯。但当他逐渐接近那名凶手时，疯狂也亦步亦趋地慢慢侵袭到他的头脑......
　　这部描写疯人院中离奇案件的影片充斥着塞缪尔.富勒锐利的愤怒色彩，令人不寒而栗